The Sound Devices PIX 240 video recorder adds Quicktime recording using Apple ProRes or Avid DNxHD to any HDMI-or HD-SDI equipped high-definition video camera. The portable PIX 240 (HDMI and HD-SDI) record Quicktime files to CompactFlash cards or removable 2.5-inch solid-state hard drives.

Apple ProRes and Avid DNxHD video formats have emerged as industry standards. These I-frame codecs offer the best in picture quality, processing efficiency, and data storage requirements. They are…

The modular ARRI MFF-2 HD is a lightweight, single-sided follow focus unit for small video cameras and DSLRs. The ARRI MFF-2 HD Mini Follow Focus has a gear ratio of 1:1 for smaller video lenses.

ARRI MFF-2 HD Mini Follow Focus Features

• Unique space-saving, snap-on bridge mechanism
• Choice of three different focusing knobs (standard, hard stop, 2-speed)
• Reversing feature for Nikon and Leica lenses
• Compatible with a wide range of ARRI driver…

LitePanels MicroPro LED Camera Light

The LitePanels MicroPro LED Camera Light runs off 6 standard AA batteries. The MicroPro daylight on-camera lighting fixtures harness the company’s proprietary LED technology in ultra-lightweight, compact package. With twice the illumination of the Litpanels Micro, the LitePanels MicroPro LED Camera Light offers luminous, soft, directional lighting, with the same warmth and great color characteristics that made Litepanels an integral part…

Litepanels Micro LED Light

The Litepanels Micro LED Light runs off standard AA batteries. An integrated dimmer dial conveniently located at the top of the Micro housing puts instant 100% to 0 dimming with minimal color shift right at the operator's fingertips. Output is flicker-free and heat- free and remains consistent. For additional control, a flip down filterholder allows for work with the three included color/diffusion gels.

The Fujinon ERD-T22 Remote Zoom Control is a B4 type zoom demand designed to be used in HDTV/Broadcast digital lens control kits, including the Fujinon MS-11, SS-11, SS-13A. The demand provides precision zoom control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Fujinon SRD-92B Remote Zoom Control servo zoom demand is a robust professional grade zoom demand for use with all Fujinon Professional and some Broadcast lenses which feature an 8 pin connection. The Fujinon SRD-92B Remote Zoom Control provides super smooth variable speed zoom control via an ergonomic thumb grip. A potentiometer allows further control of the maximum zoom speed. There are buttons for record stop / start as well as return video. A heavy duty clamp system allows…

The Denecke Dcode SB-T Time Code and Video Sync Generator reads, generates and jams to all the standard frame rates including 23.976 for High Definition Video. The outputs include Time Code and Video Sync in PAL and NTSC, as well as Trilevel for HD shoots. The Temperature Compensated Crystal Oscillator (TCXO) ensures low drift. High stability and ease of use makes it a welcome addition to any Hi Def or Standard Def shoot!

Denecke Dcode SB-T Time Code and Video Sync Generator…

The Canon ZSD-300D is a digital zoom servo demand for Canon lens controller kits.

The Shure ULXD1 Beltpack Transmitters with Shure ULXD4Q 4 Channel Receiver system offers uncompromising 24-bit audio clarity and extremely efficient RF performance with single, dual, and quad channel receivers for any size professional sound reinforcement application. Scalable, intelligent hardware delivers the best performing digital wireless available, with a wide selection of trusted Shure microphones to choose from. Unmatched spectrum efficiency enables a dramatic increase in the number…

The Shure ULXD1 Beltpack Transmitters ULXD2 Handheld Transmitters Beta 87C Heads ULXD4Q 4 Channel Receiver system offers uncompromising 24-bit audio clarity and extremely efficient RF performance with single, dual, and quad channel receivers for any size professional sound reinforcement application. Scalable, intelligent hardware delivers the best performing digital wireless available, with a wide selection of trusted Shure microphones to choose from. Unmatched spectrum efficiency…

