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The AJA FS2 is a universal frame synchronizer and converter with two completely independent channels that can be used separately or together, all in a compact 1RU design. Each FS2 video channel supports virtually any input or output: analog component or composite, 3G/HD/SD-SDI, Dual-Link and HDMI I/O--and each channel has its own still-store, keyer, and video proc amp/color corrector. The AJA FS2 offers dual independent streams with full input and output signal routing and dual 16 channel…

The ARRI Hi-5 hand unit provides reliable wireless camera and multi-axis lens control in demanding situations on set. Robust and weatherproof, it features unique, swappable radio modules for different territories and shooting challenges, ensuring the best possible radio link range for every setup.

Features include hot-swapping battery support, optional radio modules for different regions, user-defined function buttons, pre-marked Smart focus rings, an integrated NATO rail, and a…

FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer.

FS-HDR, a 1RU, rack-mount, universal converter/frame synchronizer, is designed specifically to meet the HDR (High Dynamic Range) and WCG (Wide Color Gamut) needs of broadcast, OTT, post and live event AV environments, where real time, low-latency processing and color fidelity is required for 4K/UltraHD/2K/HD/SD and 2K/HD/SD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered…

Dual video and audio processors offering huge flexibility and the power to adapt to meet the needs of rapidly changing environments, FS2 offers unprecedented conversion and frame synchronization power in a 1RU space.

Ki Pro Ultra Plus is a multi-channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes, Avid DNxHR MXF for 4K/UltraHD or Avid DNxHD MXF recorder and player. Ki Pro Ultra Plus supports the latest large raster high frame rate workflows, up to 4K 60p with HDR playout and recording.

3G-SDI, fiber and full HDMI 2.0 digital video connectivity plus a wealth of analog and digital audio connectivity…

Pak Media uses a solid metal housing to protect the internal SSD drive from the bumps and bounces of field use, ensuring your media is secure.

The reinforced connector is engineered for repeated insertion and removal cycles, unlike the connector built into SSD drives, which is designed primarily to be inserted into a computer and rarely removed.

The GEN10 features 7 outputs including 2 groups of independently controlled SD/HD sync outputs and 1 AES-11 output. The SD outputs can be switched between Color Black or Color Bars. HD tri-level sync can be switched between 19 different HD formats including all that are in use today. The AES-11 output can be switched between SILENCE and TONE. All outputs are in sync with each-other and are sourced from an accurate master time base.

The C10DA is a 1x6 Analog Distribution Amplifier with support for NTSC and PAL offering the ability to distribute multiple copies of the incoming signal or extend content of composite video with gain adjustment to compensate for long cable runs where needed. The C10DA can also be used to DA Tri-Level sync in an HD facility when a sync signal is fed externally into the Video Input.

The HDP2 is a miniature HD-SDI/SDI to DVI-D converter for digital display devices, such as LCD, DLP, and Plasma monitors or projectors. Using a very high quality scaling engine and de-interlacer, the HDP2 will automatically size 4:3 or 16:9 inputs to many DVI-D monitors.

The HD10C2, AJA's second generation HD D/A converter, brings exciting new features. In addition to being a high-quality 10-bit HD converter, the HD10C2 is "dual-rate" and works with both HD-SDI and SDI inputs. For HD-SDI inputs, the HD10C2 outputs full bandwidth HD component or VGA-style RGBHV video. For SDI inputs, component or composite SD outputs are supported. When connected to a multi-format monitor like the Sony 20L5, the HD10C2 will automatically provide an image from almost any HD or…

AJA FiDO-4T-ST offers unmatched flexibility and cost efficiency for SDI-Fiber conversion, allowing for long cable runs up to 10 km (32,808 ft) with electrical isolation - useful for eliminating ground loop problems.

FiDO converters use a compact, low-profile enclosure that works well in tight spaces around and behind equipment racks, trucks and on camera.

Features:
4-Channel 3G-SDI to Single Mode ST Fiber Transmitter

4 simplex output connection (ST…

The AJA HI5 Mini Converter converts SDI or HD-SDI to HDMI for driving HDMI monitors. Embedded SDI/HD-SDI audio is supported in the HDMI output allowing a convenient single cable audio/video connection. The AJA Hi5 provides 2 Channel RCA style audio outputs for separate audio monitoring if needed. The AJA Hi5 also provides a looping SDI/HD-SDI output useful for connecting additional equipment, or for "daisy chaining" multiple monitors to the same SDI-HD-SDI source.

  • SMPTE-259/274/…

The AJA HD10MD3 is a miniature digital downconverter for converting HD-SDI video to standard definition SDI and analog component/composite video. The HD10MD3 uses a full 10-bit data path and multi-point interpolation to produce broadcast quality downconverted video. In addition, the HD10MD3 converts either 1080p24 or 1080p24sf to 59.94 Hz output video using the standard 3:2 pulldown technique. The output can be formatted for either 4:3 or 16:9 standard definition monitors. Four-channel input…

The AJA HD10C2 is a high-quality 10-bit HD converter that’s “dual-rate” and works with both HD-SDI and SDI inputs. For HD-SDI inputs, the HD10C2 outputs full bandwidth HD component or “VGA” style RGBHV video. For SDI inputs, component or composite SD outputs are supported. When connected to a multiformat monitor like the Sony 20L5, the HD10C2 will automatically provide an image from almost any HD or SD input format. The AJA HD10C2 10-Bit HD and SD-SDI to Component and Composite Converter…

The AJA HD10A is a miniature, high-quality, 10-bit analog to digital converter for HDTV. A companion to the popular HD10C2 D/A converter, the AJA HD10A can add an HD-SDI output to cameras, VTRs, or other analog-only high definition equipment. The HD10A accepts RGB or YPbPr analog HD and outputs three duplicate HD-SDI signals. It provides 1080/1035i, 1080p, and 720p with internal or external sync.

AJA HD10A 10-Bit Component Analog HD to HD-SDI Converter Features

The AJA 3GDA Reclocking Distribution Amplifier is a miniature, low-cost 1x6 3G HD-SDI/HD-SDI/SDI re-clocking distribution amplifier. Featuring six separately buffered SDI outputs, the AJA 3GDA provides automatic input detection, re-clocking and cable equalization.

Featuring a flexible input, output, and control architecture, the AJA FS1 Universal HD/SD Audio/Video Frame Synchronizer and Converter can simultaneously work with both HD and SD video — all in full 10-bit broadcast quality video and 24-bit audio. The AJA FS-1 supports virtually any input or output, analog or digital, HD or SD. The AJA FS1 can up-or down-convert between SD and HD, and provide simultaneous HD and SD outputs.

Up, Down, Cross-Conversion between HD formats are also…

The AJA D5CE converts SD-SDI to Component-Composite video.

This cast aluminum Hi Hat works with all professional fluid heads with a 100mm ball mount. The 3 legs are drilled with 3/8" holes for mounting it to a wood or metal plate. The overall height is 6".

The Lo-hat is ideal for those extremely low angle shots. Features a 3" center hole and 3 location key ways for standard Mitchell base heads. The overall height is 1 3/4".

Features a 3" center hole and 3 location key ways for standard Mitchell base heads. Legs are drilled with 3/8 " mounting holes to secure the Hi-hat to mounting plates. The overall height is 4 1/2".

The Alphatron EVF035W-3G EVF is a High Definition 3G Electronic View Finder. The Alphatron EVF-035W-3G can be used with a wide range of cameras thanks to it's HD-SDi and HDMI inputs. The Alphatron EVF035W-3G EVF gives BMCC operators comfort and monitoring versatility, and enables extremely fast and precise focusing.

 

The American Grip 4 foot Dolly Track is Round Straight 4ft, weight 23.5lbs made of chrome plated steel.

The American Grip 8 foot Dolly Track is a Round Straight 8ft, weight 30.5lbs made of chrome plated steel.

Camera Wedge Plate tilt angle adjustable from 0 to 90 Degrees.  It is designed to accept Arri Standard sliding base plates and virtually any camera with 3/8-16 mounting holes
Wt: 4.75 lbs

The American Grip Doorway Dolly includes rubber pneumatic tires which are good for smooth surfaces, studio floors, etc.

The revolutionary 'green' LP Charger Series supports the Digital Battery Series and features an efficient charging algorithm for multi-chemistry, simultaneous charging. The algorithm ensures rapid charging of up to four batteries at a time, all while conserving energy, eliminating waste, and reducing total cost of ownership. The Performance Charger series is nearly 40% more efficient than traditional chargers, rendering large power supplies virtually obsolete. New ‘green’ charger: Charges…

The Anton Bauer T2 Dual Charger combines two channel simultaneous InterActive charging with a 70 watt 16VDC output for camera operation, making the T2 capable of operating power hungry cameras while simultaneously charging a spare battery in the fastest charge time possible.

The Anton Bauer Tandem 70 is a 70 watt charger / power supply. A new approach to portable power, the Anton Bauer Tandem 70 combines all the functionality of a one position interactive charger with the convenience of a noise free camera mounted wide range AC mains adapter. It will power even the most power hungry high definition camera from any worldwide AC source. It also doubles as a full function interactive charger charging any Anton/Bauer Gold Mount battery in two hours or less. Weighing…

The Compact Drive 1TB is a high-performance solid-state drive, offering 960 GB usable capacity in a compact, rugged casing.
Recording capacity at 24fps
- approx. 32min uncompressed ARRIRAW 4.5K OG
- approx. 121 min Apple ProRes 4444 16:9 4K UHD

ARRI Master Grips Ultimate handheld control

Solid, ergonomic right-side camera handgrip with assignable user buttons and a control rocker for superb smooth zooming. Includes a steel ARRI rosette and two LBUS interface.
Cine-style handgrips with documentary - style controls. 
ARRI Master Grips combine effective camera stabilization with flexible and responsive fingertip control of lens and camera while shooting handheld. 

Features

  • EF, ENG, and cine lens…

How to Integrate Your Cinetape, WCU-4, and LBUS Motors. Problem Solved.

Mike Duca of Talamas explains how the ARRI LCUBE CUB-1, a miniature signal converter that converts LBUS protocols to serial protocols and vice versa, can be used to create a lightweight custom solution…

The ARRI LMB-15 is the perfect choice for those requiring a lightweight clamp-on mattebox solution. The 4 x 5.65 horizontally oriented filter trays slide into heavy duty machined guides with ease. The LMB-15 can be rapidly configured for two or three stage capacity.

