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Optimo Ultra Compact 37-102 FF

A new generation of standard compact spherical zoom lens

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame37 - 102mmT2.92'114mm5.519.25"111mmARRI PL

This lens set includes 18mm, 21mm, 28mm, 32mm, 40mm, 50mm, 75mm, 100mm and 135 mm

The Full Frame Optimo Prime Series is a perfect match with the Optimo Ultra 12X, the new long range zoom reference of the industry. The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame18mmT2.01'2"95mm4.206.30"-ARRI PL
Full Frame21mmT1.81'2"95mm4.205.51"-ARRI PL
Full Frame28mmT1.81'2"95mm3.755.04"-ARRI PL
Full Frame32mmT1.81'2"95mm3.755.04"-ARRI PL
Full Frame40mmT1.81'2"95mm3.755.04"-ARRI PL
Full Frame50mmT1.81'4"95mm3.755.04"-ARRI PL
Full Frame75mmT1.82'95mm3.755.04"-ARRI PL
Full Frame100mmT1.82'4"95mm3.965.04"-ARRI PL
Full Frame135mmT1.83'3"95mm4.405.51"-ARRI PL

Optimo Ultra 12x FF/VV, S35 & U35
The long-range cinema zoom reference redefined

Successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame36 - 435mmT4.25'162mm28.1020.6"-ARRI PL or LPL
Super3524 - 290mmT2.84'162mm27.7018.6"-ARRI PL or LPL
Ultra 3526 - 320mmT3.14'1"162mm28.1018.9"-ARRI PL or LPL

EZ-1 30-90mm T2.0 114mm front diameter PL or EF mount Super 35  
EZ-1 45 to 135mm T3.0 114mm front diameter PL or EF mount full-frame/VistaVision  

The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3530 - 90mmT2.02'114mm4.708.90"111mm
ARRI PL or Canon EF

Angénieux EZ-2 15 to 40mm T2 114mm front diameter PL or EF Mount Super 35 
Angénieux EZ-2 22 to 60mm  T3 114mm front diameter PL or EF Full Frame/Vistavision

The Angénieux Type EZ-2 for S35mm/FF/VistaVision camera is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 15-40mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 22-60mm F2.8/T3 covering an image circle up to 46mm diagonal.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame22 - 60mmT3.02'114mm4.608.27"111mm
ARRI PL or Canon EF
Super3515 - 40mmT2.02'114mm4.708.27"111mm
ARRI PL or Canon EF

Angenieux Optimo Zoom Set includes: 15mm-40mm, 24mm-290mm, 28mm-76mm, 45mm-120mm.

The Angenieux Optimo Zoom lenses features a new optical design that eliminates breathing and ramping, and offers superior levels of optical performance across its entire zoom range.

The Angenieux Optimo 24-290mm T2.8 Zoom Lens offers superior optical performance across its entire zoom range with contrast and color reproduction that rivals the highest performing prime lenses.

The Angenieux Optimo 45-120mm T2.8 zoom lens offers exceptional optical quality that rivals the best prime lenses at equivalent focal distances. There is no ramping, minimal breathing and the focus ring has 320°of rotation with over 50 witness marks.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3524 - 290mm T2.54'162mm24.2017.32"-ARRI PL
Super3545 - 120mm T2.83'1"114mm 4.307.99"-ARRI PL
Super3528 - 76mm T2.62'114mm4.207.32"-ARRI PL
Super3515 - 40mm T2.62'114mm4.207.32"-ARRI PL

ARRI and Carl Zeiss have created lenses which, for the first time, completely unite all main characteristics such as focus, contrast, color saturation, color uniformity and compactness together with the high speed T1.9 rating, low aperture-induced focus shift and uniform pupil position. The ARRI Zeiss Ultra Prime Lenses retain excellent image quality even at close focus across the whole Super 35 frame.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3516mmT1.91'95mm2.603.7"-ARRI PL
Super3524mmT1.91'95mm2.203.6"-ARRI PL
Super3532mmT1.91'3"95mm2.403.6"-ARRI PL
Super3550mmT1.92'95mm2.203.6"-ARRI PL
Super3585mmT1.93'95mm2.603.6"-ARRI PL
Super35100mmT1.93'3"95mm2.603.6"-ARRI PL
Super35135mmT1.95'95mm3.504.7"-ARRI PL

Lens Set Includes: 18mm, 25mm, 35mm, 47mm, 75mm, 95mm, 125mm

The 25mm ARRI Signature Prime T1.8 is a wider lens in an array of large-format primes featuring organic images, attractive bokeh, and a fast T1.8 aperture for achieving shallow depth of field. This prime lens gently softens the large-format look, and produces pleasant, natural skin tones. Focus falls off smoothly, highlighting your subject against its background frame.

ARRI Signature lenses play to the…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame18mmT1.814"114mm4.407.01"-ARRI LPL
Full Frame25mmT1.814"114mm4.207.01"-ARRI LPL
Full Frame35mmT1.814"114mm3.707.01"-ARRI LPL
Full Frame47mmT1.818"114mm4.007.01"-ARRI LPL
Full Frame75mmT1.826"114mm4.207.01"-ARRI LPL
Full Frame95mmT1.82'9"114mm4.207.01"-ARRI LPL
Full Frame125mmT1.82'7"114mm5.107.01"-ARRI LPL

The ARRI MMB-1 Mini Matte Box is the first mattebox designed for smaller-sized HD camera bodies. The ARRI MMB-1 is the only small form-factor mattebox allowing for use of three filters, including one fully-rotatable round, with the new wide-angle Fujinon XS8x4mm zoom for the Sony EX-3. It can be configured as a clip-on or rodded matte box.

Full Frame Extender (PL) for Atlas Anamorphic A Set will allow the company’s 2x anamorphic lenses (32mm to 100mm) to cover new LF-sized sensors like the ARRI LF, Sony VENICE, RED Monstro, and Kinefinity LF without vignetting.  Including Sony a7 series and other full frame mirrorless cameras.