Canon L Series EF Zoom

Series includes:
EF 8-15mm f/4L Fisheye USM, EF 11-24mm f/4L USM, EF-S 10-22mm f/3.5-4.5 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 24-70mm f/2.8L II USM, EF 24-105mm f/4L IS USM, EF 24-105mm f/4L IS II USM, RF 24-105mm f/4L IS USM,  EF 70-200mm f/4L IS USM, EF 70-200mm f/2.8L IS II USM, EF 100-400mm f/4.5-5.6L IS II USM,  EF 200-400mm f/4L IS USM, Extender 1.4x 

For filmmakers and photographers who want the look and feel…

The Shure ULXD2 Handheld Transmitters with Beta 87C heads with Shure ULXD4Q 4 Channel Receiver system offers uncompromising 24-bit audio clarity and extremely efficient RF performance with single, dual, and quad channel receivers for any size professional sound reinforcement application. Scalable, intelligent hardware delivers the best performing digital wireless available, with a wide selection of trusted Shure microphones to choose from. Unmatched spectrum efficiency enables a dramatic…

The DPA 4088 is a miniature cardioid headband built on the finest DPA experiences in microphone design and manufacturing, providing the best sounding directional headworn microphone available today for performing talent of various sorts. Open, natural and reliable are the most describing words for this microphone. The high quality of the microphone itself means, that you will hear the sound of the voice right away - not the microphone. In acoustically demanding live performance environments…

The Beyerdynamic DT109 Double-Muff Headset is the worldwide headset standard for live, remote broadcasting, studio, film, TV and language lab applications. Highly sensitive headphone and microphone transducers. Excellent ambient noise attenuation. Capable of handling very high SPL. Rugged construction. Excellent comfort for long-term wearing. Modular construction for easy servicing. Available for Clearcom and RTS systems.

…

Fujinon Cabrio 19-90mm T2.9 Zoom Lens

The Fujinon Cabrio 19-90mm T2.9 Zoom Lens (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 6 lbs including servo motors, this lens has the longest focal range available in a…

The Electro-Voice RE50 is a specially shock-isolated, omnidirectional, dynamic microphone. An advancement in shock-mounting techniques, they were designed particularly for hand-held broadcast and sound reinforcement use. All handling noises, clothing noises, and even cord shock have been isolated from the microphone element so that mechanical induced noise is greatly reduced. By use of a high-mass zinc internal acoustic chamber, shock-mounted within the machined aluminum outer casing, the…

The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Shure Beta 87A combines superb performance with the ruggedness needed for touring and field production.

The Shure Beta 87A features a controlled low-frequency roll-off…

The ARRI LMB-25 is a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15, while retaining the low price tag of an entry-level LMB-5.

ARRI LMB-25 Light Weight Mattebox Features

• 2- or 3-filter metal filter stage guide
• Combo 4x4 / 4x5.65" filter frames
• Compatible with all LMB-5/15 filter frames, Clamp Adapters and light shields
• Wide angle hood easily removable on set with captive screws
• Securing loop on…

The ARRI MB-28 is a compact matte box designed to cover the largest cine zoom lenses. The MB-28 is available with a three-filter stage and a swing-away system. Natively designed for 6.6" x 6.6" filters, the MB-28 can be made compatible with all sizes of industry-standard filters.

ARRI MB-28 Compact Matte Box Features

• 6.6" x 6.6" wide-angle compact swing-away matte box
• Two rotatable filter frames for use with polarizing and grad filters
• Rear bellows hold 6"…

The ARRI MMB-2 is a very lightweight and compact matte box. The reduction/ Clamp-on rings are made out of composite material and are designed to clamp the Mini Matte Box MMB-2 on Cine style lenses. The reduction/ Clamp-on rings are not suitable for Stills photography lenses with a front filter thread. The stills Lens Clamp-on Rings screw on the front filter thread of Stills lenses to offer a standard front diameter of 114mm. The Stills Lens Clamp-on Rings can be used as straight clamp-on…