Ancient Optics Iron Glass Phenix 28-70mm T2.7 PL Lens

PL Mount, Full Frame, T2.7, parfocal, compact & lightweight
This lens is designed to produce sharp images with minimal chromatic aberration and beautiful lens flares, making it a great match for many vintage primes

Angenieux Ultra Compact Zoom Lens 37-102mm

A new generation of standard compact spherical zoom lens

Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these…

Angenieux Optimo Gold

This lens set includes 18mm, 21mm, 28mm, 32mm, 40mm, 50mm, 75mm, 100mm and 135 mm

The Full Frame Optimo Prime Series is a perfect match with the Optimo Ultra 12X, the new long range zoom reference of the industry. The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux…

Angenieux Optimo Ultra Lenses

Optimo Ultra 12x FF/VV, S35 & U35
The long-range cinema zoom reference redefined

Successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability…

Angenieux EZ-1

EZ-1 30-90mm T2.0 114mm front diameter PL or EF mount Super 35  
EZ-1 45 to 135mm T3.0 114mm front diameter PL or EF mount full-frame/VistaVision  

The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a…

Angenieux EZ-2

Angénieux EZ-2 15 to 40mm T2 114mm front diameter PL or EF Mount Super 35 
Angénieux EZ-2 22 to 60mm  T3 114mm front diameter PL or EF Full Frame/Vistavision

The Angénieux Type EZ-2 for S35mm/FF/VistaVision camera is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 15-40mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 22-…

Angenieux Optimo Zooms

The Angenieux Optimo 24-290mm T2.8 Zoom Lens offers superior optical performance across its entire zoom range with contrast and color reproduction that rivals the highest performing prime lenses.

The Angenieux Optimo 45-120mm T2.8 zoom lens offers exceptional optical quality that rivals the best prime lenses at equivalent focal distances. There is no ramping, minimal breathing and the focus ring has 320°of rotation with over 50 witness marks.

ARRI Zeiss Ultra Primes

ARRI and Carl Zeiss have created lenses which, for the first time, completely unite all main characteristics such as focus, contrast, color saturation, color uniformity and compactness together with the high speed T1.9 rating, low aperture-induced focus shift and uniform pupil position. The ARRI Zeiss Ultra Prime Lenses retain excellent image quality even at close focus across the whole Super 35 frame.

ARRI Signature Prime

Lens Set Includes: 18mm, 25mm, 35mm, 47mm, 75mm, 95mm, 125mm

The 25mm ARRI Signature Prime T1.8 is a wider lens in an array of large-format primes featuring organic images, attractive bokeh, and a fast T1.8 aperture for achieving shallow depth of field. This prime lens gently softens the large-format look, and produces pleasant, natural skin tones. Focus falls off smoothly, highlighting your subject against…

ARRI MMB-1 Mini Matte Box

The ARRI MMB-1 Mini Matte Box is the first mattebox designed for smaller-sized HD camera bodies. The ARRI MMB-1 is the only small form-factor mattebox allowing for use of three filters, including one fully-rotatable round, with the new wide-angle Fujinon XS8x4mm zoom for the Sony EX-3. It can be configured as a clip-on or rodded matte box.

Atlas Mercury 1.5x FF Anamorphic

Atlas Lens Co. Mercury Series 36, 42, 54, 72, 95 Introducing the New Atlas Mercury Series 1.5x Full-Frame Anamorphic Lenses. Mercury Series is Atlas' brand new family of anamorphic lenses, designed to further connect cinematographers, directors, and filmmakers everywhere to the images they create. The Mercury Series showcases exceptional optical performance, color performance, and clarity with vintage geometric personality. The Mercury lenses…

Atlas Orion 2x Anamorphic

Atlas Lens Co. Orion Series 32, 40, 50, 65, 80, 100

Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability.

Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras.

…

Atlas Lens Co. Full Frame Extender (PL) for Atlas Anamorphic A Set

Full Frame Extender (PL) for Atlas Anamorphic A Set will allow the company’s 2x anamorphic lenses (32mm to 100mm) to cover new LF-sized sensors like the ARRI LF, Sony VENICE, RED Monstro, and Kinefinity LF without vignetting.  Including Sony a7 series and other full frame mirrorless cameras.

Bausch & Lomb Rehoused TLS Super Baltar PL Lens

Bausch & Lomb Rehoused TLS Super Baltar – 6 Lens Set- 20,25,35,50,75,100mm

The Bausch & Lomb Super Baltar lenses, rehoused by True Lens Services (TLS), are renowned for their classic Hollywood charm and unique visual characteristics.

BLAZAR Great Joy 1.8x FF Anamorphic PL/EF Len Set

BLAZAR LENS Great Joy 1.8x FF Anamorphic PL/EF Lens - 35mm, T2.9
The whole set is 35mm, 50mm & 85mm all with the same name excluding size
New structural design optimizes light transmittance to prevent lens flare and optimize control over flares & streaking

Canon CN-E 15.5-47mm T2.8 L Cinema Zoom Lens

This lens has the Duclos Lenses Multi-Mount modification installed and can be rented in either PL or EF mount.