The LMB-15 is compatible with LMB-5 filter trays, clamp adapter backs and carbon fiber light shields. For greater flexibility, the new 130mm back also works with clamp-on rings from the MB-20 system. The LMB-15 accepts ENG…

The ARRI LMB-25 is a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15, while retaining the low price tag of an entry-level LMB-5.

ARRI LMB-25 Light Weight Mattebox Features

  • 2- or 3-filter metal filter stage guide
  • Combo 4x4 / 4x5.65" filter frames
  • Compatible with all LMB-5/15 filter frames, Clamp Adapters and light shields
  • Wide angle hood easily removable on set with captive screws
  • Securing loop on main…

Compact, handheld director's viewfinder with PL Mount.

The ARRI  MFF-1 Mini Follow Focus is the newest lightweight, single-sided follow focus from ARRI. It is fully adjustable, which allows the unit to be mounted to any camera system with 15 mm lightweight support rods. It can also be supported from 15 mm or 19 mm bridgeplates using standard adapters from third party manufacturers.

Manufactured in sleek black metal, the ARRI FF-4 Follow Focus combines a modern look with trusted engineering and a classic design. While the FF-4 kit contains the essentials for pulling focus on any type of production, the choice of either 15mm or 19mm rod adaptors means that you can shape the system to meet your particular requirements. The ARRI FF-4 follow focus is an industry workhorse and has already proven itself on countless tough shoots all over the world, so you needn’t worry about…

5.65"x5.65" Compact Matte Box MB-20 and MB-20 System II are modular systems that can be adapted for use 
on film and video camera lightweight supports, bridge plate support rods, or as a clamp-on sunshade.

Main Features

  • ARRIs new and innovative patent-pending cage design allows for use of videography-style light shields 
  • without sacrificing durability, and gives full protection of the sunshade against shocks.
  • Aside from the basic module and light…

The ARRI MB-28 is a compact matte box designed to cover the largest cine zoom lenses. The MB-28 is available with a three-filter stage and a swing-away system. Natively designed for 6.6" x 6.6" filters, the MB-28 can be made compatible with all sizes of industry-standard filters.

ARRI MB-28 Compact Matte Box Features

  • 6.6" x 6.6" wide-angle compact swing-away matte box
  • Two rotatable filter frames for use with polarizing and grad filters
  • Rear bellows hold 6"…

The modular ​ARRI FF-5 follow focus system in Cine version is a combined lightweight or studio follow focus for all kinds of lenses. Since it uses the same focus knobs as the MFF-2, knobs with individualized markings can be transferred between the FF-5 and MFF-2, speeding up turnaround times for focus pullers.

ARRI FF-5 Cine Follow Focus Features

  • gear ratio 1:2 for cine style lenses
  • Unique space-saving, snap-on bridge mechanism (lightweight or studio) for fast…

The ARRI FF-5HD is a follow focus that has been designed specifically for video lenses or cine lenses with a small diameter barrel. The FF-5HD has a longer swing arm for better gear positioning with HD lenses. A lower gear ratio is also better suited for the smaller lens diameter of HD lenses and/or for cine lenses with a compressed focus scale. The ARRI FF-5HD can be mounted directly onto lightweight rods through a snap-on mechanism, ensuring simple and fast setup on the set. With an…

The ARRI MMB-2 is a very lightweight and compact matte box. The reduction/ Clamp-on rings are made out of composite material and are designed to clamp the Mini Matte Box MMB-2 on Cine style lenses. The reduction/ Clamp-on rings are not suitable for Stills photography lenses with a front filter thread. The stills Lens Clamp-on Rings screw on the front filter thread of Stills lenses to offer a standard front diameter of 114mm. The Stills Lens Clamp-on Rings can be used as straight clamp-on…

The modular ARRI MFF-2 HD is a lightweight, single-sided follow focus unit for small video cameras and DSLRs. The ARRI MFF-2 HD Mini Follow Focus has a gear ratio of 1:1 for smaller video lenses.

ARRI MFF-2 HD Mini Follow Focus Features

  • Unique space-saving, snap-on bridge mechanism
  • Choice of three different focusing knobs (standard, hard stop, 2-speed)
  • Reversing feature for Nikon and Leica lenses
  • Compatible with a wide range of ARRI driver gears and…

The ARRI LMB-4A is a 6.6"x6.6" lightweight matte box. The ARRI LMB-4A is designed for extreme wide angle lenses and can only be used by clipping on the lens directly. It will fit lens diameters of a range from 80mm – 130mm these include Zeiss and Cooke lenses. The ARRI LMB-4A has a wide shade that also fits the ARRI/Zeiss Ultra Prime 8R.

Recording media for Atomos' latest recorder monitors.

The Samurai Blade offers a 1280 x 720 SuperAtom IPS touchscreen, at 325ppi 179-degree viewing, 400nit brightness and multi-frequency (48/50/60Hz) operation, depending on video input, giving super smooth monitoring and playback. The capacitive touch panel gives lightning-quick response times and gesture capability.

Packed into the light and mobile camera-mountable Samurai Blade are all the essential tools you need to set up on-site accurate colors and exposure including full waveform…

Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.
Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor…

The Bebob ZOE-EX Zoom Control offers a full range of innovative remote functions, including Variable Stepless Zoom Speed Control, Record Start/Stop Button, Return Function, & Reversible Zoom Direction, in a compact user friendly package.

Rugged Functionality

Housed in a streamlined, casing of lightweight, durable shock-resistant polycarbonate, Bebob ZOE-EX Zoom Control adjusts zoom function through the system's innovative pressure-sensitive rocker switch. Speed of the zoom…

SD, HD & Ultra HD video router with (80) 12G SDI Inputs & (80) 12G SDI outputs
Blackmagic Videohub 80x80 12G is an advanced zero latency video router that supports any combination of SD, HD and Ultra HD on the router at the same time. The 80 12G-SDI inputs feature LEDs on each BNC that indicate an SDI signal, plus there are 80 12G-SDI outputs, redundant power and reference connections in a stylish four rack unit design. The large full HD LCD lets you see video before routing and…

The Blackmagic SDI to Analog Mini Converter will accept an SDI input signal and convert it to HD/SD component, NTSC, PAL, or S-video output. Also, if your SDI signal has audio embedded, the Converter will let you first de-embed the audio so that you can output it via the analog outs.

The Blackmagic SDI to HDMI Mini Converter will accept an SDI signal and convert it to an HDMI output. You can also choose to de-embed SDI audio to balanced AES/EBU or analog audio outputs. Use this device to connect SDI-based equipment to big-screen televisions, video projectors, and other HDMI displays.

The Blackmagic HDMI to HD-SDI converter is ideal for converting from HDMI devices to SDI video with the choice to embed SDI audio from HDMI, AES/EBU or balanced analog audio inputs. Now you can add SDI outputs to cameras with HDMI connections. Also features a built in hardware down converter to connect HDMI video to SD-SDI equipment.

The world’s most advanced all-in-one Ultra HD live production switcher with 8 independent 12G-SDI inputs with re-sync and full standards conversion, DVE, Fairlight audio mixer with parametric EQ and compressor/limiter, media store with motion clips, talkback, multiview and more.

The SLi Series Blocks are the most versatile Block Battery designed for cinematic production applications. Utilizing innovative design concepts, the SLi Series provides an advanced feature set including QuickCell modularity and AutoBalance technology, at the same time. The SLi-D600 comes standard with multiple simultaneous voltage outputs, a nominal 16vdc output and a regulated 28vdc output.

The SLi Series Blocks are the most versatile Block Battery designed for cinematic production applications. Utilizing innovative design concepts, the SLi Series provides an advanced feature set including QuickCell modularity and AutoBalance technology, at the same time. The SLi-D1000 comes standard with multiple simultaneous voltage outputs, a nominal 16vdc output and a regulated 28vdc output.

 

 

The B+W 72mm Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The filter arranges, and filters, directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.

A circular…

The B+W 77mm Circular Polarizer Slim Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The Multi-Resistant Coating of the B+W 77mm Circular Polarizer Slim Filter is both an anti-reflection coating as well as a protective surface. It helps to increase light transmission by reducing reflections, scattered light, and ghosting. Additionally, it offers greater protection to the filter substrate and stays…

The B+W 82mm Slim Circular Polarizer helps to Eliminate Reflections and Glare and reduces Haze and Blue Cast in Landscapes. It features greater color and tonal saturation, Slim-Line Mount for Wide Angle Lenses, Lightweight Aluminum Filter Ring, and High Quality Schott Glass.

The Canon ZSD-300M Remote Zoom Control is a momentary-type zoom servo demand for Canon lens controller kits. The controller provides precision zoom capability in a handlebar style controller and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Canon EVF-V70 OLED Viewfinder for C700 is an optional, professional grade 0.7" OLED electronic viewfinder, featuring 1920 x 1080 resolution, illuminated buttons, adjustable diopter, surround view, view assist, magnification, zebra patterns, and false color. It has (4) user assignable buttons, a control joystick and menu dial with center button. The EVF can also display a simulated HDR image with "stretched" dynamic range for increased shadow detail and highlight retention.

The Canon ZSD-300D is a digital zoom servo demand for Canon lens controller kits.

Made to fit seamlessly with the Canon 5D Mk III, the Canon BG-E11 Battery Grip doubles the battery life of the camera and provides a user-friendly grip for portrait photography. The grip comes with two different battery trays that can be used with either two LP-E6 batteries or six AA batteries. The camera will drain the LP-E6 batteries simultaneously. The grip has an additional iris and shutter control to allow for easy control in portrait mode. 

- Canon BG-E11 Battery Grip 
-…

The Canon FFC-200 is a manual flex focus handle built for ENG/EFP Canon lens controller kits, including the MS-210D, MS-220, MS-210, MS-21, and MS-22. The controller provides precision focus control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Lambda is a Nodal Swing Head ideally suited for 35mm digital cinema cameras fully equipped with long lenses, mattebox, etc.

Providing a high level of operational flexibility, this Fluid Head can be easily fitted to a wide range of supports including tripods, dollies, cranes and camera cars. The mounting can be inverted in under-slung position for low line positioning and allow the camera to be moved all the way to the ground and provide for accurate images which…

A third axis for Lambda 25

Allows nodal setting in 3 axis of rotation as if included in a sphere, can be mounted on existing Lambda 25 by simply disassembling the 2 L shaped frames and inserting the Dutch axis in between.

Ideal for underslung use on dollies or cranes.