Atlas Lens Co. Orion Series 32, 40, 50, 65, 80, 100

Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability.

Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3532mmT2.01'9"114mm4.706.7"-
ARRI PL or Canon EF
Super3540mmT2.02'114mm5.207.4"-
ARRI PL or Canon EF
Super3550mmT2.02'6"114mm5.007"-
ARRI PL or Canon EF
Super3565mmT2.02'9"114mm5.007.2"-
ARRI PL or Canon EF
Super3580mmT2.03'114mm6.008.5"-
ARRI PL or Canon EF
Super35100mmT2.03'6"114mm6.7010"-
ARRI PL or Canon EF

This lens has the Duclos Lenses Multi-Mount modification installed and can be rented in either PL or EF mount.

The compact and lightweight CN-E 15.5-47mm T2.8 L Cinema Zoom Lens rivals best-in-class zoom magnification and wide-angle focal length range for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and exceeding industry standards. It features advanced optical design with fluorite and large…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3515.5 - 47mmT2.81'8"114mm4.808.74"105mmARRI PL or Canon EF

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
2/3"15 - 525mmf/2.7 - 4.77'2"130mm9.9013"127mm (hood)B4 2/3"

The Canon J35ex11B IASD Zoom Lens is a standard definition EFP lens that brings entirely new shooting flexibility to NTSC and SDTV field production. The Canon J35ex11B Zoom Lens can extend to 770mm with the extender. This lens represents the very best in optical and mechanical design.

The Canon HJ22ex7.6B IRSE HD Zoom Lens is the longest focal length portable HDTV production lens offered by Canon (without an image stabilization system). The Canon HJ22ex7.6B Lens is a smaller and lighter replacement for the former highly popular HJ21ex7.8B lens. This lens mobilized the best in portable EFP optical design criteria to achieve a remarkable lens offering focal lengths up to 168mm (or 336mm with extender) and a wide-angle of 64.6 degrees horizontal. Combined with an…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
2/3"7.6 - 167.2mmf/1.8 - 2.652'9"98mm4.006.48"105mm (hood)B4 2/3"

The Canon HJ17ex7.6B IRSE HD Zoom Lens has seen a worldwide rise in popularity as a standard HD lens having high performance and ease of operation. The Canon HJ17ex7.6B Zoom Lens is a lens whose central design criteria were low weight and small physical size to support greater mobility especially for HD newsgathering. It also provides a short MOD of only 0.56m in response to a strong market request. With its high optical imaging qualities the HJ17ex7.6B is distinguished within the HDxs lens…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
2/3"7.6 - 129.2mmf/1.8 - 2.42'85mm3.506.3"82mmB4 2/3"

The Canon CN-E 18-80mm T4.4 (f/4) COMPACT CINE-SERVO Zoom Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup. Designed for use with EF-mount cameras featuring Super 35 sized sensors, the lens covers an incredibly useful 18 to 80mm focal range while maintaining a constant T-stop of T4.4 (f/4) throughout. Measuring 7.2" long and weighing only 2.65 lb, the lens presents itself as a compact, lightweight option suitable for a variety of…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518 - 80mmT4.41'8"84mm2.657.18"77mmCanon EF

This expansion unit offers extension of system connectivity with multiple input and output terminals including Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), a lens control port and a V-mount battery mount with D-Tap for compatibility with third party battery systems. CINE-SERVO or B4 lenses connected to the LENS terminal can be controlled from the camera. This unit is ideal for moviemaking and high-end television productions.

Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. With a simple flick of a switch, the zoom range can be quickly increased to 280-560mm (f/5.6). This capability is extremely useful in applications where it is not possible to change lenses quickly, while also protecting delicate equipment such as a…

Series includes:
 

EF 8-15mm f/4L Fisheye USM, EF 11-24mm f/4L USM, EF-S 10-22mm f/3.5-4.5 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 24-70mm f/2.8L II USM, EF 24-105mm f/4L IS USM, EF 24-105mm f/4L IS II USM, RF 24-105mm f/4L IS USM,  EF 70-200mm f/4L IS USM, EF 70-200mm f/2.8L IS II USM, EF 100-400mm f/4.5-5.6L IS II USM,  EF 200-400mm f/4L IS USM, Extender 1.4x 

For filmmakers and photographers who want the look and feel only possible with extreme wide angle…

Full Frame8 - 15mmf/46"-1.203.7"Rear GelCanon EF
Full Frame11 - 24mmf/411"-2.605.2"Rear GelCanon EF
Full Frame10 - 22mmf/3.5 - 4.59.5"-0.853.5"77mmCanon EF
Full Frame16 - 35mmf/2.811"-1.404.4"82mmCanon EF
Full Frame24 - 70mmf/2.81'3"-2.004.85"77mmCanon EF
Full Frame24 - 70mmf/2.81'3"-1.804.45"82mmCanon EF
Full Frame24 - 105mmf/41'6"-1.504.2"77mmCanon EF
Full Frame24 - 105mmf/41'6"-1.704.6"77mmCanon EF
Full Frame24 - 105mmf/41'6"-1.504.2"77mmCanon RF
Full Frame70 - 200mmf/44'-1.706.8"67mmCanon EF
Full Frame70 - 200mm f/2.84'-3.507.8"77mmCanon EF
Full Frame100 - 400mmf/4.5 - 5.63'2"-3.507.6"77mmCanon EF
Full Frame200 - 400mm (280-560mm)f/46'7"-8.0014.4"52mm Drop-InCanon EF

The CINE-SERVO 15-120mm T2.95-3.95 PL is the latest Cine-Servo lens from Canon. The lens can further extend up to 180mm with the built-in 1.5x extender. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 15-120mm T2.95-3.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. This lens features high optical performance throughout the broad focal…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
S35 (FF)15 - 120mm (22.5-108mm)T2.95 - 3.952'10"114mm7.5011.30"112mm (127mm hood)ARRI PL 