The compact and lightweight CN-E 15.5-47mm T2.8 L Cinema Zoom Lens rivals best-in-class zoom magnification and wide-angle focal length range for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and…

Canon J35ex15B4 IASD SX12 Lens

The Canon J35ex15B4 IASD SX12 is a 35x telephoto zoom lens with 15-525mm focal range, 2x extender, and advanced servo controls for professional broadcast use.

Canon J35ex11B IASD Zoom Lens with sled and focus & zoom controls

The Canon J35ex11B IASD Zoom Lens is a standard definition EFP lens that brings entirely new shooting flexibility to NTSC and SDTV field production. The Canon J35ex11B Zoom Lens can extend to 770mm with the extender. This lens represents the very best in optical and mechanical design.

Canon HJ22ex7.6B IRSE HD Zoom Lens

The Canon HJ22ex7.6B IRSE HD Zoom Lens is the longest focal length portable HDTV production lens offered by Canon (without an image stabilization system). The Canon HJ22ex7.6B Lens is a smaller and lighter replacement for the former highly popular HJ21ex7.8B lens. This lens mobilized the best in portable EFP optical design criteria to achieve a remarkable lens offering focal lengths up to 168mm (or 336mm with extender) and a wide-angle of 64.6…

Canon HJ17ex7.6B IRSE HD Zoom Lens

The Canon HJ17ex7.6B IRSE HD Zoom Lens has seen a worldwide rise in popularity as a standard HD lens having high performance and ease of operation. The Canon HJ17ex7.6B Zoom Lens is a lens whose central design criteria were low weight and small physical size to support greater mobility especially for HD newsgathering. It also provides a short MOD of only 0.56m in response to a strong market request. With its high optical imaging qualities the…

Canon CN-E 18-80MM T4.4 (F/4) Comact CINE-SERVO Zoom Lens

The Canon CN-E 18-80mm T4.4 (f/4) COMPACT CINE-SERVO Zoom Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup. Designed for use with EF-mount cameras featuring Super 35 sized sensors, the lens covers an incredibly useful 18 to 80mm focal range while maintaining a constant T-stop of T4.4 (f/4) throughout. Measuring 7.2" long and weighing only 2.65 lb, the lens presents…

Canon EU-V2 Expansion Unit 2 for C500 Mark II

This expansion unit offers extension of system connectivity with multiple input and output terminals including Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), a lens control port and a V-mount battery mount with D-Tap for compatibility with third party battery systems. CINE-SERVO or B4 lenses connected to the LENS terminal can be controlled from the camera. This unit is ideal for moviemaking and high-end television…

Canon EF 200-400mm f/4L IS USM Lens

Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. With a simple flick of a switch, the zoom range can be quickly increased to 280-560mm (f/5.6). This capability is extremely useful in applications where it is not possible to change lenses quickly, while…

Canon L Series EF Zoom

Series includes:
EF 8-15mm f/4L Fisheye USM, EF 11-24mm f/4L USM, EF-S 10-22mm f/3.5-4.5 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 24-70mm f/2.8L II USM, EF 24-105mm f/4L IS USM, EF 24-105mm f/4L IS II USM, RF 24-105mm f/4L IS USM,  EF 70-200mm f/4L IS USM, EF 70-200mm f/2.8L IS II USM, EF 100-400mm f/4.5-5.6L IS II USM,  EF 200-400mm f/4L IS USM, Extender 1.4x 

For filmmakers and photographers who want the look and feel…

Canon 15-120mm T2.9 Cine Servo Full Frame with Extender

The CINE-SERVO 15-120mm T2.95-3.95 PL is the latest Cine-Servo lens from Canon. The lens can further extend up to 180mm with the built-in 1.5x extender. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 15-120mm T2.95-3.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. This lens…

Canon L Series EF Primes

Versatile image capturing Canon EF lenses encompass a wide range of creative options including compact, wide-aperture prime lenses, zooms for flexible framing and specialist lenses such as fisheye, macro and tilt-shift.
L-series professional f/1.4 wide-angle lens with an Aspherical lens element to correct aberrations. The floating system enables high picture quality to be obtained over the entire focusing range. Autofocusing is quick and quiet with…

Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount)

The newest member of Canon’s Compact-Servo lens family has a focal range of 70–200mm. The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.

Acknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The…

Canon Extender EF 2X III

Designed to extend a lenses focal length by a factor of 2x, the Canon Extender EF 2X III delivers optical performance on par with the finest Canon super telephoto lenses. It features a built-in microcomputer for seamless communication among camera body, lens and extender, features careful lens placement and coatings to minimize ghosting, flare and chromatic aberration, and even has a new Fluorine coating that keeps soiling, smears, fingerprints to a…

Canon CINE-SERVO 50-1000mm 

The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for Super35mm large-format single-sensor cameras and accommodates either broadcast or cinema-style production due to its removable Digital Drive unit. Available in EF- or PL- mount versions, the lens delivering the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of…

Canon CN-E 30-105mm T2.8 L Cinema Zoom Lens

This lens has the Duclos Lenses Multi-Mount modification installed and can be rented in either PL or EF mount.