Two counterweights of 1 kg each complete the package.

The innovative lightweight LAMBDA 25 represents the ideal solution for Cameras up the 25 kg (55 lbs). 

LAMBDA 25 inherits all the classic LAMBDA features with the addi on of pan and lt pierced rotation
axis to allow the cable passage and a no limit multiple 360 rotation. 

The patented CARTONI Fluid drag system is continuous on both axis. 

The LAMBDA 25 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from…

Rent our Chrosziel 4×5.65 Clip On Matte Box.  

This Chrosziel mattebox is designed specifically for Fujinon & Canon F4.5 zoom lenses.

4×5.65″ 2 stage matte box with 138mm rotating stage

The Chrosziel MB 415 Wide Angle Matte Box mounts on 15mm support rods and includes a top mounted French flag and two filter stages. Both filters can be rotated and fixed in any vertical position. The second stage rotates up to 360°, depending on the size of the filter. Two multi-format filter-holder are also included, one for 4 x 4" or 4 x 5.65" and second for 5 x 5" or 4 x 5.65" filters. A third stage inside the rubber bellows accepts round filters with a 138mm diameter.

Many cinematographers use the Cinesaddle primarily as a replacement for their tripod but it may also be used to attach a camera to any static or moving object. The Cinesaddle is measured in ounces but it will support all professional Betacam video cameras as well as 35mm & 16mm cine cameras.

Foam balls inside the Cinesaddle push the sides of the bag tight up against the camera, holding it steady. The bottom of the Cinesaddle molds itself to the shape of the object it is…

The Cinematography Electronics Cine Tape Measure continuously calculates the distance between a subject and the camera's film-plane. By continuously measuring distance during a shot, small or subtle subject movements are no longer a problem. With non-stop measurements, focusing a camera lens is simplified which saves time, avoids retakes and reduces production costs. The main components of the Cine Tape Measure are the Cine Tape Measure Control and the Sensor Assembly. The control displays…

Cineped 2.0 is made with special composite material, carbon fiber, and aluminum.  The original Cineped is also still available. It is lightweight and compact yet strong, totaling to 41 lbs (18.59 kg) for the slider and legs. This is great for any fast-paced production as it can deliver the quality, speed, and efficiency.

As a monitor, the Convergent Design Odyssey 7Q features a 7.7” OLED screen with 1280x800 resolution. Additional exposure aids include a programmable false color mode, zebras a waveform monitor (luma or RGB parade) and a histogram (luma or RGB parade). There are also LUTs built in for proper viewing of the LOG and RAW modes available from numerous popular cameras, with programmable LUTs coming in the future. For precision focusing use our pixel zoom with two levels of magnification and a…

The Odyssey7Q+ is the most advanced, most capable, most versatile monitor/recorder in the world. The Odyssey7Q+ can record HD/2K/UHD/4K. It can record them via SDI and HDMI. It can record RAW with the Odyssey RAW Bundle, uncompressed DPX, and Apple ProRes 422 (HQ). The Odyssey7Q+ features an OLED 1280x800 monitor with true blacks, accurate colors, extended color gamut and a 176 degree viewing angle.
Along with the best image in the industry, the Odyssey7Q+ also features an…

Nickel Metal Hydride, travel safe block battery with built-in charging.
MV6 The Maverick battery pack is the next generation, all encompassing block battery system for cinema and lighting applications. 

Features
Mobile Power Station with High Current Delivery
Aux Power with Preventative Maintenance Functions
Modular Build
A Friendly Form Factor
Backlit Runtime LCD with Diagnostic reporting

 

The Dana Dolly is made of 6061 Aluminum finished Black to cut down on reflectivity. It also features a Mitchell Mount that can take all types of camera heads.The bottom of the plate is milled out to cut down on overall weight, while not compromising strength. The triangle trucks are welded aluminum, finished black. The wheels are turned down to be round within 1/1000 of an inch to eliminate the "bounce" that normal skateboard wheels give. The turning process also helps keep down the squeak…

The Decimator MD-QUAD is a Professional 3G/HD/SD Test Pattern Generator featuring 26 Selectable Output Formats, 54 Test Patterns including Luma and Chroma Zone-plates, and an Audio Tone Generator. In Quad-Split mode the first 8-channels of audio from any input can be passed to both the HDMI and SDI output. The Decimator MD-QUAD also includes on-screen audio id pop-up when selection audio source in Quad-Split mode and on-screen display pop-up when using the rotary to allow for use without a…

The Denecke TS2 time code slate with built in sync box and time code generator reads and displays SMPTE/EBU Time code. The SB-2 SyncBox is mounted in the battery box. The replaceable lexan face and walnut sticks ensure a long and productive life. The SB2 Time Code Generator jams to all standard frame rates, including 30 df.

Denecke TS2 Time Code Slate Features

  • High intensity one inch readout
  • Easy to replace Lexan face plate
  • SB-2 Syncbox mounted internally…

The Denecke TS3 time code slate with built in sync box and time code generator reads and displays SMPTE/EBU Time code. The SB-3 SyncBox is mounted in the battery box. The replaceable lexan face and walnut sticks ensure a long and productive life. The SB3 Time Code Generator jams to all standard frame rates, including 30 df.

Denecke TS3 Time Code Slate Features

  • High intensity one inch readout
  • Easy to replace Lexan face plate
  • SB-3 Syncbox mounted internally…

The Denecke GR-1 Master Clock Time Code Generator and Reader can generate 23.976 fps TC for use with HD video. The Denecke GR-1 is a precision time code generator/reader designed for production sound recording. Low power consumption with back lighting assures users of long battery life in a small reliable package. Speed checking, memory hold and print are powerful features that will help sound mixers on the set. High Definition compatible!

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  • Most versatile professional 3-axis stabilization system
  • Monocoque carbon fiber frame design
  • High-Torque Motor with Max. Payload of 13.6 kg
  • Fine tune balancing for precision control

The simplicity of Ronin has been amplified with Ronin 2, making setup and use easier than ever. Everything, from mounting cameras to balancing and tuning, powering accessories and transportation has been tweaked and refined for ease and speed.

Designed in a single-handed form factor for DSLR and mirrorless cameras,
the Ronin-S empowers creators to shoot with the freedom of stabilized shots on the move. The Ronin-S gives independent filmmakers the power to capture spontaneous moments with clarity, smoothness, and a refreshing perspective.

The Easyrig Cinema 3 400N Portable Camera Support System (9" Arm, 17 to 22 lb) features a suspension line with a load capacity range of 17 to 22 lb (8 to 10 kg), and supports both film and video cameras. It provides you the flexibility of a hand-held camera, while still achieving steady shots, making it suitable for movies and commercials.

The Easyrig Cinema 3 400N Portable Camera Support System features an ergonomic design that reduces the static load on the neck and shoulder muscles…

This handheld stabilization system includes a Gimbal Rig Vest and STABIL Arm with an 11-38 lb payload capacity for your camera gimbal, and a standard lockable camera hook. The Easyrig STABIL Arm is incorporated into the Easyrig system to make the weight distribution as even and ergonomic as possible. It features a standalone payload capacity of 11-55 lb. With the Gimbal rig vest and the Vario 5 system, STABIL weighs 17.6 lb, with a maximum camera payload of 11-38 lb.

The Easyrig Vario 5 has an adjustable weight range from 11-38 lbs. By turning the adjustment screw located on the back, you can easily change the tension / power of the line.

The Easyrig Vario 5 gives you the same advantages as the other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations. The Easyrig Vario 5 still 
delivers the same steady hand held shots while relieving strain on your back, neck and…

The Easyrig Vario 5 has an adjustable weight range from 11-38 lbs. By turning the adjustment screw located on the back, you can easily change the tension / power of the line.

The Easyrig Vario 5 gives you the same advantages as the other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations. The Easyrig Vario 5 still 
delivers the same steady hand held shots while relieving strain on your back, neck and…

The eMotimo spectrum is our premier motion control pan and tilt head. Spectrum is an advanced 4-axis motion controller for cinematography and photography that is faster, more accurate, and easier to use than anything else on the market.

Motorize it with the eMotimo spectrum ST4. This kit will get you up and running with a motorized 4-axis system. Shooting with heavy payloads? The spectrum / Dana Dolly integration supports up 15lbs for video moves (more than any of the other sliders we…

The Evertz 5010 Time Code Reader and Generator is a full function time code generator and full speed reader. A Video Character Generator with high resolution characters and on-screen programming menu are integrated.

More Features

  • Momentary or continuous Jam-sync modes
  • Time and user bits are presettable from the front panel
  • RS-232 serial port permits interfacing to computers
  • 25Fps ⇔ 29.97Fps drop frame time code translator mode
  • Parallel…

The Tools You Need and An Image You Can Rely On

The BM211 is a light-weight, power-efficient, and color accurate 21.5" professional display with a feature set well suited to production, editorial, and broadcast environments. The BM211 is equipped with live side-by-side viewing for two signals, look LUT support, dual-link SDI compatibility, Flanders Scientific advanced Video Data Analyzer, HDR Preview modes, and much more. The BM211 is a smaller format version of Flanders Scientific…

Reference Grade OLED Monitoring from Production to Post

The DM220 is a high-contrast 22" OLED monitor designed for use in color critical production and post-production applications. Industry leading fast mode processing, a durable all metal chassis, our most advanced feature set, and a compact and lightweight form-factor make the DM220 an exceptional reference grade monitoring solution for any environment.

Color Management

FSI’s 3rd generation Color Fidelity and LUT…

The DM240 is a durable, lightweight, efficient, and color critical professional broadcast monitor. Industry leading fast mode processing, a durable all metal chassis, and Flanders Scientifics most advanced feature set make the DM240 ideal for applications ranging from production to post.

Note: Optional MōVI MIMIC Controller available.

The MōVI M5 3-Axis Motorized Gimbal Stabilizer from Freefly is designed for mid-sized DSLRs, mirrorless cameras, and camcorders weighing up to 5 pounds, including the lens. For camera stabilization the M5 uses three motors and an IMU (inertial measurement unit) to detect and counteract unwanted movement along three axes: pan, tilt, and roll. In particular, compensating for handshake or vehicle-induced vibration and reducing…

Note: Optional MōVI Contoller and MIMIC Controller available.