Versatile image capturing Canon EF lenses encompass a wide range of creative options including compact, wide-aperture prime lenses, zooms for flexible framing and specialist lenses such as fisheye, macro and tilt-shift.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame14mmf/2.88"-1.403.7"Rear GelCanon EF
Full Frame24mmf/1.410"-1.403.4"77mmCanon EF
Full Frame35mmf/1.411"-1.704.1"72mmCanon EF
Full Frame35mmf/1.412"-1.303.4"72mmCanon EF
Full Frame50mmf/1.21'6"-1.302.6"72mmCanon EF
Full Frame85mm f/1.23'2"-2.103.3"72mmCanon EF
Full Frame100mmf/2.812"-1.404.8"67mmCanon EF

The newest member of Canon’s Compact-Servo lens family has a focal range of 70–200mm. The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.

Acknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
S35 (FF)70 - 200mmT4.44'84mm2.767.18"77mmCanon EF

Designed to extend a lenses focal length by a factor of 2x, the Canon Extender EF 2X III delivers optical performance on par with the finest Canon super telephoto lenses. It features a built-in microcomputer for seamless communication among camera body, lens and extender, features careful lens placement and coatings to minimize ghosting, flare and chromatic aberration, and even has a new Fluorine coating that keeps soiling, smears, fingerprints to a minimum. The Extender EF 2X III meets…

The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for Super35mm large-format single-sensor cameras and accommodates either broadcast or cinema-style production due to its removable Digital Drive unit. Available in EF- or PL- mount versions, the lens delivering the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of October 16, 2014. The lens is great for sports,…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
S35 (FF)50 - 1000mm (75 - 1500mm)T5.0 - 8.911'6"136mm14.5515.95"-ARRI PL 

This lens has the Duclos Lenses Multi-Mount modification installed and can be rented in either PL or EF mount.

The compact and lightweight CN-E 30-105mm T2.8 L Cinema Zoom Lens rivals best-in-class zoom magnification and mid-range focal lengths for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and exceeding industry standards. It features advanced optical design with fluorite and large…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3530 - 105mmT2.82'114mm4.858.26"105mmARRI PL or Canon EF

A professional-grade ultra-wide L-series f/4, for specialists capturing architecture landscapes and interiors. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame17mmf/410"-1.804.2"Rear GelCanon EF
Full Frame24mmf/3.58"-1.704.2"82mmCanon EF
Full Frame90mmf/2.81'7"-1.203.5"58mmCanon EF

The Canon LO-32BMT lens mount adapter allows standard 2/3" lenses to be used on 1/2" mount cameras such as the Sony XDCAM HD.

The Canon CN-E Cine Prime (EF mount) lenses offer a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.

Intended for the working professional, the Canon Cine prime lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame14mmT3.18"114mm2.653.7"-Canon EF
Full Frame24mmT1.512"114mm2.654.0"105mmCanon EF
Full Frame35mmT1.512"114mm2.434.0"105mmCanon EF
Full Frame50mmT1.318"114mm2.434.0"105mmCanon EF
Full Frame85mmT1.33'2"114mm2.874.0"105mmCanon EF
Full Frame135mmT2.23'3"114mm3.094.55"105mmCanon EF

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
S35 (FF)25 - 250mm (37.5 - 375mm)T2.95 - 3.954'114mm6.7010.8"112mm (127mm hood)ARRI PL 

When you need to get the widest possible angle of view, add the Century Precision 0.55X Super Fisheye Adapter to produce an extraordinary degree of barrel distortion with a magnification factor of approximately .55x. For example, adding the Super Fisheye to a 15x8, results in a 116° horizontal angle of view — a remarkable 145° when measured diagonally.


Century Precision 0HD-75CV-EX3 .75X Wide Angle Converter for Sony PMW-EX1/EX1R/EX3. is a newly designed, lighter weight optical tool for shooting situations that require both a wider angle of view & full zooming capabilities.

The Century Precision 0HD-75CV-EX3 .75X Wide Angle Converter attaches to the front of the lens via the lens bayonet mount for 25% more coverage when set to wide angle, telephoto or anywhere in between. This new professional add-on lens produces crisp,…

The compact and lightweight Century Precision 0.8X HD Wide-Angle Converter screws onto the front of a 72mm DV/HDV camera zoom lens, effectively shortening its focal length while maintaining full zoom capabilities. Attach the compact Century Precision 0.8X HD Wide-Angle Converter to the front of a lens for 20% more coverage when set to wide angle, telephoto or anywhere in between. This can be especially advantageous when shooting in tight quarters. This item also comes with a rectangular…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame25mmT2.410"64mm1.273.85"58mmSony E
Full Frame32mmT2.413"64mm1.153.7"58mmSony E
Full Frame50mmT2.420"64mm1.103.7"58mmSony E
Full Frame75mmT2.43'64mm1.153.85"58mmSony E
Full Frame100mmT2.43'82mm1.524.88"77mmSony E

Lens set includes 18, 25, 32, 40, 50, 65, 75, 100mm

The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern redesign of the vintage classic. We are pleased to welcome Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses to Talamas' rental inventory.