The compact and lightweight CN-E 30-105mm T2.8 L Cinema Zoom Lens rivals best-in-class zoom magnification and mid-range focal lengths for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and…

Canon Tilt Shift Primes

A professional-grade ultra-wide L-series f/4, for specialists capturing architecture landscapes and interiors. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.

Canon LO-32BMT lens mount adapter

The Canon LO-32BMT lens mount adapter allows standard 2/3" lenses to be used on 1/2" mount cameras such as the Sony XDCAM HD.

Canon CN-E Cine 

The Canon CN-E Cine Prime (EF mount) lenses offer a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.

Intended for the working professional, the Canon Cine prime lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even…

Canon Cine-Servo 25-250MM T2.95 PL Lens w/ 1.5X Extender

The lens covers an extensive 25 to 250mm focal range while featuring a T2.95 to T3.95 aperture from wide to telephoto. Using a 1.5x extender with 10x optical zoom, the telephoto range extends to an impressive 375mm. Like the rest of its cine lens family, the zoom lens creates a soft, pleasing bokeh using an 11-blade iris and a clickless iris ring. The focus ring rotates 180° with smooth operation. An LCD screen on the lens…

Century Precision 0.55X Super Fisheye Adapter

When you need to get the widest possible angle of view, add the Century Precision 0.55X Super Fisheye Adapter to produce an extraordinary degree of barrel distortion with a magnification factor of approximately .55x. For example, adding the Super Fisheye to a 15x8, results in a 116° horizontal angle of view — a remarkable 145° when measured diagonally.

Century Precision 0HD-75CV-EX3 .75X Wide Angle Converter

Century Precision 0HD-75CV-EX3 .75X Wide Angle Converter for Sony PMW-EX1/EX1R/EX3. is a newly designed, lighter weight optical tool for shooting situations that require both a wider angle of view & full zooming capabilities.

The Century Precision 0HD-75CV-EX3 .75X Wide Angle Converter attaches to the front of the lens via the lens bayonet mount for 25% more coverage when set to wide angle, telephoto or…

Century Precision 0.8X HD Wide-Angle Converter for Sony HVR-Z7U

The compact and lightweight Century Precision 0.8X HD Wide-Angle Converter screws onto the front of a 72mm DV/HDV camera zoom lens, effectively shortening its focal length while maintaining full zoom capabilities. Attach the compact Century Precision 0.8X HD Wide-Angle Converter to the front of a lens for 20% more coverage when set to wide angle, telephoto or anywhere in between. This can be especially advantageous…

Cooke SP3

T2.4 Speed Panchro Full Frame spherical prime lenses.
Cooke SP3 is an exciting new lens series based on one of the most influential lenses in film history, Speed Panchro™. SP3 is a completely new design optimised – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories.

Cooke Panchro/i Classic

Lens set includes 18, 25, 32, 40, 50, 65, 75, 100mm

The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern redesign of the vintage classic. We are pleased to welcome Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses to Talamas' rental inventory.

Cooke's new Pancho, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the…

Cooke Anamorphic 8 Special Flair (SF)

Cooke Anamorphic/i lens series set includes: 25mm, 32mm, 40mm, 50mm, 65mm Macro, 75mm, 100mm, 135mm.
The “SF” stands for Special Flair because they allow you to kick the flares, bokeh and other aberrations into new visual territory.   Cooke went one step further with their new Anamorphic/i SF lenses that are specially manufactured with a coating that allows for even more creative options.

…

Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All focal lengths are color balanced, achieving excellent contrast and resolution over the full Super 35 format.

The S4 Prime lenses are equipped with /i Technology. S4/i lenses are designed for all…

Cooke Mini S4/i

Set includes 18mm, 25mm, 32mm, 50mm, 75mm and 100mm
The miniS4/i primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.

High-performing

The same exceptional resolution and optical quality as the S4/i, but at a lower price point.

Lightweight

Enjoy a smaller, lighter lens without…

Cooke S8/I FF

This lens set includes 25, 32, 40, 50, 75, 100, 135.

A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability.

