Optimo Ultra 12x FF/VV, S35 & U35
The long-range cinema zoom reference redefined
Successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.
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EZ-1 30-90mm T2.0 114mm front diameter PL or EF mount Super 35
EZ-1 45 to 135mm T3.0 114mm front diameter PL or EF mount full-frame/VistaVision
The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm…
Angénieux EZ-2 15 to 40mm T2 114mm front diameter PL or EF Mount Super 35
Angénieux EZ-2 22 to 60mm T3 114mm front diameter PL or EF Full Frame/Vistavision
The Angénieux Type EZ-2 for S35mm/FF/VistaVision
Optimo Ultra Compact 37-102 FF
A new generation of standard compact spherical zoom lens
Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest…
Angenieux Optimo Zoom Set includes: 15mm-40mm, 24mm-290mm, 28mm-76mm, 45mm-120mm.
The Angenieux Optimo Zoom lenses features a new optical design that eliminates breathing and ramping, and offers superior levels of optical performance across its entire zoom range.
This lens set includes 18mm, 21mm, 28mm, 32mm, 40mm, 50mm, 75mm, 100mm and 135 mm
The Full Frame Optimo Prime Series is a perfect match with the Optimo Ultra 12X, the new long range zoom reference of the industry. The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven…
Lens Set Includes: 18mm, 25mm, 35mm, 47mm, 75mm, 95mm, 125mm
The 25mm ARRI Signature Prime T1.8 is a wider lens in an array of large-format primes featuring organic images, attractive bokeh, and a fast T1.8 aperture for achieving shallow depth of field. This prime lens gently softens the large-format look, and produces pleasant, natural skin tones. Focus falls off smoothly, highlighting your subject against its background frame.
ARRI Signature lenses play to the…
Series includes:
EF 8-15mm f/4L Fisheye USM, EF 11-24mm f/4L USM, EF-S 10-22mm f/3.5-4.5 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 24-70mm f/2.8L II USM, EF 24-105mm f/4L IS USM, EF 24-105mm f/4L IS II USM, RF 24-105mm f/4L IS USM, EF 70-200mm f/4L IS USM, EF 70-200mm f/2.8L IS II USM, EF 100-400mm f/4.5-5.6L IS II USM, EF 200-400mm f/4L IS USM, Extender 1.4x
For filmmakers and photographers who want the look and feel only possible with extreme wide angle…
The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for Super35mm large-format single-sensor cameras and accommodates either broadcast or cinema-style production due to its removable Digital Drive unit. Available in EF- or PL- mount versions, the lens delivering the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of October 16, 2014. The lens is great for sports,…
Canon FD lenses re-housed by TLS are available in nine focal lengths: 14mm f2/8, 20mm f2.8, 24mm f1.4, 28mm f/2, 35mm f2 (convex), 50mm f1.3, 85mm f1/2, 100mm f/2, 135mm f/2. These lenses are similar to K-35s.
The CINE-SERVO 15-120mm T2.95-3.95 PL is the latest Cine-Servo lens from Canon. The lens can further extend up to 180mm with the built-in 1.5x extender. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 15-120mm T2.95-3.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. This lens features high optical performance throughout the broad focal…
Versatile image capturing Canon EF lenses encompass a wide range of creative options including compact, wide-aperture prime lenses, zooms for flexible framing and specialist lenses such as fisheye, macro and tilt-shift.
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The Canon CN-E Cine Prime (EF mount) lenses offer a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the Canon Cine prime lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The…
A professional-grade ultra-wide L-series f/4, for specialists capturing architecture landscapes and interiors. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.
This lens set includes 25, 32, 40, 50, 75, 100, 135.
A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability.
All-Spherical Design
The S8 features premium all-spherical lenses, which produce a uniquely organic, film-like quality, which is characterised by smooth,…
Completely new design. Complete matte box compatibility. Shimmable EF & PL Mounts plus FF & LF sensor coverage. Improved close focus distance.
The Konica Hexanons are a set of vintage cinema lenses rehoused in an anodized aluminum housing by Ancient Optics. They cover full frame sensors providing versatility and a smooth, even bokeh throughout the 8-lens set.
The lens kit comes in 3 distinct lenses including the unique 35-degree tilt view. The Pro2be offers a maximum T8 aperture, 2X magnification and waterproof distance of 36.6cm, pairing perfectly with your high-speed cameras and motion-control system. The distinctive tubular and smartly-twisted lens barrels offer maximum flexibility to explore new perspectives and new heights. It is the all-in-one solution for capturing a wide range of shots, from extreme close-ups to cinematic top and high-…
Rehoused Vintage Super 35 Full Frame Cinema Lenses.