The MōVI M15 provides camera stabilization system using three motors and an IMU (inertial measurement unit) to detect and counteract unwanted movement along three axes: pan, tilt, and roll. In particular, it works to compensate for handshake or vehicle-induced vibration as well as reduce translation. It supports payloads up to 15 pounds, making it suitable for digital cinema cameras with lenses, as well as…

The Freefly MōVI Pro represents the next generation of digital 3-axis stabilization systems. Designed and built with the goal of creating the world’s most versatile camera movement system, the MōVI Pro will revolutionize and democratize the creation of professional motion picture content. Using active and inertial stabilization, the MoVI Pro allows filmmakers precise, intuitive,and creative control of the camera, and its new features grant even more possibilities to create world-class…

The Fujinon CFH-11 Remote Focus Control is a manual focus grip designed to work with Fujinon MM-11, MS-11 and MS-11D control kits, in conjunction with the CFC-12-990 flexible cable and FMM manual focus module. The grip provides precision focus control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Fujinon ERD-T22 Remote Zoom Control is a B4 type zoom demand designed to be used in HDTV/Broadcast digital lens control kits, including the Fujinon MS-11, SS-11, SS-13A. The demand provides precision zoom control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Fujinon SRD-92B Remote Zoom Control servo zoom demand is a robust professional grade zoom demand for use with all Fujinon Professional and some Broadcast lenses which feature an 8 pin connection. The Fujinon SRD-92B Remote Zoom Control provides super smooth variable speed zoom control via an ergonomic thumb grip. A potentiometer allows further control of the maximum zoom speed. There are buttons for record stop / start as well as return video. A heavy duty clamp system allows sturdy…

The Glide Gear SNC 100 is a body mount rig that creates camera moves that are inspired by the natural movement of the subject being filmed.

Glide Gear SNC 100 Snorricam DSLR Vest Camera / 3rd Person Harness

Features

  • Supports cameras up to 3 lbs
  • Removable shoulder straps
  • Best used with wide lenses 8mm-24mm (full frame equivalent)
  • 3ft pole extension with 180 degree articulation

The SNC 100 presents a dynamic…

The Heliopan 105mm Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. This results in a noticeable increase in the saturation of skies and foliage, as well as clearer imagery when photographing in hazy conditions. A circular polarizer differs from a linear polarizer in that it supports full use of a camera's autofocus and auto exposure functions.

One of the features of the…

The Hoya 95mm Linear Polarizer Glass Filter allows you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. It can also saturate colors and increase contrast. Linear polarizers work with older camera meters.

The Kessler CineSlider is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds. Weighing in at only 10 pounds, with a length of 40.5 inches, 5 inches wide, and a total camera travel distance or 35.5 inches, the CineSlider is a very portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system. Features include drag control and locking, handle with adjustable arc diameter for ultimate…

The Kessler CineSlider is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds. Weighing in at only 10 pounds, with a length of 60.5 inches, 5 inches wide, and a total camera travel distance or 51 inches, the CineSlider is a very portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system. Features include drag control and locking, handle with adjustable arc diameter for ultimate movement…

Kessler CineDrive is a revolutionary multi-axis camera motion control system that puts the emphasis on filmmaker creativity. Never before has any one system provided the power and versatility required to give users multi-axis control that is configurable enough to meet the needs of filmmakers in the studio and in the field as elegantly as CineDrive does.

The Kessler Second Shooter is a revolutionary motion control system that boasts a sleek and compact design, feature-rich operation and an incredibly intuitive user interface. Featuring 100% repeatable motion control for live-mode, looping, time-lapse and stop-motion applications.

The Laird Telemedia 12V DC Power Cable 4-Pin Male to 4-Pin Female XLR 10 ft is a 4-pin XLR male to 4-pin XLR female cable for connecting any 12V 4-pin XLR output to input.

Able to work in component digital as well as component analog facilities (and mixed operations) the Leader LV 5100DE SDI Component Waveform Monitor Vectorscope provides comprehensive waveform, vector, timing and picture monitoring capabilities. Menu-driven control functions extend familiar waveform observations into highly specialized areas. Including local calibration control, the ability to show or blank SAV/EAV signals in both the waveform and picture. The ability to monitor digital…

Born of the success of the LV 5700A Multi-SDI Studio Test Monitor and the LV 5750 Multi-SDI Field Test Monitor, the Leader LV 7700 Multi-Format SD/HD-SDI Rasterizer brings all of the test features of the LV 5750 in a rasterizer (on-screen monitor) package.

Waveform, vector, picture, audio and status/protocol screens are available individually or in several screen combinations. Test results and test screens are output via a DVI-I connector and can drive VGA/XGA monitors. The entire…

Use the Lentequip Rotapola 4X5.65 Polarizer in combination with a drop-in linear polarizer and you can create your very own variable ND filter.

The LitePanels Croma LED fixture is a sleekly designed, camera-mounted LED lighting fixture that provides Litepanels hallmark soft light with the addition of variable color temperature output. It is a versatile solution for run-and-gun news shooters, event videographers or still photographers who move rapidly from one light environment to the next, with no time to change lighting equipment or add gels. Delivering powerful performance in a small package, this self-contained light can be a…

The Losmandy Porta-Jib Traveler was designed for videographers and 16mm cinematographers who need to travel light. Weighing only 29 lbs. (13.2kg), the Porta-Jib Traveler supports 40 lbs. (18kg) of camera and fluid head. So compact, it folds up with no loose parts and fits into a baby tripod case. Its unique telescopic design allows it to work in constricted areas and also unfold to create a dramatic 6 foot lift. And best of all, it uses the 100mm style tripod and head you already own.

The Bogen Manfrotto 680 is a compact, aluminum 4-Section Monopod that holds up to 22lbs(10kg). The Monopod features sure rubber grip, wrist carrying strap, quick action lever leg lock system with 45° run, large 60 mm camera/head platform with plastic cover and dual 1/4” - 3/8” camera fixing screw.

The Ultimate 1030D and 1030Ds fluid heads offer a wealth of features that have been borrowed from the larger OConnor 2575 and 2065 heads to let cinematographers seamlessly transition from heavier to lighter payload camera setups.

These include the stepless, ultra-smooth pan and tilt fluid drag specifically enhanced to provide ultimate control and stability, as well as the patented OConnor Sinusoidal Counterbalance system that provides true, accurate balance at any point in the tilt…

The OConnor 2575D Fluid Head is the flagship of OConnor's Ultimate range of fluid heads and features OConnor's stepless, ultra-smooth pan & tilt fluid drag specifically designed to give you the ultimate control and stability for film style shooting. Featuring OConnor's patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Add to this OConnor's stepless, ultra-smooth pan & tilt fluid drag, and you've got the best of all possible…

The Panasonic AJ-PCD2G Single Slot P2 Card Reader is a compact, lightweight, low-cost 1-slot P2 drive. This compact device is driven by bus power from a USB 2.0 interface. It enables space-saving, high-mobility operation when combined with a laptop PC or a MacBook. The AJ-PCD2G loads data from a P2 card at a transfer rate of 30 MB/s, and comes with driver software for both Windows (XP/Vista/7) and Mac OS X (10.5/10.6). The AJ-PCD2G supports all P2 card sizes, P2 formats and frame rates in HD…

This high-performance, portable 9-inch LCD monitor with its new IPS LCD panel boasts best-in-class 1280 x 768 WXGA pixel resolution. Perfect for field and studio applications, the Panasonic BT-LH910GJ 9 inch LCD Monitor can be utilized on-camera as an electronic viewfinder, on location, in mobile vehicles or for live settings. With 176 degree vertical and horizontal viewing angles, the widest offered by any LCD display, the LH910 delivers exceptional imagery and superb color accuracy, and…

Panasonic AG-MX70 Digital A/V Mixer Features

  • Designed for live events and full-fledged digital post-production
  • Compact unit with a 2-BUS, 8-input video switcher, high-performance, multi-functional digital video effects unit and versatile audio mixer
  • 4:2:2:4 digital component picture quality with Dynamic RoundingTM for broadcast-quality video and 16:9 wide and 4:3 aspect ratio capability
  • Creates more than 600 2D effects patterns including transitions, key…

The Panasonic AJ-PCD30 P2 drive is a three-slot P2 device with a super-speed USB 3.0 interface that delivers fast offloads from a solid-state source. The new USB 3.0 standard facilitates dramatically higher transfer rates, which achieves offloading AVC-Intra 100 footage at 12x real-time, making the AJ-PCD30 especially well-suited for use in long-form video production. The AJ-PCD30 can transfer data from up to three P2 cards simultaneously, making content immediately available to nonlinear…

The Panasonic BT-LH900/A is an LCD monitor for playback of HD/SD multi-format signals.

Panasonic BT-LH900/A 8.4 inch Multi-Format LCD Monitor Features

  • Integrated gamma function for playback of cine-gamma recordings when using the AJ-HDC27FE (Varicam)
  • Resolution: 1024 x 768 pixels (XGA)
  • Reproduction of 16.7 million colors
  • Brightness 300 cd/m2
  • Contrast ratio 300:1
  • Viewing angle 170°
  • Colour temperature adjustable via menu (6,500…

This affordable, highly versatile unit integrates a HD/SD video switcher, audio mixer, MultiViewer and control panel in a single, compact unit. The Panasonic AG-HMX100 Digital A/V Mixer and Switcher features a built-in MultiViewer output and combines high-quality video switching with embedded or analog audio mixing functions. It offers a very flexible user interface and supports SD, HD formats, plus switching of 3D sources. It's ideal for use in schools, hotels, government facilities,…

A Remote Operation Panel for even greater operability during shooting, equipped with a new touch panel

  • 1/4 rack size, four units can be installed in a single 19-inch EIA rack.
  • High-resolution 3.5-inch color LCD touch panel and easy-to-use operation button layout.
  • IP connection supported, enabling control of studio cameras and Panasonic’s PTZ cameras.
  • User-assignable knobs and priority buttons enable rapid operation of frequently-used functions.
  • Up…

With an advanced In-Plane Switching (IPS) panel and full 1920 x 1200 HD resolution, the Panasonic BT-LH2550 25.5 inch Multi-Format LCD Monitor delivers stunning picture quality and greatly expands the range of colors you can view on screen beyond the NTSC standard. Designed for applications that require the highest resolution and color performance, the Panasonic BT-LH2550 LCD Monitor has an exceptionally wide color gamut. The monitor features a full range of professional level inputs…

The high-performance Panasonic BT-LH1760 17 inch Multi-Format LCD Monitor combines an advanced In-Plane Switching panel with outstanding black level and high-end functionality to provide exceptional performance for critical monitoring and viewing. Because it has a 120-Hz double-speed drive, twice that of current LCD monitors, the BT-LH1760 handles fast motion content exceptionally well and reduces image blur to a level never before seen in a professional LCD display. Designed with a 3D Look…

Building on the success of its predecessor (AV-HS400), the Panasonic AV-HS400A offers an array of added powerful features. The multi-format AV-HS400A live switcher is an all-in-one system that easily integrates into existing HD/SD workflows, flawlessly mixing HD and SD video sources. With a built-in MultiViewer (Quad Split) image preview, expandable HD/SD architecture, 3D digital effects and a host of other advanced features, the Panasonic AV-HS400A HD-SDI and SD-SDI Video Switcher provides…

Panasonic BT-LH1700W 17 inch Multi-Format LCD Monitor Features

  • High-speed response - no blurring thanks to our overdrive circuit
  • Low delay - Image Processing Circuit (I/P conversion algorithm)
  • Waveform monitor - a superimposed function that graphically displays luminance levels from zero to 110 IRE in any of the monitor's four corners
  • Freeze frame / split screen - frame grab for scene comparison and critical color matching
  • Two dual-rate SDI HD or…

The Preston Microforce V+F2 Zoom Control incorporates the same force sensor technology which has made the Micro Force an industry standard. Its new output amplifier will drive motors from M26T Heden motors to the full range of Panavision zoom motors. A new ergonomic design provides a rounded grip for comfortable all-day use. The integral camera run switches allows remote run/stop operation.