All-Spherical Design

The S8 features premium all-spherical lenses, which produce a uniquely organic, film-like quality, which is…

Cooke Soft Effects Attachment for 65mm & 75mm Cooke S4/S4/i Prime

Soft Effects Attachment for the Cooke S4/i 65mm and 75mm Prime Lenses

The effect of the Cooke Soft Effects Attachment is high resolution with a stunning glow to the highlights.  This is not like the effect obtained with traditional filters.  The image is not fuzzy, soft or screened.  The effect is subtle, but most pronounced wide open, becoming less pronounced as you stop…

DZOFilm Pictor Zoom

DZOFilm Pictor 12-25mm T2.8 S35 Zoom Lens (PL/EF)
DZOFilm Pictor 20-55mm T2.8 S35 Zoom Lens (PL/EF)
DZOFilm Pictor 50-125mm T2.8 S35 Zoom Lens (PL/EF)
Wider, Closer For Deeper Image Immersion

With a minimum focusing distance of 0.4m (15.74’’), less than one arm’s length, the lens enables you to shoot tighter close-ups in limited space environments with the curvature of field being significantly controlled, creating a more subjective…

DZOFilm VESPID

DZOFilm VESPID 25mm T2.1 Lens (PL) (3 Lens Set)
DZOFilm VESPID 50mm T2.1 Lens (PL)
DZOFilm VESPID 75mm T2.1 Lens (PL)
Gorgeous Bokeh, Aesthetic Appeal

Vespid lenses excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing.

GL Optics Laowa 10mm f3.1 LPL Full Frame Lens

Rehoused by GL Optics
First full frame 10mm LPL wide angle lens
Precise rectilinear accuracy 
4" minimum focus distance

Additional features

• It features 15 elements in 9 groups, indicating a complex optical design aimed at minimizing optical aberrations and maximizing image quality.
• It offers a 170-degree focus throw, which allows for precise manual focusing, particularly useful in video…

Fujinon MK50-135mm CINE Lens (E-Mount)

FUJINON MK50-135mm T2.9 achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact &  lightweight body, and excellent cost performance. It suppresses focus shift and optical axis shift while zooming and Lens…

Fujinon MK18-55mm T2.9 Zoom Lens (E-Mount)

The Fujinon MK18-55mm T2.9 Zoom Lens is a lightweight cine zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus…

Fujinon Cabrio 85-300mm T2.9-4 Zoom Lens

While the PL 85-300 is similar in size and weight as the PL 19-90, its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. The Fujinon Cabrio 85-300mm T2.9-4 Zoom Lens offers a focal length of 85-218mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation.

Designed using the latest optical simulation technology, the PL 85…

Fujinon ZK 12x25 Cabrio 25-300 Lens

A 12x PL mount cine lens, starting at 25mm and reaching to 300mm, will give you the versatility to cover a wide variety of shooting situations. The PL 25-300 with its generous focal range, makes it ideal for shooting documentaries, nature and wildlife, and car commercials, as well as the closer shots.

The PL 25-300 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all…

Fujinon Th13x3.5BRMU HD Wide-Angle Zoom Lens

The Fujinon Th13x3.5BRMU HD Wide-Angle Zoom Lens is a 1/3" bayonet mount HD ENG lens. It provides cameras such as the Panasonic HPX300, JVC GY-HD250, and the Sony HVR-Z7U a very high quality alternative and wider picture than the standard issue lens.

Fujinon A10x4.8BEVM-28 Wide-Angle Zoom Lens

The Fujinon A10x4.8BEVM-28 is a wide angle zoom lens with 2x extender for broadcast and television production.

Fujinon wide angel broadcast lens A10x4.8 BEVM-28 with bayonet mount for 2/3″ cameras, focal lengh: 4.8mm-48mm (2x extender 96mm).

QuickZoom Technology

The lens has added capability when zooming, using the QuickZoom switch. At the touch of a button, the lens can move to full telephoto in less…

Fujinon HA18x7.6BERM HD Zoom Lens

With the longest focal length, 137mm (274mm with 2x Extender), and the widest angle of view (64.5 degrees) at 7.6mm, the Fujinon HA18x7.6BERM is an HD standard lens for all high-definition broadcast news and field production applications in 16:9 image format.

Fujinon Cabrio 20-120 T3.5 Zoom Lens

The Fujinon PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens.

The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, and a T Stop of T3.5 end to end.

Videographers used to shooting…

Fujinon HA18x7.6BERM-M48

With broadcasting technology rapidly converting to digital, Fujinon has developed a new digital servo control system, DIGI POWER, to enhance the performance of its zoom lenses. State-of-the-art components including a 32-bit RISC processor in the lens, a CPU in each servo demand, optical encoders and high-speed serial communication devices, together with the newly developed digital control circuit, provide 13-bit accuracy in zoom and focus control as well…

Fujinon Cabrio 19-90mm T2.9 Zoom Lens

The Fujinon Cabrio 19-90mm T2.9 Zoom Lens (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 6 lbs including servo motors, this lens has the longest focal range available in a…

Fujinon HTs18x4.2BRMU 1/3 inch Mount HD Zoom Lens

The Fujinon HTs18x4.2BRMU 1/3 inch Mount HD Zoom Lens provides cameras such as the Panasonic HPX300, JVC GY-HD250 and Sony HVR-Z7U a very high quality alternative to the standard issue lens. The Fujinon HTs18x2.4BRMU HD zoom lens is a high quality 1/3 inch HD ENG/EFP lens without 2X extender featuring Digi Power servo.