L1 - Baltar Variable Look Lens. The L1 look is inspired by The Baltars. It gives you all of the glamour and glowing halation seen in a classic Super Baltar lens. It can evoke emotion by creating the nostalgic warmth, romance, and gritty realism of classic films, like the Godfather. When you max out this look, we like to call it the Wicked Baltars.
L2 - Inspired by Canon K35s, The L2 Tuner is the perfect amount of vintage for professional DP’s looking to take the edge of harsh…
Vintage Prime lenses rehoused by GL Optics.
The Vintage Nikkor lens set represents a unique combination of sharpness, creamy fall-off, and perfect bokeh elements. With today’s digital sensors, the lens becomes the predominant factor in the picture’s look (or quality). The Vintage Nikkor lenses gives qualities that help gain personality and favorable characteristics, especially in flesh tones.
F1.4 brightness at wide-open aperture.The large-diameter
wide-angle lens that revealsa new horizon of image quality. An all-new Art line lens featuring F1.4 brightness.
Best-in-class optical performance ideal for nightscapes and cityscapes. Offering best-in-class optical performance, this lens is designed to minimize aberrations for images virtually free of streaking and warping. SIGMA has a proven reputation for wide-angle lens design and manufacturing. Drawing on this experience…
SIGMA has always leveraged the most advanced optical technologies to offer photographers the highest level of lens performance. Now, SIGMA is proud to offer the first lens in an all-new product line: the 35mm F1.4 DG HSM. This wide-angle F1.4 lens delivers the highest level of brightness and beautiful bokeh effects. It offers the unique characteristics that only a large-aperture F1.4 lens can offer: shallow depth of field along with superior low-light and hand-held performance.
SIGMA was the first lens manufacturer to introduce a 50mm F1.4 lens. Now, to create the ultimate go-to lens, we took optical performance and image quality to the limit. The result is a true icon of SIGMA quality. Fulfilling the concept of our Art line at the highest level, the 50mm F1.4 DG HSM is a large-aperture standard lens that delivers top performance. Its outstanding resolution makes it ideal for the high-megapixel era. It delivers exquisitely balanced images with a beautiful bokeh…
Portrait photographers demand the attractive bokeh effect that large-diameter lenses offer, as well as outstanding resolution. Fulfilling the exacting standards of the Art line, the SIGMA 85mm F1.4 DG HSM | Art delivers both of these elements at the highest level. The bokeh effect is so precise, you can focus on the pupil of the subject’s eye while blurring the eyelashes. Adding to the effect, the area in focus is extremely high-resolution while the bokeh area is very attractive in…
The first macro lens set developed by SIRUI consists of 3 focal lengths, a 24mm T2, a 35mm T2, and a 50mm T2. Covering full-frame and larger camera sensors with high sharpness and minimal optical aberration, this lens set can be used on various professional camera systems.
Explore the Micro World
The micro world presented by this lens set has a sharp and focused center with a gradual and pleasing fall off of contrast and light towards the edges.
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As a G Master lenses, optical performance is prioritized and they emphasize both sharpness and bokeh quality for versatility regardless of subject distance or aperture setting.
Two XA (extreme aspherical) elements, along with one standard aspherical element, promote high sharpness throughout the aperture range, even when working at the bright f/1.8 position. Aspherical elements feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion…
The Sony 28-135mm F4 Full-frame E-mount Power Zoom Lens has been created to satisfy professional optical and operational requirements for cine productions, including 4K, when matched with a 35mm full frame format camera such as the A7s or a Super 35 format camcorder such as the PXW-FS7. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a…
The F2.8 70-200mm telephoto zoom like no other. The Sony G Master design and technology in a new constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance.
Sony FE Zoom 24-70mm f/2.8 GM no-compromises Sony design and technology in a new constant F2.8 zoom lens that can fully utilize the performance potential of current and future high-resolution camera bodies.
Sony FE Wide-Angle Zoom 16-35mm f/2.8 GM Sony G…
Superior resolution throughout the image area and an absolute minimum of distortion are achieved by an advanced optical design that features five aspherical elements, including one large AA(advanced aspherical) element and three ED elements.