Cooke's new Pancho, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518mmT2.28"110mm3.503.4"-ARRI PL
Super3525mmT2.28"110mm3.303.6"-ARRI PL
Super3532mmT2.29"110mm2.403.6"-ARRI PL
Super3540mmT2.213"110mm3.004.6"-ARRI PL
Super3550mmT2.216"110mm3.304.6"-ARRI PL
Super3565mm MacroT2.413"110mm6.107.8"-ARRI PL
Full Frame75mmT2.22'6"110mm3.906.1"-ARRI PL
Super35100mmT2.62'110mm3.906.3"-ARRI PL

Cooke Anamorphic/i lens series set includes: 25mm, 32mm, 40mm, 50mm, 65mm Macro, 75mm, 100mm, 135mm.
The “SF” stands for Special Flair because they allow you to kick the flares, bokeh and other aberrations into new visual territory.   Cooke went one step further with their new Anamorphic/i SF lenses that are specially manufactured with a coating that allows for even more creative options.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3525mmT2.33'136mm9.208"-ARRI PL
Super3532mmT2.32'9"110mm7.107.8"-ARRI PL
Super3540mmT2.32'9"110mm7.508.1"-ARRI PL
Super3550mmT2.32'9"110mm7.908.1"-ARRI PL
Super3565mm MacroT2.617"136mm11.5010.5"-ARRI PL
Super3575mmT2.33'3"110mm7.108.1"-ARRI PL
Super35100mmT2.33'9"110mm7.508.1"-ARRI PL
Super35135mmT2.35'110mm9.309.5"-ARRI PL

Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All focal lengths are color balanced, achieving excellent contrast and resolution over the full Super 35 format.

The S4 Prime lenses are equipped with /i Technology. S4/i lenses are designed for all…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3514mmT2.09"110mm4.804.8"-ARRI PL
Super3516mmT2.09"110mm5.405.0"-ARRI PL
Super3518mmT2.09"110mm3.804.2"-ARRI PL
Super3521mmT2.09"110mm4.404.2"-ARRI PL
Super3525mmT2.09"110mm3.5042"-ARRI PL
Super3532mmT2.012"110mm4.004.8"-ARRI PL
Super3540mmT2.016"110mm4.405.3"-ARRI PL
Super3550mmT2.020"110mm3.304.7"-ARRI PL
Super3565mmT2.02'3"110mm3.504.8"-ARRI PL
Super3575mmT2.02'6"110mm3.804.7"-ARRI PL
Super35100mmT2.03'110mm4.405.4"-ARRI PL
Super35135mmT2.02'9"110mm4.907.3"-ARRI PL
Super35180mmT2.04'3"110mm9.407.3"-ARRI PL

Set includes 18mm, 25mm, 32mm, 50mm, 75mm and 100mm
The miniS4/i primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.

High-performing

The same exceptional resolution and optical quality as the S4/i, but at a lower price point.

Lightweight

Enjoy a smaller, lighter lens without compromising on quality.

Reliable…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518mmT2.810"87mm2.904.6"-ARRI PL
Super3525mmT2.810"87mm3.004.1"-ARRI PL
Super3532mmT2.812"87mm3.504.3"-ARRI PL
Super3550mmT2.820"87mm3.305.4"-ARRI PL
Super3575mmT2.82'6"87mm3.505.3"-ARRI PL
Super35100mmT2.83'87mm3.505.4"-ARRI PL

This lens set includes 25, 32, 40, 50, 75, 100, 135.

A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability.

All-Spherical Design

The S8 features premium all-spherical lenses, which produce a uniquely organic, film-like quality, which is characterised by smooth,…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame25mmT1.41'10"104mm5.306.4"-ARRI PL
Full Frame32mmT1.42'3"104mm5.306.2"--ARRI PL
Full Frame40mmT1.42'3"104mm5.006.2"-ARRI PL
Full Frame50mmT1.42'3"104mm4.606.2"-ARRI PL
Full Frame75mmT1.42'9"104mm5.306.2"-ARRI PL
Full Frame100mmT1.42'9"104mm5.306.2"-ARRI PL
Full Frame135mmT1.44'104mm7.007.9"-ARRI PL

Soft Effects Attachment for the Cooke S4/i 65mm and 75mm Prime Lenses

The effect of the Cooke Soft Effects Attachment is high resolution with a stunning glow to the highlights.  This is not like the effect obtained with traditional filters.  The image is not fuzzy, soft or screened.  The effect is subtle, but most pronounced wide open, becoming less pronounced as you stop down.

The design for this lens attachment is based on Cooke’s PS945 portrait lens for 4x5 large format…

FUJINON MK50-135mm T2.9 achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact &  lightweight body, and excellent cost performance. It suppresses focus shift and optical axis shift while zooming and Lens breathing. Also, it features three fully manual lens rings for…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3550 - 135mm T2.93'11"85mm2.208.1"82mmSony E

The Fujinon MK18-55mm T2.9 Zoom Lens is a lightweight cine zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518 - 55mmT2.92'9"85mm2.208.1"82mmSony E

While the PL 85-300 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The Fujinon Cabrio 85-300mm T2.9-4 Zoom Lens offers a focal length of 85-218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation.

Designed using the latest optical simulation technology, the PL 85-300 Cabrio not only offers exceptional optical performance in the…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3585 - 300mmT2.9 - 4.03'11"114mm6.809.8"111mmARRI PL 

A 12x PL mount cine lens, starting at 25mm and reaching to 300mm, will give you the versatility to cover a wide variety of shooting situations. The PL 25-300 with its generous focal range, makes it ideal for shooting documentaries, nature and wildlife, and car commercials, as well as the closer shots.

The PL 25-300 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly.…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3525 - 300mmT3.5 - 3.853'11"136mm18.5015.8"-ARRI PL 

The Fujinon Th13x3.5BRMU HD Wide-Angle Zoom Lens is a 1/3" bayonet mount HD ENG lens. It provides cameras such as the Panasonic HPX300, JVC GY-HD250, and the Sony HVR-Z7U a very high quality alternative and wider picture than the standard issue lens.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
2/3"7.8 - 133mmf/1.82'1"85mm  82mmB4

The Fujinon A10x4.8BEVM-28 is a wide angle zoom lens with 2x extender for broadcast and television production.

Fujinon wide angel broadcast lens A10x4.8 BEVM-28 with bayonet mount for 2/3″ cameras, focal lengh: 4.8mm-48mm (2x extender 96mm).