Fujinon ACM-17 Lens Adapter

The Fuji ACM-17 Lens adapter can adapt a 2/3" B4 mount lens to a 1/3" HD cameras. Be advised that a magnification of 1.83x the original focal length of the lens will occur.

Fujinon ACM-19 Lens Adapter

The Fujinon ACM-19 is a lens adapter adapter that allows you to mount a 1/2" Sony Hot Shoe mount lens to the HVR-7/S270 Camcorder. Be advised that a magnification of 1.33x the original focal length of the lens will occur.

Fujinon Th13x3.5BRMU

The Fujinon TH13x3.5BRMU is a 13x 1/3" wide-angle high-definition lens designed specifically for JVC's line of ProHD cameras, representing the highest quality optics available for the product. Known for their high build quality and precision optics, Fujinon lenses have become the industry standard for professional video applications all over the world. The focal-length range is 3.5 to 46mm with a minimum object distance of 0.4 meters, or about 1.3 feet.

Fujinon XT17x4.5BRM-K14

Fujinon XT17x4.5brm-k14  high definition broadcast wide angle  lens for 1/3" cameras/camcorders.

Fujinon ACM-21 Lens Adapter

The Fujinon ACM-21 is a lens adapter for the 1/2" CMOS chip PMW-EX3 camcorder. This adapter allows the 1/2" chip camera to utilize high quality 2/3" Fujinon lenses using the B4 mount. Be advised that a magnification of 1.38x the original focal length of the lens will occur.

Fujinon A20x8BDEVM-28B

The Fujinon A20x8BDEVM-28B is a 2/3" HD zoom lens featuring a 20x zoom ratio, fast f/1.7 aperture, integral 2x extender, and servo-driven controls for professional broadcast applications.

Hot Rod PL Mount for Micro 4/3 Cameras

The Hot Rod PL Mount for Micro 4/3 cameras is a click-in/click-out adapter which requires no camera modification and has a unique support foot which when mated with the appropriate support allows you to use all 35mm native PL mount lenses safely. This adapter also allows use of other popular D-Cinema PL mount lenses that are not compatible on 35mm film cameras, such as the Angenieux DP series of lenses (16-42mm and 30-80mm) and the Red Pro Prime…

Hot Rod PL Mount for Sony E-mount Cameras

The Hot Rod PL Mount for Sony E-mount Cameras provides a solid, thermally stable PL mount, precision-machined for accurate flange distance, ensuring secure and professional lens compatibility.

IB/E Optics PLx2 2x Extender

Extending the Focal Length of PL Mount Lenses

Cover big sensors including 4:3 frame of ALEXA

While most extenders can only physically fit on a limited range of lenses, the design of the PLx2 accommodates more spherical and anamorphic PL mount lenses than any other doubler on the market. This is achieved by designing the extender with a deep-set optical assembly, thus, making it possible to use lenses with long protruding…

IRON GLASS Soviet MK-II – 6 Lens Set / FF

New Full Frame, Mark II some are based on Carl Zeiss design, EF & PL Mounts FF & LF sensor coverage. Improved close focus distance.  Used on Dune 2, 2024 Batman 2022. Demo these great lenses!

KINOPTIK 9.8mm Ultrawide (ZERO) / S35

This lens is ideal if you need an ultra wide angle lens to pair with many of our vintage lens sets. This vintage lens is one of the widest rectilinear lenses ever made. This is not a fisheye lens. The lens has no distortion at all, which is amazing considering its age, and speed. It’s quite sharp, but has some bloom wide open. Contrast increases when stopped down.

KONICA HEXANON (Ancient Optics / GL Optics MK-V) – 7 Lens Set / FF

The Konica Hexanons are a set of vintage cinema lenses rehoused in an anodized aluminum housing by Ancient Optics. They cover full frame sensors providing versatility and a smooth, even bokeh throughout the 8-lens set.

Laowa Sword FF Macro Cine Lens

Introducing the Laowa Sword Macro Full Frame Cine series, a groundbreaking collection of macro cine lenses designed for everyone. This versatile lineup spans from wide-angle 15mm, 25mm, and 35mm lenses to longer focal lengths of 60mm, 100mm, and 180mm, providing a comprehensive set for all shooting scenarios. Each lens in the series covers full-frame formats, delivering unparalleled sharpness, stunning color rendition, and exceptional macro…

Laowa 2x Macro

The lens kit comes in 3 distinct lenses including the unique 35-degree tilt view. The Pro2be offers a maximum T8 aperture, 2X magnification and waterproof distance of 36.6cm, pairing perfectly with your high-speed cameras and motion-control system. The distinctive tubular and smartly-twisted lens barrels offer maximum flexibility to explore new perspectives and new heights. It is  the all-in-one solution for capturing a wide range of shots, from extreme close-ups…

