ARRI M-Series M18

The M18 combines MAX Technology, True Blue features and a new 1800 W lamp. The result is an exciting new class of HMI that can be powered from most domestic sockets. It is as small as a 1200 W PAR lamphead but with 70% higher light output. Adjustable from 20° to 60° beam angle, the M18 can also be used with 1200 W lamps.
Please specify if you would like the light lamped as 1800 W or 1200 W.

- Lens-less MAX Technology: Easy to use

The Video Devices PIX-E5 combines 4K recording with Full HD, Ultra-Bright IPS Touchscreen technology for a high quality and user-friendly monitor/recorder.

LCD - Detail, Accuracy, Brightness

Discerning cinematographers and videographers need high-resolution, color-accurate, sunlight-viewable monitoring with a wide angle of view.

The PIX-E5 monitor excel in all those aspects with their IPS, 500 nit, 1920x1080, 441 ppi LCD displays.

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Zeiss CP.2 Compact Prime

With Zeiss' Compact Prime CP.2 lenses, switching between traditional film and digital PL cine cameras is no longer an issue. The CP.2's improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction,longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed -…

Canon EOS C300 Mark II Camera EF Mount

The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording…

ARRI Alexa Mini Digital Cinema Camera

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range with the same ALEV III sensor and unrivaled image quality as all other ALEXA models. The ALEXA Mini features a super-lightweight carbon body and titanium PL mount, frame rates of 0.75-200 fps, in-camera recording of ARRIRAW and ProRes (including 4K UHD) and state-of-the-art integrated functions…

Lectrosonics SRb5P Dual-Channel Slot-Mount ENG Receiver

The Lectrosonics SRb5P receiver offers two independent channels and fit into the standard video camera slots found on slot-equipped professional cameras by using the appropriate optional mounting kits. The two audio channels can feed separate inputs or can be mixed internally to feed a single input.

The Lectrosonics SRb5P includes a receiver front end with a more robust RF amplifier stage and tighter IF (…

The DPA 4066 is a headband mounted condenser microphone. The DPA 4066 uses a prepolarized omnidirectional cartridge element with a 5.4mm vertical diaphragm. It is specially designed for maximum performance under the often difficult conditions when mounted directly on the human body. The band is easily bent to fit any head shape, in a tight fixed position.

Special attention has been paid in the design to the humidity problems that often occur in theatrical applications and to…

The DPA 4066 is a headband mounted condenser microphone. The DPA 4066 Miniature Omnidirectional Headset Microphone uses a prepolarized omnidirectional cartridge element with a 5.4mm vertical diaphragm. It is specially designed for maximum performance under the often difficult conditions when mounted directly on the human body. The band is easily bent to fit any head shape, in a tight fixed position.

Special attention has been paid in the design to the humidity problems that often…

The DPA 4099 Microphone for Instrument Miking offers a broad spectrum of uncompromised tonal possibilities depending on the microphone placement. Representing years of research and development, the DPA 4099 condenser microphone feature supercardioid polar patterns for superior gain-before-feedback. Fully capable of handling any saxophone’s dynamic range and fine-grained timbre, these microphones live up to their pedigree with sound as accurate as DPA’s other world-class…

By using original DPA adapters, the d:facto II supercardioid mic head can be used with a variety of other transmitting products. The SL1 adapter ensures perfect mechanic and electronic fitting to wireless systems. With unsurpassed capsule perfection, a three-stage pop-protection grid, perfect shock mounting and an electronic design handling high voltage from the capsule; the d:facto II sounds much more dynamic and distinct than any other wireless, even with entry level systems. The…

The SE5 adapter ensures perfect mechanic fit and electronic optimization to Sennheiser 5200 series wireless bodies. The DPA d:facto II supercardioid mic head can be used with various transmitters using original DPA adapters. With unsurpassed capsule perfection, three-stage pop protection grid, perfect shock mounting and electronics handling high voltage from the capsule; the d:facto II sounds extremely dynamic and distinct. It is not necessarily set to be a wireless mic, since the adapter…