The Preston Digital Microforce 2 Zoom Control features automatic lens calibration, electronic limit setting, and a bright LED bargraph display of zoom position. It also includes programmable soft stops and a speed control knob with a digital readout.

The rugged housing, machined from solid aluminum alloy, protects the control from mechanical abuse and assures years of reliable operation. Its ergonomic design provides a rounded grip for comfortable all day use and also offers a…

The Preston FI+Z Lens and Camera Control 2 channel system can control both lens functions (focus and iris) as well as camera functions (speed, shutter angle, and VTR). The FI+Z system consists of the Hand Unit HU3, Motor Driver MDR-4, a set of DM2 Digital Motors, and a variety of optional controls including wireless Focus/Iris, Zoom and F/X units.

Preston HU3 Hand Unit

The HU3 gives focus pullers not only a robust and reliable unit but one whose controls equip the focus puller…

The Light Ranger 2 is the first and only focus assist system designed for modern high-resolution cameras. The LR2 incorporates an infrared LED/sensor system with 16 distinct measurement zones, allowing the focus puller to visualize the depth of an entire scene without looking away from the monitor. In this era of shooting the rehearsal, the LR2 provides focus pullers with innovative tools to accurately judge focus distance in even the toughest shooting scenarios.

Each of the 16…

The Preston Microforce V+F3 Zoom Control is used to control analog zoom motors mounted externally on the zoom lens, or the internal zoom motors of Panavision lenses. The Microforce VF+3 replaces the venerable 10 turn zoom sensitivity control with a virtually indestructible control knob and bright digital display.

The classic ergonomic design provides a rounded grip for comfortable all-day use and also offers a convenient attachment point for its mating Pan Arm adapter. Its housing…

The Preston FI+Z3 Lens and Camera Control 3 channel system can control both lens functions (focus, iris, and zoom) as well as camera functions (speed, shutter angle, and VTR). The FI+Z3 system consists of the Hand Unit HU3, Motor Driver MDR3, a set of Digital Motors, a Micro Force zoom control, and a variety of optional controls including wireless Focus/Iris, Zoom, and F/X units.

Preston HU3 Hand Unit

The HU3 gives focus pullers not only a robust and reliable unit but one whose…

The Ronford Baker Heavy Duty Standard Tripod is designed for full studio, video and all 35mm and 65mm film cameras. Castings are LM25 anodized, stove enameled black texture. Tubes are 1” dia x 16swg HE30TF alloy, polished and anodized, with nylon wipers and nylon locking pads. Stainless Steel spikes to feet, with rubber covers. Locking levers are anodized and stove enamelled black texture. All steel parts are hardened where necessary, and chrome plated. 

The Ronford Baker Heavy Duty Baby Legs with ground spreader (Mitchell Style) are sturdy, reliable, and easy to use. It can be paired with any fluid head, jib arm, or other specialty head with a Mitchell mount. The tubing is made of hefty aluminum and the mount is a stainless steel cast. The locking levers are anodized and covered by a stove-enameled black texture. All steel parts are hardened where necessary and chrome-plated. Included is an infinitely adjustable spreader with a strong…

The DJI Ronin has been developed for the filmmaking professional. High build quality standards ensure that it keeps up with the demands of rigorous handheld use in trying environments. Simply hold it in your hands to create smooth and stable footage. Custom built ultra-fast processors, extremely accurate sensors, and advanced algorithms, together with fanatical attention to detail has created a system that offers remarkably precise manipulation of control angles - within the range of ±0.02…

The 150mm Hi Hat fits the Sachtler 30 and 60 heads. At only 7 inches tall, the 150mm Hi Hat provides a great amount of support at an extremely low camera angle.

The Sachtler Hi-Hat features a 100mm Bowl.   Suitable for O'Conner 1030, Sachtler Video 20 and Video 18 tripod heads.

The Sachtler 25 Plus Carbon Fiber Tripod System is designed with today's cameraperson using HTDV and Widescreen cameras in mind. It consists of the, Video 25 Plus fluid head with its seven step, temperature-independent damping system, to capture the naked truth on video or film with perfect clarity. Other features include an 18-step counterbalance which can be adjusted easily and safely in 9 stages and permits 90° tilt angles, without being anxious that the tripod will tumble. Also includes…

The Sachtler 60 Plus EFP Tripod System includes the Video 60 Plus EFP fluid video head, the 150 EFP 2 CF carbon fiber legs, a floor spreader, and a hard transit case. It is designed for use electronic field production (EFP) applications. The Video 60 Plus fluid head has a counterbalance range of 44 to 132 pounds, and can safely support payloads up to 145 pounds. The 150 EFP 2 CF tripod legs can be adjusted between 21 and 62", and fold down to 29.1", not including the head, for storage and…

The sturdy and reliable ​Sachtler FSB 8 is a 75mm Fluid head that is well suited for compact HD camcorders in industrial, newsgathering and education applications. The Sachtler FSB 8 provides a 10-stage counterbalance, as well as five steps of drag (plus 0) for both tilt and pan. The fluid head is engineered with Sachtler's well-known technology, including its patented counterbalance switch mechanism, Speedbalance and Sideload technology, which allows quick mounting and unmounting of the…

With a payload of 2 to 22 kg (4 to 48 lbs), the Sachtler 7 + 7 HD Fluid Head is suitable for many HD and film production requirements. The Cine 7+7 HD fluid head is equipped with a sideload clamp for the camera plate. The 150mm long sliding range of the camera plate offers the advantage of an easy, lateral loading of the fluid head with the pre-mounted camera set-up. The 16-step counterbalance guarantees fast balancing of the camera system. Additionally, the payload can be switched between "…

The Sachtler Video 18 Tripod System brings together the update of a classic fluid head with a quick-action, double extension tripod to provide a professional level of support for today's news-gathering videographer. Whether you're shooting with a large ENG camcorder or the latest video DSLR, this system--which also includes mid-level spreaders, rubber feet, and a padded carry bag--will give you the quick, easy balance and flexible control you need.

Perfectly designed for all users of compact HD cameras, Sachtler’s FSB 6 Fluid head has a payload ranging from 1,5 to 8 kg / 3.3 to 17.6 lbs. The ​FSB 6 features Sachtler’s Snap & Go sideload mechanism which boasts an exceptionally large sliding range of 120 mm / 4.7“ and 10-step counterbalance. This ensures extremely fine and fast balancing. Alternatively, the head is also available with the classic Touch & Go camera plate. The ​Sachtler FSB 6 offers three horizontal and three…

The Sachtler Dolly Tripod Wheels provides smooth and stable dolly action for all 100 and 150mm tripods (except Hot-Pod, DA-100/150 Short, OB-2000/M and Cine 2000 tripods). Features fast-action foot-operated brakes, adjustable cable guards and is fitted with track locks to provide tricycle steering. A collapsed length of only 26.0" enhances portability, while the ergonomically designed carry handle is molded into the dolly's reinforced center bracket for optimum carriage strength.

The Sachtler DA-100 K one stage dural aluminum ENG tripod, has a maximum height of 10.6-inch and offers stability for extremely low shooting positions. It features a 100mm / 4" bowl, tube diameter of 16mm (0.63") and is fitted with the Sachtler rotary clamping system. With a load capacity of 88 lb, provides enough support for today's cameras, which are in demand in the news acquisition field.

The Sachtler Video 20 Tripod System combines a classic fluid head with a heavy duty, double extension tripod to provide a new standard of quality and support. This system is perfect for today's busy, news-gathering videographer. When used with both large ENG Camcorders, and Video ready DSLRs.This system will provide flexible control, easy balance, and security.

The Sachtler FSB 4 Fluid head with its payload of 0-4 kg (8.8 lb) is the ideal device for users of small and lightweight, compact HD cameras which are equipped with professional accessories. The Sachtler FSB 4 offers functional Sachtler features such as a robust aluminium housing and the proven Sachtler Speedbalance technology for swift balancing. Its three horizontal and three vertical grades of damping, the reliable five-step counterbalance as well as its integrated flat base fitting,…

SanDisk Extreme SDHC  memory cards offer enough speed, capacity, and durability to meet the demands of advanced photographers and passionate shutterbugs alike. Ideal for use with advanced cameras and HD camcorders, this card offers data speeds up to eight times faster than an ordinary memory card.

Representing the next level of professional recording performance, the Samson Zoom H4N Handy 4 Channel Recorder delivers superior audio quality. The H4n’s onboard X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always equidistant from the sound source for perfect localization with no phase shifting. Frequency response remains uniform throughout your recording. The result is great stereo recording with natural depth…

These high-quality single element close-up lenses require absolutely no exposure compensation. The Schneider 4.5 Diopter Lens feature hard, anti-reflective coating on both front and rear surfaces. This measurably reduces light loss and flare while helping to ensure proper color, contrast, and overall image quality. Schneider drop-in diopters feature rugged black anodized aluminum rings. The diopters are protected by a unique mounting technique which ensures superb structural integrity and…

Having an extinction ratio of ER 374, the Schneider 5x5 True-Pol Linear Polarizer is 12- times more effective than other polarizing filters, and is unmatched in its ability to Reduce glare and unwanted reflections, Saturate colors, Deepen blue skies, Improve contrast, and Penetrate haze. True-Pol Polarizing filters enable you to achieve a level of optical performance previously unavailable to cinematographers. The Schneider Optics True-Pol is ideal for cameras such as the RED camera and…

The Schneider 127mm Rotating Polarizer filter is an extremely effective polarizer for motion picture and television cameras. Having an extinction ratio of ER 374, the Schneider True-Pol is 12 times more effective than other polarizing filters.