Leitz Summicron-C Primes T2

Lens set includes 18, 25, 35, 50, 75, 100mm

The Leitz Summicron-C T2.0 Prime Lenses feature stainless steel PL mounts, which make the lenses compatible with the most commonly used professional digital cinema cameras, including the ARRI Alexa, RED Epic Dragon, Sony F5 and F55, Panasonic Varicam, and Canon C300 PL. They cover a large image circle, over 34mm diameter, which easily covers the Super-35mm format, as well as covering the larger RED…

LOMO Square Front Anamorphic – 3 Lens Set / S35

Lomo Square Front Anamorphic Lens Kit includes 35mm, 50mm, and 80mm.
The famous LOMO Anamorphic lenses are legendary for their personality. These lenses are praised for their quirky, horizontal lens flare and fantastic shallow depth of field. Anamorphics work by “squeezing” the standard image into a skinnier image frame on an applicable 4:3 capable camera. (I.e. the Arri Alexa Mini). Then, “expanding” the image in post to give you…

Lumix S PRO 24-70mm f/2.8

The LUMIX S Pro 24-70mm F2.8 is a large-aperture standard zoom lens that boasts high descriptive performance across the entire zoom range. The optical performance is remarkably high to clear stringent Leica standards. Ensuring versatile use for landscapes, snaps and portraits with its 24-70mm focal length, the lens features stunningly high resolution and high contrast at each focal length point.

Lumix G X Vario II F2.8 12-35mm

The LUMIX G X VARIO II H-HSA12035 Lens features Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design featuring Power O.I.S. with 5-Axis Dual I.S. 2.0 (Image Stabilization) to shoot with unprecedented hand-held stability across both video and stills.

• NANO…

MAMIYA SEKOR-C 645 / Speedboosted (GL Optics MK-V) – 8 Lens Set / FF

Gl Optics Rehoused Vintage Mamiya Sekor-C 645 Speedboost  LPL Mount Full Frame

h1> Metabones Canon EF to Sony NEX Camera Lens Adapter III,/h1>
The Metabones Canon EF to Sony NEX Camera Lens Adapter (Mark III) features true electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. It is powered by camera body. No external power source required. The Metabones Canon EF to Sony NEX Camera Lens Adapter (Mark III)…

Module8 Vari-Look Tuners

L1 - Baltar Variable Look Lens. The L1 look is inspired by The Baltars. It gives you all of the glamour and glowing halation seen in a classic Super Baltar lens. It can evoke emotion by creating the nostalgic warmth, romance, and gritty realism of classic films, like the Godfather. When you max out this look, we like to call it the Wicked Baltars.

L2 - Inspired by Canon K35s, The L2 Tuner is the perfect amount of vintage for professional DP’s…

NIKON/NIKKOR AI-S (GL Optics MK-V) – 9 Lens Set / FF

Vintage Prime lenses rehoused by GL Optics.
The Vintage Nikkor lens set represents a unique combination of sharpness, creamy fall-off, and perfect bokeh elements. With today’s digital sensors, the lens becomes the predominant factor in the picture’s look (or quality). The Vintage Nikkor lenses gives qualities that help gain personality and favorable characteristics, especially in flesh tones. 

The Novoflex Nikon to Micro 4/3 Lens Adaptor allows you to use Nikon lenses on SLR cameras with the Micro Four Thirds lens mount. The adapter ensures a high-precise correction of the flange focal length difference and enables focusing to infinity. Moreover, automatic exposure metering via working aperture and aperture priority is supported.

This Novoflex Adapter for Nikon Lens to Sony NEX Camera makes it possible to mount a Nikon lens to your NEX-3 or NEX-5 camera with a precision mechanical adapter. Such an adapter does not transfer functions from the camera to the lens, such as auto focus, but automatic exposure metering (stop-down metering/aperture priority) is possible. The lens will focus to infinity using this adapter.

P+S Technik Evolution 2X  matching Kowa Anamorphic Lens Set includes 40mm, 50mm, 75mm and 100mm lens set.  Available in PL mount only.

Genuine Anamorphic Look
The look and bokeh of the Evolution lenses matches the genuine anamorphic look of the original lenses. The optical design of the Evolution lenses is based on original optical design and the front anamorphic principles. They are low in contrast and warm in color and can be made to flare.…

Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design to minimize chromatic aberrations and distortion in order to produce sharper images. Additionally, the lens' design features a built-in lens hood and a UMC coating has been applied to the lens elements to reduce surface reflections and prevent lens flare and ghosting for improved light transmission and more contrast-rich imagery.

180° fisheye lens provides a 35mm-equivalent…

Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal…

Sigma Cine Zoom 18-35mm + Sigma Cine Zoom 50-100mm.  Sigma Cine 50-100mm T2.0 is a truly inspiring, general purpose, high speed zoom lens. Perfect for lightweight, solo operation but more than capable of operating in a demanding, professional environment.

With an entirely new mechanical design, the Sigma Cine 50-100mm T2.0 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common…

Sigma Cine zoom 18-35 + Sigma Cine Zoom 50-100   Sigma Cine 18-35mm T2.0 is a truly inspiring, general purpose, high speed zoom lens. Perfect for lightweight, solo operation but more than capable of operating in a demanding, professional environment.

