The ARRI  MFF-1 Mini Follow Focus is the newest lightweight, single-sided follow focus from ARRI. It is fully adjustable, which allows the unit to be mounted to any camera system with 15 mm lightweight support rods. It can also be supported from 15 mm or 19 mm bridgeplates using standard adapters from third party manufacturers.

Manufactured in sleek black metal, the ARRI FF-4 Follow Focus combines a modern look with trusted engineering and a classic design. While the FF-4 kit contains the essentials for pulling focus on any type of production, the choice of either 15mm or 19mm rod adaptors means that you can shape the system to meet your particular requirements. The ARRI FF-4 follow focus is an industry workhorse and has already proven itself on countless tough shoots all over the world, so you needn’t worry about…

The ARRI FF-5HD is a follow focus that has been designed specifically for video lenses or cine lenses with a small diameter barrel. The FF-5HD has a longer swing arm for better gear positioning with HD lenses. A lower gear ratio is also better suited for the smaller lens diameter of HD lenses and/or for cine lenses with a compressed focus scale. The ARRI FF-5HD can be mounted directly onto lightweight rods through a snap-on mechanism, ensuring simple and fast setup on the set. With an…

The modular ​ARRI FF-5 follow focus system in Cine version is a combined lightweight or studio follow focus for all kinds of lenses. Since it uses the same focus knobs as the MFF-2, knobs with individualized markings can be transferred between the FF-5 and MFF-2, speeding up turnaround times for focus pullers.

ARRI FF-5 Cine Follow Focus Features

• gear ratio 1:2 for cine style lenses
• Unique space-saving, snap-on bridge mechanism (lightweight or studio) for fast…

The Fujinon CFH-11 Remote Focus Control is a manual focus grip designed to work with Fujinon MM-11, MS-11 and MS-11D control kits, in conjunction with the CFC-12-990 flexible cable and FMM manual focus module. The grip provides precision focus control and is useful in a variety of professional broadcast applications, including live event coverage and sports.