Schneider 127mm Rotating Polarizer Features

  • Reduce glare and unwanted reflections
  • Saturate colors
  • Deepen blue skies
  • Improve contrast
  • Penetrate haze

The Schneider 4.5 inch True Polarizing mounted glass filter is for cameras which use polarizing elements in the beam-splitters of the viewing system, such as ARRI 435 and the Movie-Cam Compact. This filter may also be required on certain high definition video cameras with complex optical blocks such as the Sony PMW-EX1, PMW-EX3, and PDW-700 which polarize the red an blue channels more than other cameras and therefore require a circular polarizer to prevent cross polarization and associated…

The Schneider 6x6 HD Classic Soft Filter set produces a classic Old-Hollywood close-up look. Hundreds of Micro-Lenslets arrayed within each Schneider Classic Soft filter provide a precisely controlled soft image that is overlaid on a sharp, in-focus image. This combination diffuses the image while maintaining overall sharp focus. Schneider calls this Schneider In-focus Diffusion. The number of Micro-Lenslets per square inch determines the image blending effectiveness of each Classic Soft…

The Schneider 77mm Graduated Soft Edge ND Filter is used for cinematography. This filter has an ND (Neutral Density) of 0.9 (3 stops) and 50% of the filter is clear. The transition from clear to ND is done with an SE (Soft Edge) transition line. SE grad lines are used with wide angle and normal focal length lenses. This Graduated Neutral Density filter is used to balance exposure within a scene. One very common use is to balance the exposure of the sky and earth in a landscape, thus avoiding…

The Schneider 4x5.650 HD Classic Soft  Filter impart a closely confined, very subtle glow to highlights. If large amounts of overexposure exist in a scene-like a "blown" window - it produces a stylish glow that keeps the sceneメs contrast under control, while adding a romantic look. This effect also blends small wrinkles and blemishes, while maintaining an overall sharp focus that conceals the fact that a softening filter has been used. What's more, the  Schneider 4x5.650 HD Classic Soft  …

Combining the best attributes of the Schneider HD Classic Soft and Black Frost, the Schneider Hollywood Black Magic 4x5.65 inch Filter set removes unsightly blemishes and wrinkles while providing an airbrushed texture to the image. A wide range of diffusion can be selected: from slightly taking off a video edge to removing years off a person's age. Pleasant softening of bright highlights helps control the exposure while maintaining rich blacks and colors.

The Shure UA845 is an amplified, UHF Antenna Distribution System that expands a wireless microphone system by splitting one pair of antennas to multiple Shure UR4 or Shure UC4 wireless receivers. It also amplifies RF signals to compensate for insertion loss due to splitting signal power to mulitple output connectors. Each ​Shure UA845 allows up to four receivers to use the same antennas. CASCADE connectors allows connections to a fifth receiver or a second ​Shure UA845. There are also power…

Defining a new class of RF management tools, the AXT600 Axient Spectrum Manager delivers wide-band UHF spectrum scanning, spectrum analysis and compatible frequency coordination—all in a single rack unit. By scanning and displaying the RF environment, calculating compatible frequencies and deploying them to Axient receivers easily and efficiently, the Axient Spectrum Manager offers a sophisticated interface and precise information for allocating the best available frequencies to any number…

Use the Sigma FP camera as a Director's Viewfinder. The Camera can be set to mimic the sensor size and frame lines of many Digital Cinema Cameras.
ARRI, ARRICAM / ARRIFLEX, ALEXA LF/ ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA65, ALEXA XT, SONY, VENICE, RED, MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, KOMODO 6K
Frame Guide
1.33:1, 1.85:1, 2.39:1, Custom 1, Custom 2
Custom Frame
Input (Sensor Area / Aspect Ratio) , Offset, Style (4 styles) , Line (…

The Silent Cat™ 4000 Camera Slider is 50 inches long and allows a 38” travel. It is our most popular camera slider. The 38” travel provides considerable movement to avoid laying a piece of track. In close quarters you can reposition the camera and track out of doorways and corners with ease. There are five mounting positions to choose from when mounting to a camera dolly or any Standard Mitchell Mount*. Use the custom counter weight tray whenever you cantilever the Silent Cat™ 4000.…

Camera shading controller w/ fully configurable buttons & knobs
The RCP Pro is SKAARHOJ’s most advanced camera shading controller. It features a brand-new joystick with a built-in Tally Light and OLED Screen, to display Iris values on the fly. It also includes a large, tilted screen for a perfect viewing angle - and lots of fully configurable knobs and butttons. 

If you want the best comfort and most innovative components, RCP Pro is your choice. This high end camera…

Bright, Full HD 17-inch Wide, Color Gamut (P3), Reference Grade Monitor. The 17" monitor that rivals OLED with Incredible color accuracy and daylight viewability.

OLED displays have much higher color reproduction capability (”gamut”) compared to LCD displays. This gives the DP7-PRO the required range to accurately display industry standard color spaces such as REC 709 for broadcast/web and DCI-P3 for digital cinema.

The DP7-PRO OLED field monitor matches the color capability of color grading monitors like the Flanders CM170. In addition to many camera specific presets for REC 709, the DP7-PRO is able to detect and display your custom 3D LUTs…

Full HD 5-inch LCD Monitor with Waveform.
The most effective tool for framing, focusing and exposing your image.

Model: MON-502
Input: SDI, HDMI
Output: SDI, HDMI
Display: 5-inch, 1920x1080, 8-bit, 400nits

The SmallHD 502 is the lightest 5-inch, 1080p Full HD field monitor with color capabilities that rival OLED technology. It's a mere 7.4 oz light and is able to reproduce 100% Rec 709 color…

The display size, resolution, and pixel density of the 1303 production monitor make it an invaluable tool for precision focus pulling. When you don't have the time or proper measurements, a razor-sharp, low latency display will help you hit your marks. With a panel roughly 3x brighter than most production monitors, the 1303 is not restrained by ambient light. Its optically bonded LCD combats glare and sunlight, allowing you to pull focus in less than ideal shooting environments.

The brightest, most durable 24" monitor in the world.

SmallHD 2403 HDR 24" Production Monitor. Featuring HDR preview backed by a 10-bit Color Intelligence engine with calibration capabilities, the 2403 can display a large brightness range, encompassing log formats and other expanded-range picture styles. The 1000 cd/m², daylight-viewable, 1920x1080 Full HD resolution display panel can be driven by one of two SDI inputs or an HDMI input. Each input has a loop output for…

Full HD 7-inch LCD Monitor with 1000 NITs Brightness.
The sharpest daylight viewable on-camera monitor.

Model: MON-702
Input: SDI, HDMI
Output: SDI, HDMI
Display: 7-inch, 1920x1080, 1000nits with anti-reflective coating

The SmallHD 702 Bright is the first of a new line of feature rich 7-inch monitors, the 700 Series. With a 1000nits, 1920x1080 LCD, the 702 Bright is pixel perfect for…

7-inch Smart Monitor with daylight visibility

Model: MON-INDIE-7
Display: 7-inch touchscreen, 1920x1200, 323 PPI
Input: SDI, HDMI, Micro USB
Output: SDI, HDMI 2.0 , ⅛” Headphone Jack, Camera Control
Power Input: 2mm barrel connector (DC 10-34v),Sony L-Series dual battery bracket

Indie 7 is the vivid, lightweight entry model into SmallHD’s professional 7-inch touchscreen…

The Brightest 7-inch monitor available with HDR Preview, Waveform, 3D LUT support and 12v Lemo power.

PageBuilder OS: Quick and easy way to access professional software tools like Focus Peaking, HD Waveform, and 3D LUTs.

UltraBright monitors feature HDR Preview with 10-Bit ColorEngine and up to 2500 nits. Fine tune your HDR Preview with white point and black point adjustment sliders. Load any 3D LUT via SD card using SmallHD’s ColorFlow 3D LUT engine.

The 503 and 703…

7-inch Full HD Monitor with Built-in Wireless HD Receiver

3000nit daylight viewable monitor/receiver that's compatible with Teradek Bolt 500, 1000, and 3000 transmitters

The Sonnet Echo Pro ExpressCard 34 Thunderbolt Adapter expands Thunderbolt connectivity to any computer with a Thunderbolt port, enabling you to use a wide variety of ExpressCard/34 cards to add a range of interfaces and capabilities to your system. Because this adapter supports hot-swapping(1), you can select and change the ExpressCard to use as needed—it supports most Sonnet ExpressCard/34 cards, such as our FireWire interfaces and SDXC card readers, select Gigabit Ethernet adapters, USB 3…

The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end Venice, F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality.

The Sony PDW-U2 is a compact, mobile and highly cost-effective drive for use with PC's. This drive utilizes a new generation dual channel head system which is capable of reading XDCAM discs up to 2.6x faster than its predecessor the PDW-U1. It is suitable not only for use with nonlinear editing systems but also for simple viewing and logging operations with a lap-top or desk top computer. It can read and write the current single and dual layer Professional Disc media (PFD23A / PFD50DLA)…

The Sony SBAC-US10 USB Reader/Writer supports those with PCs not equipped with the Express Card slot. The SBAC-US10 can be connected to a Windows PC or a Macintosh via USB interface. Since this connection is made as "Mass Storage Class", no special driver installation is required. DC power must be provided using the supplied AC adaptor. The SBAC-US10 has been replaced by the SBAC-US20 USB 3.0 SxS Card Reader.

RM-B170

Handheld remote control unit for Sony studio cameras and camcorders.
The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use…

The Sony AXS-CR1 is a Memory Card Reader for AXS-media used by the AXS-R5 recorder in F5, F55 & FS700 4K/2KRAW workflows. The AXS-CR1 utilizes USB 3.0 for fast transfer speeds and compatibility with PC and Mac. The AXS-CR1 is also used for updating the firmware of AXS-R5 recorder and AXS-512S24 Memory Cards.