Lectrosonics UM400a Wireless Transmitter Features

The Lectrosonics UM400a implements Digital Hybrid Wireless™ technology in a classic Lectrosonics belt-pack transmitter. A 5-pin input jack provides taps for low impedance dynamic mics, electret lavalier mics with positive or negative bias and line level inputs. Input gain is adjustable over a 43 dB range to perfectly match the audio input level for optimum modulation, minimum distortion and maximum signal to noise ratio. Input levels…

Lectrosonics Venue Wireless Receiver Features

The Venue Receiver system is a modular UHF design that operates with Digital Hybrid Wireless™ transmitters, and a variety of analog transmitters. It consists of a Venue Receiver Master (VRM) and one to six plug-in receiver modules. The VRM includes an antenna multi-coupler, computer communications interface and the mechanical rack mounting for the receiver modules. The VR’s design offers a tremendous degree of flexibility. For…

The ​Sennheiser EK 100 G3's adaptive-diversity technology provides excellent reception at all times. This receiver is designed to securely attach to a camera’s shoe using a clamp mount. The Sennheiser EK 100 G3 also can synchronize to a G3 transmitter with a simple push of a button. The ​Sennheiser EK 100 G3 is compatible with the optional DC 2 external adapter for extended use without batteries where a 12VDC source is available.

Sennheiser EK 100 G3…

Sennheiser SKM 100 G3 Features

Now with infrared sync function, the SKM100-835 G3 can tune to a G3 receiver with a simple push of the receiver’s sync button. Compatible with ew 100 G3 receivers and every vocal style, this hand-held transmitter/microphone combination provides wireless freedom to both performers and presenters alike. With rugged design and powerful sound, it is ideally suited for the stage as it is in the…

The venerable Sennheiser MKH416-P48U3 is a compact pressure-gradient microphone with short interference tube, highly immune to humidity due to its RF condenser design. Featuring high directivity, low self noise, high consonant articulation and feedback rejection, the Sennheiser MKH416-P48U3 can handle difficult exterior filming and reporting conditions without any difficulty. Supercardioid/lobe pattern, matte black finish, supplied with the MZW415 windscreen

Sennheiser …

Lectrosonics Venue Wireless Receiver Features

The Venue wireless receiver system is a modular UHF design that operates with Digital Hybrid Wireless™ transmitters, and a variety of analog transmitters. It consists of a Venue Receiver Master (VRM) and one to six plug-in receiver modules. The VRM includes an antenna multi-coupler, computer communications interface and the mechanical rack mounting for the receiver modules.
 

The VR’s design offers a tremendous degree of…

Unusually low coloration of off-axis sound since the pickup angles at low and high frequencies are kept reasonably similar to one another: At medium frequencies the directivity of the Schoeps CMIT 5U Condenser Microphone is higher than one would expect from a microphone of this length, while at high frequencies the pickup pattern is not as narrow as with long shotgun microphones. Thus in active scenes it is easier to cue the boom and keep actors ”on mike.” Schoeps sound…

Sony PXW-FS5 4K Super 35 Camera

A handheld camera should be able to get you into tight places. To work in your lap. To move with the talent. To shoot high and low angles with equal agility. And a handheld camera should function beautifully against your chest or shoulder, comfortably steadied by your right hand with all the controls at your fingertips. Sony’s extraordinary PXW-FS5 does all of this, and more.

• Ultimate mobility:…

The ARRI LMB-15 is the perfect choice for those requiring a lightweight clamp-on mattebox solution. The 4 x 5.65 horizontally oriented filter trays slide into heavy duty machined guides with ease. The LMB-15 can be rapidly configured for two or three stage capacity.

The LMB-15 is compatible with LMB-5 filter trays, clamp adapter backs and carbon fiber light shields. For greater flexibility, the new 130mm back also works with clamp-on rings from the MB-20 system. The LMB-15 accepts…