Wide-angle impact over a useful zoom range A 16 mm to 35 mm wide-angle zoom range, coupled with effective built-in optical image stabilization makes this lens an excellent choice for snapshots, indoor scenes, group shots, landscapes, and more,…
VISTA ONE T1.5 — VISTA LENS COLLECTION
Beautiful Single Coated Optics
Experience our renowned Vista Primes with a pleasing reduction in contrast and enhanced flares made possible by our carefully crafted single coated elements
High Resolution Single Coated Modern Optics
Create soft beautiful flares with off-axis light sources. Transition to a modern look with on-axis…
Its 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.
Close-focus 1:1 reproduction at 11.8" working distance Fast, wide T2.9 to T32 aperture range
Full-frame 35mm format support, 4K ready
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Featuring a 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective the Venus Optics Laowa 24mm f/14 Probe Lens PL Full Frame is an amazing step forward in macro lenses. The wide angle design means much greater depth of field at close distances than possible with conventional telephoto macro lens, so more…
Voigtländer Zoomar 36-82mm T3.1. This is one of the oldest zooms ever designed for commercial still photography for the 135 format (Full Frame 36x24mm). It was released in 1959, and was incredibly advanced for its time. The images it makes are still impressive today.
Crucial for any cinema zoom lens, this lens is parfocal. It is sharp on center, with subtle fall-off towards the corners. The lens has surprisingly low chromatic aberration for such an…
Beautiful look. Full control.
ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus.
A new coating for a new look: T* blue
A new coating for a new look: Once we had defined what we wanted to…
The Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens with EF Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. At 9.84" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam…
With Zeiss' Compact Prime CP.2 lenses, switching between traditional film and digital PL cine cameras is no longer an issue. The CP.2's improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction,longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect…
We're excited to have added the Zeiss CP.3's to our inventory. The Zeiss CP3's deliver an exceptionally clean and classic "ZEISS LOOK" and punch well above their weight. Each lens covers full frame, are color-matched and have an updated coating and painted rings, that all but eliminate the well documented chromatic aberration issues of their predecessors. With their compact / lightweight design and…
Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime CP.2 Super Speed lenses offer you the performance you need to get the scene right. The CP.2 Super Speed lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras ranging from HDSLR to digital cinema cameras.
The aperture of…
Zeiss lenses are famous for the exceptional quality of the pictures they provide over the entire full frame image field.
Our Zeiss Classic ZF Prime Lenses have been modified to feature a standard 32-pitch focus gear, 80mm front ring, de-clicked and dampened aperture, and stainless steel Canon EF mounts, allowing them to be used with both HDSLR cameras and digital cine cameras, with little to no compromise.
Perfect for every occasion. With a wide 35 mm focal length, this lens opens up a world of possibilities. From making your portrait subject stand out against the background to capturing high-precision architectural detail and detailed landscape photography – the choice is yours.
From portraits to architecture and landscape photography – the detail provided by this lens never fails to impress. Edge to edge chromatic aberrations are almost completely eliminated. With 14 elements…
Enjoy a big picture of the tiny world: the ZEISS Milvus 2/50M can even transport you to the cosmos mirrored in a small drop of water. As a macro lens, it is the perfect solution for the close range. Used as a standard lens, it portrays the world in all its natural perspectives.
Breathtaking details in close-up and traditional portraits are the strengths of the ZEISS Milvus 2/50M of the type ZEISS Makro-Planar. Thanks to its excellent performance at all ranges this macro lens…
Whether in its role as a high-precision reproduction lens for technical applications or as a traditional, moderate tele-lens for portraits with shallow depth of field, the ZEISS Milvus 2/100M allows you to delve into both worlds.
The ZEISS Milvus 2/100M of the type ZEISS Makro-Planar is currently the fastest 100 mm macro lens on the market and closes the gap between long range and breathtaking close-up shots. This lens bridges distances and allows unique image compositions.…
18mm, 21mm, 25mm, 29mm, 35mm, 50mm, 65mm, 85mm, 100mm
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
Our Zeiss Otus ZF.2 Prime Lenses have been Duclos modified to feature a standard 32-pitch focus gear, 95mm front ring, de-clicked and dampened aperture, and stainless steel Canon EF mounts, allowing them to be used with both HDSLR cameras and digital cinema cameras, with little to no compromise.
When ZEISS introduced the ZEISS Otus 1.4/55, creating a new family of high-end SLR lenses, the trade press and users alike were enthusiastic. The ZEISS Otus 1.4/55 has exceeded…