Sony AXS-CR1 AXSM Memory Card Reader Features

  • AXS Card Reader is compatible with high capacity AXS memory cards used by the AXS-R5 recorder.
  • The AXS-CR1…

The Sony SBAC-US20 USB Reader/Writer supports those with PCs not equipped with an ExpressCard slot. The SBAC-US20 is recognized by PCs as a "Mass Storage Class", no special driver installation is required except for the SxS UDF driver needed to recognize UDF formatted memory cards. The SBAC-US20 is powered by USB bus, so no AC adapter is required.

Sony SBAC-US20 Sony SxS Memory Card USB 3.0 Reader Features

  • One ExpressCard Slot SxS Card Reader
  • SuperSpeed USB 3.0…

The Sony AXS-512S24 512GB Memory Card is an ultra high-speed, high-capacity, and high-reliability flash memory media, for demanding high-frame-rate 4K & 2K 16-bit linear high-resolution digital cinematography. The AXS512S24 Card has a capacity of 512GB and guaranteed write speed of 2.4 Gbps. AXS-Memory is unique with its combination of capacity, sustained data throughput, security and portability. It opens up completely new ways for end-users to work. AXS-Memory Cards work with the AXS-…

The Sony PVM-A250 25" Professional OLED Production Monitor is suitable for both field and studio use. It features a 24.5" diagonal OLED panel that has a native resolution of 1920 x 1080. Because of the OLED technology employed, each pixel can be switched completely off--unlike typical LCD displays--for a much closer approximation of true black. It can be connected to standard- and high-definition video sources via SDI or HDMI as well as analog standard-definition sources through composite.…

The Sony PDW-U1 is a compact, mobile and highly cost-effective drive for use with PC's. This drive is suitable not only for use with nonlinear editing systems but also for simple viewing and logging operations with a lap-top or desk top computer. It can handle Professional Disc media (PFD23A) recorded in both HD and SD formats, as well as the new "dual-layer" disc (PFD50DLA). The PDW-U1 uses a USB 2.0 interface which is the most widely available interface in the IT world. Simply connect the…

The Sony PVM-1741A 17" OLED Monitor is equipped with a variety of convenient professional features including new waveform capabilities, vector scope, closed caption display, and camera focus in color. It features significantly improved viewing angles, reducing the color shift by half when compared with their predecessor models. The Sony PVM-1741A incorporates a lightweight, compact metal body. It's design offers flexibility, and can be adapted according to the application: a desktop unit…

The Trimaster EL PVM series monitor is the PVMA170. The PVMA 170 professional OLED monitors combine slim, lightweight and easily portable designs with the technology’s proven advantages of high color accuracy, contrast and picture quality. The PVM-A170, 17-inch is the industry’s lightest with a 40 percent reduction in depth and weight compared to previous Sony models. This new designs delivers more flexibility and ease of use for live program production, on set and broadcast truck…

The Sound Devices PIX 240 video recorder adds Quicktime recording using Apple ProRes or Avid DNxHD to any HDMI-or HD-SDI equipped high-definition video camera. The portable PIX 240 (HDMI and HD-SDI) record Quicktime files to CompactFlash cards or removable 2.5-inch solid-state hard drives.

Apple ProRes and Avid DNxHD video formats have emerged as industry standards. These I-frame codecs offer the best in picture quality, processing efficiency, and data storage requirements. They are…

The Sound Devices PIX 260i Rack-Mount Video Recorder / Player is a file-based video recorder and player that records and plays files up to 220 Mbps in ProRes and DNxHD at 10-bit 4:2:2. It also records and plays 32 tracks of 48 kHz audio. The captured files can be exported directly into NLEs or can be played right out of the PIX 260 for real-time purposes. 
 
The Sound Devices PIX 260i features hardware-based video scalers that via a simple menu perform real-time up/down…

The Spider Pod, a portable tripod riser and standing platform, elevates a camera tripod and operator two feet. It is designed for professional videographers and filmmakers, and news crews who need to raise their camera's viewpoint, yet do it with speed and stability. The Spider Pod allows a camera operator to shoot above crowds and capture images that are stable and unobstructed.

Large staging risers are often used as camera platforms. However, as an operator shifts footing, the camera…

Talamas Multi Camera Streaming System

  • 4 HD-SDI Inputs  (Outputs)

  • 1 Audio out via headphone jack

  • Single case purpose built device

  • Internal recording ability for playback and inserts

  • Able to deliver teleprompter feed and…

TANGO II is the fastest third axis which is adaptable on any type of head.

Compared to his competitors, TANGO II enjoys a considerable advantage of being able to rotate on the optical axis, allowing the camera operator to change the angle of the horizon.

The patented conception of TANGO II includes small product-dimension. The thickness is only 2.3″. Whatever head chosen, the panoramic movement remains horizontal and the tilt stays vertical. So you will realize that the…

The Teradek Bolt 500 3G-SDI Wireless Transmitter and Receiver Set offers highly refined software, new wireless radios, and a redesigned chassis, and is an extremely reliable and capable monitoring solution.

 

 

The Teradek Bolt 1000 3G-SDI/HDMI Wireless Video Transmitter/Receiver Set includes a Bolt 1000 transmitter and receiver. Pair the transmitter with up to (4) receivers (additional receivers are rented separately) for multicast. You can achieve less than 1 millisecond latency.

The Bolt 6 XT Set is a real-time wireless video transmission system that supports 4K video with Teradek’s patented Zero-Delay technology, now with less interference using the newly opened 6GHz wireless frequency. Bolt 6 XT can send and receive color-accurate, True-HDR videos in under 0.001 milliseconds using the set’s included Bolt 6 XT video Transmitter and Receiver.

Key features of the Bolt 6 XT Set include range options designed for a variety of production needs, fast…

The Bolt 4K 750 TX/RX Set is a real-time wireless video transmission system that supports 1080p and 2160p video signals at 60FPS with less than 1ms of delay at up to 750 feet. Key features include increased range, faster reconnection times, easier setup with Bluetooth App for iOS or Android, and more stable connectivity. These devices are cross-compatible with the entire Bolt 4K Family. Includes integrated 1/4"x20 and M3 mounting points. Optional Battery Plates are sold separately.

Transmit and receive lossless HD video from up to 750' line of sight with the Bolt 4K LT 750 3G-SDI/HDMI Wireless Transmitter and Receiver Kit from Teradek. The kit includes a wireless transmitter and receiver that feature bright OLED displays and can wirelessly receive up to 4K30 video with 10-bit 4:2:2 HDR support. The transmitter inputs up to 4K video over HDMI or up to 1080p60 video via 3G-SDI, and the receiver outputs video via HDMI and 3G-SDI.

The transmitter sends up to…

About Teradek Transmitter + Receiver

Bolt 4K MAX is the most reliable, highest performance wireless video system we've ever created. Featuring exclusive technology found only in this model, the MAX is designed to be your mission critical wireless workhorse. Transmit up to an 5,000 ft. line of sight with the next-generation Array 4K Panel Antenna. Fixed Frequency Mode locks onto your designated 5GHz channel for enhanced performance in challenging RF environments. A unique antenna…

The Bolt XT satisfies the needs of the most discerning professionals, from powerful software tools and rock-solid performance to smart power options and backward compatibility.

A key feature of the Bolt XT is its backward compatibility with any Bolt of the same range, Sidekick II / LT / XT, and 703 Bolt, giving users more flexibility building onto their existing systems or linking with others already on set. Unlike alternative wireless video systems, Bolt XT includes a unique AES…

CTRL.1 The Single-Axis Wireless Lens Controller from Teradek can control focus, iris or zoom at a distance of up to 5,000 ft. CTRL.1 can auto-calibrate a lens focal scale to premarked rings using highly precise Teradek-designed software. This not only saves time on set and in prep from having to mark up individual rings and re-calibrating after every lens swap, but also ensures pinpoint accuracy. CTRL.1 is the only professional single-channel controller on the market offering lens mapping…

Rental includes 1 Transmitter and 1 Receiver pair.  Additional 4K Receiver is $275.00.  Bolt 4K MAX is the most reliable, highest performance wireless video system Teradek has ever created. Featuring exclusive technology found only in this model, the MAX is designed to be your mission critical wireless workhorse.

Transmit up to an 5,000 ft line of sight with the next-generation Array 4K Panel Antenna.

Fixed Frequency Mode locks onto your designated 5GHz channel for enhanced…

Teradek RT CTRL.3 Deluxe Wireless Lens Control Kit (3 Motor)

Overview

The CTRL.3 Deluxe Kit includes everything you need to be fully equipped for your next production. It includes a MDR.X receiver, three MOTR.X motors and a CTRL.3 with lens mapping and lens data overlays on SmallHD monitors. Also includes pre-marked focus/iris rings in both Imperial & Metric units.

CTRL.3

CTRL.3 is a feature-rich, powerful 3-axis wireless…

Teradek Bolt 4K Monitor Module 750 RX for Smart 7 Monitors Complete
The Bolt 4K Monitor Module 750 TX is a zero-delay wireless video transmitter that supports video signals up to 4Kp30 via HDMI at a range of 750ft. Designed for seamless integration with the SmallHD Smart 7 Monitor Series, featuring 4K & HDR support with increased range, faster reconnection times, and easy setup with our Bolt App for iOS or Android. 
 

Integrated Hardware Addition to SmallHD Smart…

The Bolt 4K LT MAX TX/RX (Deluxe Set, Gold Mount) is a real time wireless video transmission system that supports video signals up to 4Kp30 4Kp30 via HDMI, and 1080p60 via SDI, at a distance of up to 5000+ ft line-of-sight, with less than 1ms of delay. Key features include increased range with lighter weight, faster reconnection times, easier setup with Bluetooth App for iOS or Android, and unlimited receivers using broadcast mode. These devices are cross-compatible with the entire Bolt 4K…

The Bolt 6 XT Set is a real-time wireless video transmission system that supports 4K video with Teradek’s patented Zero-Delay technology, now with less interference using the newly opened 6GHz wireless frequency. Bolt 6 XT can send and receive color-accurate, True-HDR videos in under 0.001 milliseconds using the set’s included Bolt 6 XT video Transmitter and Receiver.