QuickZoom Technology

The lens has added capability when zooming, using the QuickZoom switch. At the touch of a button, the lens can move to full telephoto in less than a second. This provides a no-hassle way of verifying focus.

With the longest focal length, 137mm (274mm with 2x Extender), and the widest angle of view (64.5 degrees) at 7.6mm, the Fujinon HA18x7.6BERM is an HD standard lens for all high-definition broadcast news and field production applications in 16:9 image format.

The Fujinon PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens.

The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, and a T Stop of T3.5 end to end.

Videographers used to shooting video in a typical ENG-style will be very…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3520 - 120mmT3.53'7"114mm6.409.4"-ARRI PL

With broadcasting technology rapidly converting to digital, Fujinon has developed a new digital servo control system, DIGI POWER, to enhance the performance of its zoom lenses. State-of-the-art components including a 32-bit RISC processor in the lens, a CPU in each servo demand, optical encoders and high-speed serial communication devices, together with the newly developed digital control circuit, provide 13-bit accuracy in zoom and focus control as well as a variety of new functions.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
2/3"7.6 - 137mmf/1.81'4"85mm  82mmB4

The Fujinon Cabrio 19-90mm T2.9 Zoom Lens (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 6 lbs including servo motors, this lens has the longest focal range available in a light weight zoom.

Videographers used to…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3519 - 90mmT2.92'9"114mm6.108.9"111mmARRI PL 

The Fujinon HTs18x4.2BRMU 1/3 inch Mount HD Zoom Lens provides cameras such as the Panasonic HPX300, JVC GY-HD250 and Sony HVR-Z7U a very high quality alternative to the standard issue lens. The Fujinon HTs18x2.4BRMU HD zoom lens is a high quality 1/3 inch HD ENG/EFP lens without 2X extender featuring Digi Power servo.

The Fuji ACM-17 Lens adapter can adapt a 2/3" B4 mount lens to a 1/3" HD cameras. Be advised that a magnification of 1.83x the original focal length of the lens will occur.

The Fujinon ACM-19 is a lens adapter adapter that allows you to mount a 1/2" Sony Hot Shoe mount lens to the HVR-7/S270 Camcorder. Be advised that a magnification of 1.33x the original focal length of the lens will occur.

The Fujinon TH13x3.5BRMU is a 13x 1/3" wide-angle high-definition lens designed specifically for JVC's line of ProHD cameras, representing the highest quality optics available for the product. Known for their high build quality and precision optics, Fujinon lenses have become the industry standard for professional video applications all over the world. The focal-length range is 3.5 to 46mm with a minimum object distance of 0.4 meters, or about 1.3 feet.

 

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
1/3"3.5 - 46mmf/1.41'4"85mm  82mmBayonet

Fujinon XT17x4.5brm-k14  high definition broadcast wide angle  lens for 1/3" cameras/camcorders.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
1/3"4.5 - 77mmf/1.63'2"-2.807.1"82mmBayonet

The Fujinon ACM-21 is a lens adapter for the 1/2" CMOS chip PMW-EX3 camcorder. This adapter allows the 1/2" chip camera to utilize high quality 2/3" Fujinon lenses using the B4 mount. Be advised that a magnification of 1.38x the original focal length of the lens will occur.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
2/3"8 - 160mmf/1.72'8"100mm  95mmB4

The Hot Rod PL Mount for Micro 4/3 cameras is a click-in/click-out adapter which requires no camera modification and has a unique support foot which when mated with the appropriate support allows you to use all 35mm native PL mount lenses safely. This adapter also allows use of other popular D-Cinema PL mount lenses that are not compatible on 35mm film cameras, such as the Angenieux DP series of lenses (16-42mm and 30-80mm) and the Red Pro Prime 18mm. This mount works with micro 4/3 HDSLR…

Extending the Focal Length of PL Mount Lenses

Cover big sensors including 4:3 frame of ALEXA

While most extenders can only physically fit on a limited range of lenses, the design of the PLx2 accommodates more spherical and anamorphic PL mount lenses than any other doubler on the market. This is achieved by designing the extender with a deep-set optical assembly, thus, making it possible to use lenses with long protruding rear elements.

The PLx2 will…

Completely new design. Complete matte box compatibility. Shimmable EF & PL Mounts plus FF & LF sensor coverage. Improved close focus distance. 
 

 

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame20mm T3.67"95mm1.951.98"-ARRI PL 
Full Frame28mmT3.68"95mm2.402.60"-ARRI PL 
Full Frame37mmT2.91'3"95mm2.002.57"-ARRI PL 
Full Frame58mmT2.11'6"95mm2.002.57"-ARRI PL 
Full Frame85mmT2.12'6"95mm2.152.50"-ARRI PL 
Full Frame135mmT2.93'9"95mm3.404.27"-ARRI PL 

This lens is ideal if you need an ultra wide angle lens to pair with many of our vintage lens sets. This vintage lens is one of the widest rectilinear lenses ever made. This is not a fisheye lens. The lens has no distortion at all, which is amazing considering its age, and speed. It’s quite sharp, but has some bloom wide open. Contrast increases when stopped down.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super359.8mmT2.8 (f1.8)7.75"114mm4.255.35"-ARRI PL 

The Konica Hexanons are a set of vintage cinema lenses rehoused in an anodized aluminum housing by Ancient Optics. They cover full frame sensors providing versatility and a smooth, even bokeh throughout the 8-lens set.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3521mmT2.97"110mm  -ARRI PL 
Full Frame28mmT1.97"110mm  -ARRI PL 
Full Frame35mmT2.111"110mm  -ARRI PL 
Full Frame40mmT1.913"110mm  -ARRI PL 
Full Frame50mmT1.617"110mm  -ARRI PL 
Full Frame57mmT1.320"110mm  -ARRI PL 
Full Frame85mmT1.92'6"110mm  -ARRI PL 
Full Frame135mmT2.54'110mm  -ARRI PL 