With an entirely new mechanical design, the Sigma Cine 18-35mm T2.0 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common gear…

Sigma Cine Primes range from 14mm to 135mm, all with a common T1.5 maximum aperture (T2.0 for the 14mm and 135mm). With a more than adequate 180 degree focus rotation and a robust mechanical design, the Sigma Cine Primes are an excellent choice for a wide variety of production situations - from small indie projects, up to feature films. Built from scratch, entirely in Sigma's Aizu factory, the Sigma Cine Primes are a tool that cinematographers and ACs are sure to embrace.

F1.4 brightness at wide-open aperture.The large-diameter
wide-angle lens that revealsa new horizon of image quality. An all-new Art line lens featuring F1.4 brightness.
Best-in-class optical performance ideal for nightscapes and cityscapes. Offering best-in-class optical performance, this lens is designed to minimize aberrations for images virtually free of streaking and warping. SIGMA has a proven reputation for wide-angle lens design and manufacturing. Drawing on this experience and…

SIGMA has always leveraged the most advanced optical technologies to offer photographers the highest level of lens performance. Now, SIGMA is proud to offer the first lens in an all-new product line: the 35mm F1.4 DG HSM. This wide-angle F1.4 lens delivers the highest level of brightness and beautiful bokeh effects. It offers the unique characteristics that only a large-aperture F1.4 lens can offer: shallow depth of field along with superior low-light and hand-held performance.

…

SIGMA was the first lens manufacturer to introduce a 50mm F1.4 lens. Now, to create the ultimate go-to lens, we took optical performance and image quality to the limit. The result is a true icon of SIGMA quality. Fulfilling the concept of our Art line at the highest level, the 50mm F1.4 DG HSM is a large-aperture standard lens that delivers top performance. Its outstanding resolution makes it ideal for the high-megapixel era. It delivers exquisitely balanced images with a beautiful bokeh…

Portrait photographers demand the attractive bokeh effect that large-diameter lenses offer, as well as outstanding resolution. Fulfilling the exacting standards of the Art line, the SIGMA 85mm F1.4 DG HSM | Art delivers both of these elements at the highest level. The bokeh effect is so precise, you can focus on the pupil of the subject’s eye while blurring the eyelashes. Adding to the effect, the area in focus is extremely high-resolution while the bokeh area is very attractive in…

With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up.

The VENICE Extension System (CBK-3610XS) enables cabled separation of the VENICE camera body and image sensor block by up to 5.5m with no degradation in image quality.

The Sony 28-135mm F4 Full-frame E-mount Power Zoom Lens has been created to satisfy professional optical and operational requirements for cine productions, including 4K, when matched with a 35mm full frame format camera such as the A7s or a Super 35 format camcorder such as the PXW-FS7. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a…

The Sony VCL-EX0877 HD Wide-Angle Converter is the 0.8X wide conversion lens for the Sony PMW-EX1, PMW-200, and PMW-300. With the Sony VCL-EX0877 mounted to the camera, the focal length becomes 25.1mm to 351mm (31.4mm to 439mm in 35mm equivalent). The camera has an optical specification compensator function. By changing "Wide Conversion" in Camera Set menu "On" manually, chromatic aberration compensation and the image stabilizer mode is optimized for the Sony VCL-EX0877 0.8X HD…

 The Extension Unit offers additional I/O connectors like Timecode and Genlock for multi-camera operation or the possibility to use common V-Mount batteries. It also allows RAW data output to record 12-bit RAW footage on the AXS-R5 (in combination with HXR-IFR5), or another third party RAW recorder via the FS RAW Interface. The XDCA-FS7 will encode the video stream into the Apple…

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The F2.8 70-200mm telephoto zoom like no other. The Sony G Master design and technology in a new constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance.

Sony FE Zoom 24-70mm f/2.8 GM no-compromises Sony design and technology in a new constant F2.8 zoom lens that can fully utilize the performance potential of current and future high-resolution camera bodies.

Sony FE Wide-Angle Zoom 16-35mm f/2.8 GM Sony G…

Superior resolution throughout the image area and an absolute minimum of distortion are achieved by an advanced optical design that features five aspherical elements, including one large AA(advanced aspherical) element and three ED elements.

Wide-angle impact over a useful zoom range A 16 mm to 35 mm wide-angle zoom range, coupled with effective built-in optical image stabilization makes this lens an excellent choice for snapshots, indoor scenes, group shots, landscapes, and more,…

As a G Master lenses, optical performance is prioritized and they emphasize both sharpness and bokeh quality for versatility regardless of subject distance or aperture setting.
Two XA (extreme aspherical) elements, along with one standard aspherical element, promote high sharpness throughout the aperture range, even when working at the bright f/1.8 position. Aspherical elements feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion and…

Its 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.