Key features of the Bolt 6 XT Set include range options designed for a variety of production needs, fast…

Teradek Bolt Pro 600 Wireless 3G-SDI/HDMI Video Transmitter/Receiver Set
This Transceiver Set inlcudes a Bolt Pro 600 3G-SDI/HDMI Transmitter and a Bolt 600 3G-SDI/HDMI Receiver. The Teradek Bolt Pro 600 RX SDI/HDMI Wireless Video Receiver features an OLED screen for quick RX pairing, manual frequency selection, external antennas and a transmission range of up to 600' line of sight. The Teradek Bolt is a zero delay (< 1ms) wireless video system that transmits uncompressed 1080p60, 4:…

The most powerful and reliable wireless solution in the Bolt family.

Transmit uncompressed 1080p video wirelessly over 3000 feet line-of-sight with the Teradek Bolt Pro 3000 Wireless Video Transmitter/Receiver Set. Included in this set are a Teradek Bolt Pro 3000 transmitter and receiver, both equipped with 3G-SDI and HDMI ports. The transmitter can pair with and multi-cast to up to four receivers.

Transmitting across the 5 GHz frequency range, the pair utilizes Dynamic Frequency…

Polarizer filters provide color and contrast enhancement to video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly with a polarizer filter.

Tiffen 72mm Rotating Polarizer Features

  • Essential general-use outdoor…

The Tiffen 4 x 4 812 Warm Filter improves skin tones and is ideal for video shot on a cloudy day or outdoors, in shade on a sunny day.

Tiffen 4 x 4 812 Warm Filter Features

  • Ideal for portraits or scenics
  • Absorbs blue cast
  • Adds warmth to pale washed-out flesh tones

The Tiffen 4 x 4 Black Diffusion FX Filter Set gives a silky-smooth look to textured surfaces. These filters help suppress facial blemishes and wrinkles while maintaining a clear, focused image. The effect of the lighter grades in this kit is subtle, with the higher grades becoming gradually more noticeable.

Polarizers provide color and contrast enhancement in video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.

Tiffen 4 x 4 Ultra Polarizer Features

  • Essential general-use outdoor color filter
  • Produces…

Polarizers provide color and contrast enhancement - warm polarizers contribute a warming effect making it ideal for portraits and scenics. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.

Tiffen 4 x 4 Warm Polarizer…

Polarizers provide color and contrast enhancement in video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.

Tiffen 5 x 5 Ultra Polarizer Features

  • Essential general-use outdoor color filter
  • Produces…

Tiffen IRND filters provide a true neutral density beyond the visible range into the near infra-red. IRND filters incorporate Tiffen’s unique ColorCore technology that sandwiches the coating within the filter and allows for easy cleaning without fear of damaging the filter as with surface coated filters. These innovative new filters are made from the finest optically pure glass and are ground and polished to the highest possible standards of flatness and perfect parallelism.

IR ND…

The Tiffen 77mm Neutral Density Filter Kit is a complete filter outfit for the shooter who wishes to create special effects without having to put in any post-production time. This combination of neutral density filters gives you the freedom to make some unique and effective images that would ordinarily not be possible.

The kit contains a 1-stop (0.3), 2-stop (0.6), and 3-stop (0.9) set of ND filters. Using these filters permits you to use slower shutter speeds that can produce blurred…

The Tiffen 77mm T1 Infrared Filter is a high-tech filter targeted towards eliminating infrared contamination at 680nm. This filter will assist you in maintaining your color spectrum when shooting against a dark fabric. You will notice the blacks turn out true with no color cast from the red end of the spectrum.

This filter has been created to help capture a much broader spectrum of color than previous infrared filters - particularly with digital camcorders.  Color shift is a critical…

Polarizer filters provide color and contrast enhancement to video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly with a polarizer filter.

Tiffen 82mm Rotating Polarizer Features

  • Essential general-use outdoor…

The Tiffen 82mm Neutral Density Filter Kit is a set of filters to help you get better shots in bright light as well as assisting you with some special effect images. Neutral Density filters have several uses. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the film.

The Tiffen Pro Mist filters were originally designed for the TV and Motion Picture industry, but are now available to all videographers.

Tiffen 4x5.65 White Pro Mist Filter Set Features

  • Offers all the benefits of the Pro-Mist filter in a more subtle form.
  • Highlight flares are controlled.
  • Contrast is lowered, but with less lightening of shadows for a more delicate effect
  • Creates a soft light "pastel" effect
  • Delicate effect with contained…

Tiffen's Hot Mirror Infra-Red Neutral Density (HMIRND) combination filter solves the IR pollution problem, addressing both the Near IR and IR regions of the spectrum. IR pollution is a significant issue in many of today’s hi-definition cameras which are inherently sensitive to infra-red light, particularly those that do not incorporate an internal IR blocker (single CMOS cameras). The HMIRND filter blocks unwanted IR light and has matched IR and ND components to assure accurate color…

The Tiffen Color Grad filters transform an average sunrise or sunset into something spectacular and convert a dull, washed-out sky to a breathtaking blue. The graduated filter improves landscape videography tremendously.

Tiffen 4x5.65 Blue Grad Filter Set Features

  • Add color selectively while leaving the rest of the scene unaffected
  • Half color, half clear with a graduated density transition for smooth blending into the scene
  • Available in a rainbow array of…

Created for Digital Video Cameras with an Increased Red Response, the Tiffen 4x5.65 Far Red Filter Control Kit features the Tiffen T1 and the T 1/2 IR Control filters. With the advancement in HD camera technology, reliably recreating true blacks in moving images has never been more challenging.  Digital cameras with enhanced red response allows the DP to capture subtle hues of red never before seen digitally. However, opening up this channel leaves your images vulnerable to Far Red and Near…

The Tiffen Pro Mist filters were originally designed for the TV and Motion Picture industry, but are now available to all videographers.

Tiffen 4x5.65 Black Pro Mist Filter Set Features

  • Offers all the benefits of the Pro-Mist filter in a more subtle form.
  • Highlight flares are controlled.
  • Contrast is lowered, but with less lightening of shadows for a more delicate effect
  • Creates a soft light "pastel" effect
  • Delicate effect with contained…

The Tiffen 4x5.65 812 Warm Filter improves skin tones and is ideal for video shot on a cloudy day or outdoors, in shade on a sunny day.

Tiffen 4x5.65 812 Warm Filter Features

  • Ideal for portraits or scenics
  • Absorbs blue cast
  • Adds warmth to pale washed-out flesh tones

Want to buy this used gear when it becomes available? Get on the wait list!

The Tiffen Color Grad filters transform an average sunrise or sunset into something spectacular and convert a dull, washed-out sky to a breathtaking blue. The graduated filter improves landscape videography tremendously.

Tiffen 4x5.65 Sunset Grad Filter Set Features

  • Add color selectively while leaving the rest of the scene unaffected
  • Half color, half clear with a graduated density transition for smooth blending into the scene
  • Available in a rainbow array of…

Solid color Color-Grad graduated filters provide subtle or strong color for creating a variety of special effects. The Tiffen Color Grad filters transform an average sunrise or sunset into something spectacular and convert a dull, washed-out sky to a breathtaking blue. The graduated filter improves landscape videography tremendously.

Tiffen 4x5.65 Soft FX Filter Set Features

  • Add color selectively while leaving the rest of the scene unaffected
  • Half color, half clear…

Tiffen Neutral Density filters reduce the amount of light passing through the camera lens without changing the color of the scene. They are especially useful in bright light conditions to help prevent overexposure. Neutral Density filters also allow proper exposure at a wider lens opening for reduced depth-of-field to highlight a key subject by making the foreground and/or background out of focus.

Tiffen 4x5.65 Neutral Density Graduated Filter Set Features

  • Eliminates…

Tiffen Neutral Density filters reduce the amount of light passing through the camera lens without changing the color of the scene. They are especially useful in bright light conditions to help prevent overexposure. Neutral Density filters also allow proper exposure at a wider lens opening for reduced depth-of-field to highlight a key subject by making the foreground and/or background out of focus.

Tiffen 4x5.65 Neutral Density Filter Set Features

  • Eliminates overly bright,…

The Tiffen Color Grad filters transform an average sunrise or sunset into something spectacular and convert a dull, washed-out sky to a breathtaking blue. The graduated filter improves landscape videography tremendously.

Tiffen 4x5.65 Skyfire Filter Set Features

  • Add color selectively while leaving the rest of the scene unaffected
  • Half color, half clear with a graduated density transition for smooth blending into the scene
  • Available in a rainbow array of…

The Tiffen 4x5.65 Clear Premium Filter helps protect your lens from dust, scratches, dirt, moisture, fingerprints and more.

The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.

TVLogic VFM-056WP 5.6 in SDI/HDMI LCD Monitor

A 6”x 4”x 1” lightweight magnesium-alloy case houses a 5.6” 1280x800 LED backlit LCD display with a full complement of preferred features, including:

  • Time code Display and HDMI loop out via HD-SDI(720p)
  • Waveform/Vector Scope
  • Y Level Check
  • Range Error Check

The ​TVLogic VFM-056WP is a state-of-the-art viewfinder monitor specially designed for professional HDSLR and camcorder shooters. Utilizing…

The Video Devices PIX-E5 combines 4K recording with Full HD, Ultra-Bright IPS Touchscreen technology for a high quality and user-friendly monitor/recorder.

LCD - Detail, Accuracy, Brightness

Discerning cinematographers and videographers need high-resolution, color-accurate, sunlight-viewable monitoring with a wide angle of view.

The PIX-E5 monitor excel in all those aspects with their IPS, 500 nit, 1920x1080, 441 ppi LCD displays.

The Videotek VDA-16 is a 1x6 video distribution amplifier with

  • One looping video input
  • Six isolated video outputs
  • Front panel output level adjustment
  • Cable equalizer front panel adjustment (400 ft. 8281)

The Whirlwind DA2 drives multiple isolated line feeds from a single input source. It is ideal for driving lines to multiple amps in live sound applications, distributing audio to multiple tape decks, feeding signals to multiple zoned locations, etc. In normal (stereo) mode, the Whirlwind DA2 provides four outputs per each of two inputs. A front panel COMBINE switch applies both inputs to all 8 outputs, where the DA-2 becomes a one or two in, eight out DA.

Each output is ground lifted…

The Whirlwind 1x3 microphone splitter provides one direct and two transformer isolated outputs from a mic level input. Each transformer isolated output features a ground lift switch.

Whirlwind Microphone Splitter Features

  • Operating Level: -50dB to +4dB
  • Frequency Response: 20Hz-20kHz ±1dB