The lens kit comes in 3 distinct lenses including the unique 35-degree tilt view. The Pro2be offers a maximum T8 aperture, 2X magnification and waterproof distance of 36.6cm, pairing perfectly with your high-speed cameras and motion-control system. The distinctive tubular and smartly-twisted lens barrels offer maximum flexibility to explore new perspectives and new heights. It is  the all-in-one solution for capturing a wide range of shots, from extreme close-ups to cinematic top and high-…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame24mmT80.16"-2.2819.96"-ARRI PL 
Full Frame24mmT80.16"-2.2519.68"-ARRI PL 
Full Frame24mmT80.16"-2.3519.68"-ARRI PL 

Lens set includes 18, 25, 35, 50, 75, 100mm

The…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518mmT2.01'95mm2.904"-ARRI PL
Super3525mmT2.01'95mm3.404"-ARRI PL
Super3535mmT2.01'2"95mm2..94"-ARRI PL
Super3550mmT2.02'95mm3.204"-ARRI PL
Super3575mmT2.02'7"95mm2.704"-ARRI PL
Super35100mmT2.03'3"95mm2.704"-ARRI PL

Lomo Square Front Anamorphic Lens Kit includes 35mm, 50mm, and 80mm.
The famous LOMO Anamorphic lenses are legendary for their personality. These lenses are praised for their quirky, horizontal lens flare and fantastic shallow depth of field. Anamorphics work by “squeezing” the standard image into a skinnier image frame on an applicable 4:3 capable camera. (I.e. the Arri Alexa Mini). Then, “expanding” the image in post to give you that amazingly epic 2.35:1 ratio.
Lomo Square front…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame24 - 70mmf/2.81'2"-2.066.42"82mmLeica L-mount 

The LUMIX G X VARIO II H-HSA12035 Lens features Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design featuring Power O.I.S. with 5-Axis Dual I.S. 2.0 (Image Stabilization) to shoot with unprecedented hand-held stability across both video and stills.

KEY FEATURES

  • NANO SURFACE COATING:…
FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Micro Four Thirds12 - 35mmf/2.89.8"-0.683.8"58mmMFT

Rehoused Vintage Super 35 Full Frame Cinema Lenses.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame17mmT3.59"110mm3.354.2"-ARRI LPL 
Full Frame24.5mm T2.915"110mm3.104.2"-ARRI LPL 
Full Frame31.5mmT2.310"110mm3.454.75"-ARRI LPL 
Full Frame38.5mmT2.312"110mm3.204.75"-ARRI LPL 
Full Frame49mmT2.219"110mm3.104.75"-ARRI LPL 
Full Frame56mmT2.319"110mm3.054.75"-ARRI LPL 
Full Frame77mmT2.22'9"110mm3.204.75"-ARRI LPL 
Full Frame105mmT2.23'3"110mm4.156.35"-ARRI LPL 

The Metabones Canon EF to Sony NEX Camera Lens Adapter (Mark III) features true electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. It is powered by camera body. No external power source required. The Metabones Canon EF to Sony NEX Camera Lens Adapter (Mark III) also feeatures a wide open button (opposite of depth-of-field preview function) makes manual focusing easy. The…

L1 - Baltar Variable Look Lens. The L1 look is inspired by The Baltars. It gives you all of the glamour and glowing halation seen in a classic Super Baltar lens. It can evoke emotion by creating the nostalgic warmth, romance, and gritty realism of classic films, like the Godfather. When you max out this look, we like to call it the Wicked Baltars.

L2 - Inspired by Canon K35s, The L2 Tuner is the perfect amount of vintage for professional DP’s looking to take the edge of harsh…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame1.04x Magnification 1/4 Stop Loss--0.681.89"-
ARRI PL (Lens) Sony E (Camera)
Full Frame1.10x Magnification <1/4 Stop Loss--0.621.73"-
ARRI PL (Lens) Sony E (Camera)
Full Frame1.05x Magnification<1/4 Stop Loss--0.661.81"-
ARRI PL (Lens) Sony E (Camera)

Vintage Prime lenses rehoused by GL Optics.
The Vintage Nikkor lens set represents a unique combination of sharpness, creamy fall-off, and perfect bokeh elements. With today’s digital sensors, the lens becomes the predominant factor in the picture’s look (or quality). The Vintage Nikkor lenses gives qualities that help gain personality and favorable characteristics, especially in flesh tones. 

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame18mmT2.911"110mm1.952.82"-ARRI PL 
Full Frame24mmT2.113"110mm2.102.82"-ARRI PL 
Full Frame28mmT2.113"110mm2.353.32"-ARRI PL 
Full Frame35mmT1.513"110mm2.553.48"-ARRI PL 
Full Frame50mmT1.312"110mm2.353.78"-ARRI PL 
Full Frame58mmT1.314"110mm2.553.78"-ARRI PL 
Full Frame85mmT1.53'110mm2.553.62"-ARRI PL 
Full Frame105mmT1.92'3"110mm2.954.75"-ARRI PL 
Full Frame135mmT2.13'6"110mm3.454.75"-ARRI PL 

The Novoflex Nikon to Micro 4/3 Lens Adaptor allows you to use Nikon lenses on SLR cameras with the Micro Four Thirds lens mount. The adapter ensures a high-precise correction of the flange focal length difference and enables focusing to infinity. Moreover, automatic exposure metering via working aperture and aperture priority is supported.

This Novoflex Adapter for Nikon Lens to Sony NEX Camera makes it possible to mount a Nikon lens to your NEX-3 or NEX-5 camera with a precision mechanical adapter. Such an adapter does not transfer functions from the camera to the lens, such as auto focus, but automatic exposure metering (stop-down metering/aperture priority) is possible. The lens will focus to infinity using this adapter.

 

P+S Technik Evolution 2X  matching Kowa Anamorphic Lens Set includes 40mm, 50mm, 75mm and 100mm lens set.  Available in PL mount only.