Close-focus 1:1 reproduction at 11.8" working distance Fast, wide T2.9 to T32 aperture range 
Full-frame 35mm format support, 4K ready …

The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine production and incorporates 0.8 Mod lens gears for…

The compact, lightweight Tokina Cinema 11-16mm T3.0 is not just a simple rehousing of the critically-acclaimed still lens version, rather the lens designers re-engineered it to provide cinematographers the control and performance they have come to expect in lenses that cost 10 times as much. Engineered to offer superb optical 4K performance the 11-16mm T3.0 delivers sharp, consistent images throughout its zoom range by reducing breathing and maintaining focus throughout the zoom range (…

This compact ultra wide-angle zoom has a bright constant f/2.8 aperture make viewing and auto focus possible in lower light situations but still maintaining a reasonable size and weight.

Two Super-Low Dispersion glass elements and two aspheric glass allow the proprietary optical design to achieve excellent contrast and sharpness as well as controlling chromatic aberration.

Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF…

Featuring a 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective the Venus Optics Laowa 24mm f/14 Probe Lens PL Full Frame is an amazing step forward in macro lenses. The wide angle design means much greater depth of field at close distances than possible with conventional telephoto macro lens, so more background details can now be…

VOIGTLANDER ZOOMAR (Ancient Optics / GL Optics MK-V) - 36-82mm FF

Voigtländer Zoomar 36-82mm T3.1. This is one of the oldest zooms ever designed for commercial still photography for the 135 format (Full Frame 36x24mm). It was released in 1959, and was incredibly advanced for its time. The images it makes are still impressive today.

Crucial for any cinema zoom lens, this lens is parfocal. It is sharp on center, with subtle fall-off towards the corners. The lens…

With Zeiss' Compact Prime CP.2 lenses, switching between traditional film and digital PL cine cameras is no longer an issue. The CP.2's improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction,longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect…

We're excited to have added the Zeiss CP.3's to our inventory.  The Zeiss CP3's deliver an exceptionally clean and classic "ZEISS LOOK"  and punch well above their weight.   Each lens covers full frame, are color-matched and have an updated coating and painted rings,  that all but eliminate the well documented chromatic aberration issues of their predecessors. With…

Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime CP.2 Super Speed lenses offer you the performance you need to get the scene right. The CP.2 Super Speed lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras ranging from HDSLR to digital cinema cameras.

The aperture of…

ZEISS SUPERSPEEDS (MK-III) / S35

The famous Zeiss Super Speed Prime Lenses have been in use for decades, and are a great choice for many productions, adding experience and personality to the image. Their fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.

The Mark III version improves on previous housings. They have a gear on the iris ring and a different focus helix thread that allows rotation of nearly a full…

Zeiss lenses are famous for the exceptional quality of the pictures they provide over the entire full frame image field.

Our Zeiss Classic ZF Prime Lenses have been modified to feature a standard 32-pitch focus gear, 80mm front ring, de-clicked and dampened aperture, and stainless steel Canon EF mounts, allowing them to be used with both HDSLR cameras and digital cine cameras, with little to no compromise.

The Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens with EF Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. At 9.84" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and…

ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus.

A new coating for a new look: T* blue

A new coating for a new look: Once we had defined what we wanted to…

18mm, 21mm, 25mm, 29mm, 35mm, 50mm, 65mm, 85mm, 100mm

Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.

ZEISS B-SPEEDS (Ancient Optics / GL Optics MK-V) – 5 Lens Set / S35

The first and oldest generation of the legendary Zeiss "Super Speed" lenses, referred to as "B-Speeds". This set has been reimagined by @ancientoptics and rehoused by @GLOptics, while retaining both the original vintage coating that produces amazing flares, as well as the original rounded nine blade "triangular" iris design that gives a striking rounded triangular bokeh.

Enjoy a big picture of the tiny world: the ZEISS Milvus 2/50M can even transport you to the cosmos mirrored in a small drop of water. As a macro lens, it is the perfect solution for the close range. Used as a standard lens, it portrays the world in all its natural perspectives.

Breathtaking details in close-up and traditional portraits are the strengths of the ZEISS Milvus 2/50M of the type ZEISS Makro-Planar. Thanks to its excellent performance at all ranges this macro…

Whether in its role as a high-precision reproduction lens for technical applications or as a traditional, moderate tele-lens for portraits with shallow depth of field, the ZEISS Milvus 2/100M allows you to delve into both worlds.

The ZEISS Milvus 2/100M of the type ZEISS Makro-Planar is currently the fastest 100 mm macro lens on the market and closes the gap between long range and breathtaking close-up shots. This lens bridges distances and allows unique image compositions…

Perfect for every occasion. With a wide 35 mm focal length, this lens opens up a world of possibilities. From making your portrait subject stand out against the background to capturing high-precision architectural detail and detailed landscape photography – the choice is yours.

From portraits to architecture and landscape photography – the detail provided by this lens never fails to impress. Edge to edge chromatic aberrations are almost completely eliminated. With 14…