Genuine Anamorphic Look
The look and bokeh of the Evolution lenses matches the genuine anamorphic look of the original lenses. The optical design of the Evolution lenses is based on original optical design and the front anamorphic principles. They are low in contrast and warm in color and can be made to flare.

The lenses…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3540mmT2.43'80mm2.303.7"77mmARRI PL 
Super3550mmT2.43'80mm2.604.1"77mmARRI PL
Super3575mmT2.53'80mm3.305.9"77mmARRI PL
Super35100mmT3.25'80mm3.506.5"77mmARRI PL

Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design to minimize chromatic aberrations and distortion in order to produce sharper images. Additionally, the lens' design features a built-in lens hood and a UMC coating has been applied to the lens elements to reduce surface reflections and prevent lens flare and ghosting for improved light transmission and more contrast-rich imagery.

180° fisheye lens provides a 35mm-equivalent…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super358mmf/2.811.81"-0.582.54"-Sony E

Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518 - 35mmf/1.811"-1.784.8"72mmCanon EF

Sigma Cine Zoom 18-35mm + Sigma Cine Zoom 50-100mm.  Sigma Cine 50-100mm T2.0 is a truly inspiring, general purpose, high speed zoom lens. Perfect for lightweight, solo operation but more than capable of operating in a demanding, professional environment.

With an entirely new mechanical design, the Sigma Cine 50-100mm T2.0 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3550 - 100mmT2.03'2"95mm4.106.6"82mmARRI PL or Canon EF

Sigma Cine zoom 18-35 + Sigma Cine Zoom 50-100   Sigma Cine 18-35mm T2.0 is a truly inspiring, general purpose, high speed zoom lens. Perfect for lightweight, solo operation but more than capable of operating in a demanding, professional environment.

With an entirely new mechanical design, the Sigma Cine 18-35mm T2.0 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common gear…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518 - 35mmT2.011"95mm3.104.8"82mmARRI PL or Canon EF

Sigma Cine Primes range from 14mm to 135mm, all with a common T1.5 maximum aperture (T2.0 for the 14mm and 135mm). With a more than adequate 180 degree focus rotation and a robust mechanical design, the Sigma Cine Primes are an excellent choice for a wide variety of production situations - from small indie projects, up to feature films. Built from scratch, entirely in Sigma's Aizu factory, the Sigma Cine Primes are a tool that cinematographers and ACs are sure to embrace.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame14mmT2.011"95mm3.004.4"-
ARRI PL or Canon EF
Full Frame20mmT1.511"95mm2.704.4"-
ARRI PL or Canon EF
Full Frame24mmT1.511"95mm2.303.5"82mm
ARRI PL or Canon EF
Full Frame35mmT1.51'95mm2.303.5"82mm
ARRI PL or Canon EF
Full Frame50mmT1.51'4"95mm2.703.8"82mm
ARRI PL or Canon EF
Full Frame85mmT1.52'10"95mm3.004.7"86mm
ARRI PL or Canon EF
Full Frame135mmT2.02'11"95mm3.204.3"82mm
ARRI PL or Canon EF

F1.4 brightness at wide-open aperture.The large-diameter
wide-angle lens that revealsa new horizon of image quality. An all-new Art line lens featuring F1.4 brightness.
Best-in-class optical performance ideal for nightscapes and cityscapes. Offering best-in-class optical performance, this lens is designed to minimize aberrations for images virtually free of streaking and warping. SIGMA has a proven reputation for wide-angle lens design and manufacturing. Drawing on this experience…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame24mmf/1.49.8"-1.463.55"77mmSony E

SIGMA has always leveraged the most advanced optical technologies to offer photographers the highest level of lens performance. Now, SIGMA is proud to offer the first lens in an all-new product line: the 35mm F1.4 DG HSM. This wide-angle F1.4 lens delivers the highest level of brightness and beautiful bokeh effects. It offers the unique characteristics that only a large-aperture F1.4 lens can offer: shallow depth of field along with superior low-light and hand-held performance.

 

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame35mmf/1.411.8"-1.414.4"67mmSony E

SIGMA was the first lens manufacturer to introduce a 50mm F1.4 lens. Now, to create the ultimate go-to lens, we took optical performance and image quality to the limit. The result is a true icon of SIGMA quality. Fulfilling the concept of our Art line at the highest level, the 50mm F1.4 DG HSM is a large-aperture standard lens that delivers top performance. Its outstanding resolution makes it ideal for the high-megapixel era. It delivers exquisitely balanced images with a beautiful bokeh…

Portrait photographers demand the attractive bokeh effect that large-diameter lenses offer, as well as outstanding resolution. Fulfilling the exacting standards of the Art line, the SIGMA 85mm F1.4 DG HSM | Art delivers both of these elements at the highest level. The bokeh effect is so precise, you can focus on the pupil of the subject’s eye while blurring the eyelashes. Adding to the effect, the area in focus is extremely high-resolution while the bokeh area is very attractive in…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame85mmf/1.42'9"-2.496.0"86mmSony E

With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up.

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3518 - 110mmf/4.01'4"-2.404.13"95mmSony E

The VENICE Extension System (CBK-3610XS) enables cabled separation of the VENICE camera body and image sensor block by up to 5.5m with no degradation in image quality.

The Sony 28-135mm F4 Full-frame E-mount Power Zoom Lens has been created to satisfy professional optical and operational requirements for cine productions, including 4K, when matched with a 35mm full frame format camera such as the A7s or a Super 35 format camcorder such as the PXW-FS7. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame28 - 135mmf/4.01'3"-2.684.13"95mm Sony E

The Sony VCL-EX0877 HD Wide-Angle Converter is the 0.8X wide conversion lens for the Sony PMW-EX1, PMW-200, and PMW-300. With the Sony VCL-EX0877 mounted to the camera, the focal length becomes 25.1mm to 351mm (31.4mm to 439mm in 35mm equivalent). The camera has an optical specification compensator function. By changing "Wide Conversion" in Camera Set menu "On" manually, chromatic aberration compensation and the image stabilizer mode is optimized for the Sony VCL-EX0877 0.8X HD Wide-Angle…

 The Extension Unit offers additional I/O connectors like Timecode and Genlock for multi-camera operation or the possibility to use common V-Mount batteries. It also allows RAW data output to record 12-bit RAW footage on the AXS-R5 (in combination with HXR-IFR5), or another third party RAW recorder via the FS RAW Interface. The XDCA-FS7 will encode the video…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame16 - 35mmf/2.811"-1.504.8"82mmSony E
Full Frame24 - 70mmf/2.81'2"-1.905.4"82mmSony E
Full Frame24 - 70mmf/2.88.3"-1.506"82mmSony E
Full Frame70 - 200mmf/2.83'2"-3.307.9"77mmSony E

The F2.8 70-200mm telephoto zoom like no other. The Sony G Master design and technology in a new constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance.

Sony FE Zoom 24-70mm f/2.8 GM no-compromises Sony design and technology in a new constant F2.8 zoom lens that can fully utilize the performance potential of current and future high-resolution camera bodies.

Sony FE Wide-Angle Zoom 16-35mm f/2.8 GM Sony G…

Superior resolution throughout the image area and an absolute minimum of distortion are achieved by an advanced optical design that features five aspherical elements, including one large AA(advanced aspherical) element and three ED elements.

Wide-angle impact over a useful zoom range A 16 mm to 35 mm wide-angle zoom range, coupled with effective built-in optical image stabilization makes this lens an excellent choice for snapshots, indoor scenes, group shots, landscapes, and more,…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame16 - 35mmf/4.011.02"-1.144.47"72mmSony E

As a G Master lenses, optical performance is prioritized and they emphasize both sharpness and bokeh quality for versatility regardless of subject distance or aperture setting.
Two XA (extreme aspherical) elements, along with one standard aspherical element, promote high sharpness throughout the aperture range, even when working at the bright f/1.8 position. Aspherical elements feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame14mmf/1.89.8"-1.003.9"Rear GelSony E
Full Frame20mmf/1.87.1"-0.823.3"67mmSony E
Full Frame24mmf/1.49.4"-0.983.6"67mmSony E
Full Frame35mmf/1.49.8"-1.203.8"67mmSony E
Full Frame50mmf/1.416.1"-1.103.8"67mmSony E
Full Frame50mmf/1.21'4"-1.704.3"72mmSony E
Full Frame85mmf/1.42'7"-1.804.23"77mmSony E

 

Its 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.

Close-focus 1:1 reproduction at 11.8" working distance Fast, wide T2.9 to T32 aperture range 
Full-frame 35mm format support, 4K ready 

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame100mm T2.911.8"85mm2.885.82"82mmARRI PL 

The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine production and incorporates 0.8 Mod lens gears for…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3511 - 20mmT2.91'95mm2.273.92"86mmARRI PL 

The compact, lightweight Tokina Cinema 11-16mm T3.0 is not just a simple rehousing of the critically-acclaimed still lens version, rather the lens designers re-engineered it to provide cinematographers the control and performance they have come to expect in lenses that cost 10 times as much. Engineered to offer superb optical 4K performance the 11-16mm T3.0 delivers sharp, consistent images throughout its zoom range by reducing breathing and maintaining focus throughout the zoom range (…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3511 - 16mmT3.01'85mm1.603.27"82mmARRI PL 

This compact ultra wide-angle zoom has a bright constant f/2.8 aperture make viewing and auto focus possible in lower light situations but still maintaining a reasonable size and weight.

Two Super-Low Dispersion glass elements and two aspheric glass allow the proprietary optical design to achieve excellent contrast and sharpness as well as controlling chromatic aberration.

Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Super3511 - 16mmf/2.81'-1.213.5"77mmCanon EF

VISTA ONE T1.5 — VISTA LENS COLLECTION

Beautiful Single Coated Optics

Experience our renowned Vista Primes with a pleasing reduction in contrast and enhanced flares made possible by our carefully crafted single coated elements
High Resolution Single Coated Modern Optics

Create soft beautiful flares with off-axis light sources. Transition to a modern look with on-axis…

Full Frame18mmT1.517.7"114mm5.917.2"112mmARRI PL 
Full Frame25mmT1.513.8"114mm4.836.1"112mmARRI PL 
Full Frame50mmT1.51'7"114mm4.655.71"112mmARRI PL 
Full Frame85mmT1.53'1"114mm4.745.71"112mmARRI PL 
Full Frame105mmT1.53'9"114mm5.646.3"112mmARRI PL 
Full Frame135mmT1.54'7"114mm6.597.36"112mmARRI PL 

Featuring a 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective the Venus Optics Laowa 24mm f/14 Probe Lens PL Full Frame is an amazing step forward in macro lenses. The wide angle design means much greater depth of field at close distances than possible with conventional telephoto macro lens, so more…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame24mmf/141'6"20mm1.0015.6"-
ARRI PL or Canon EF

Voigtländer Zoomar 36-82mm T3.1. This is one of the oldest zooms ever designed for commercial still photography for the 135 format (Full Frame 36x24mm). It was released in 1959, and was incredibly advanced for its time. The images it makes are still impressive today.

Crucial for any cinema zoom lens, this lens is parfocal. It is sharp on center, with subtle fall-off towards the corners. The lens has surprisingly low chromatic aberration for such an…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame36 - 82mmT3.13'136mm7.756.5"136mmARRI PL

With Zeiss' Compact Prime CP.2 lenses, switching between traditional film and digital PL cine cameras is no longer an issue. The CP.2's improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction,longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect…

FormatFocal LengthApertureClose FocusFront DiameterWeight (lbs)Physical lengthFilter Thread SizeMount Type 
Full Frame