Zeiss Classic Cine-Mod

Zeiss lenses are famous for the exceptional quality of the pictures they provide over the entire full frame image field.

Our Zeiss Classic ZF Prime Lenses have been modified to feature a standard 32-pitch focus gear, 80mm front ring, de-clicked and dampened aperture, and stainless steel Canon EF mounts, allowing them to be used with both HDSLR cameras and digital cine cameras, with little to no…

Panasonic VariCam 35 4K Camera / Recorder

The VariCam 35 features superb image handling in multiple formats ranging from pristine 4K RAW to 4K, UHD, 2K, HD and ProRes capture formats making it an unparalleled tool for high-end filmmaking, commercials, episodic production and live 4K events. The VariCam 35 system includes AU-V35C1G s35mm 4k camera head, the AU-VREC1G recorder, AU-VCVF1G OLED viewfinder, and the AU-VSHL1G shoulder pad/tripod mount.

The VariCam…

RED RAVEN 4.5K Digital Cinema Camera

RED RAVEN delivers the creative flexibility and cinematic image quality that has come to be synonymous with RED®. RED RAVEN is an unprecedented 4.5K digital camera, ideal for the passionate and professional alike. Capable of capturing high resolution motion and stills in 4.5K Full Frame at up to 120 frames per second (fps)—or 2K Full Frame at up to 240 fps—RED RAVEN harnesses the raw power of the RED DRAGON®, DxOMark’s highest rated…

ZEISS SUPERSPEEDS (MK-III) / S35

The famous Zeiss Super Speed Prime Lenses have been in use for decades, and are a great choice for many productions, adding experience and personality to the image. Their fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.

The Mark III version improves on previous housings. They have a gear on the iris ring and a different focus helix thread that allows rotation of nearly a full…

Panasonic Varicam LT 4K Digital Cinema Camera

Full HD 5-inch LCD Monitor with Waveform.
The most effective tool for framing, focusing and exposing your image.

Model: MON-502
Input: SDI, HDMI
Output: SDI, HDMI
Display: 5-inch, 1920x1080, 8-bit, 400nits

The SmallHD 502 is the lightest 5-inch, 1080p Full HD field monitor with color capabilities that rival OLED technology. It's a mere 7.4 oz light and is able to reproduce 100% Rec 709 color.

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Full HD 7-inch LCD Monitor with 1000 NITs Brightness.
The sharpest daylight viewable on-camera monitor.

Model: MON-702
Input: SDI, HDMI
Output: SDI, HDMI
Display: 7-inch, 1920x1080, 1000nits with anti-reflective coating

The SmallHD 702 Bright is the first of a new line of feature rich 7-inch monitors, the 700 Series. With a 1000nits, 1920x1080 LCD, the 702 Bright is pixel perfect for daylight…

The Ronford Baker Heavy Duty Standard Tripod is designed for full studio, video and all 35mm and 65mm film cameras. Castings are LM25 anodized, stove enameled black texture. Tubes are 1” dia x 16swg HE30TF alloy, polished and anodized, with nylon wipers and nylon locking pads. Stainless Steel spikes to feet, with rubber covers. Locking levers are anodized and stove enamelled black texture. All steel parts are hardened where necessary, and chrome plated. 

The Tiffen 4x5.65 Clear Premium Filter helps protect your lens from dust, scratches, dirt, moisture, fingerprints and more.

As a monitor, the Convergent Design Odyssey 7Q features a 7.7” OLED screen with 1280x800 resolution. Additional exposure aids include a programmable false color mode, zebras a waveform monitor (luma or RGB parade) and a histogram (luma or RGB parade). There are also LUTs built in for proper viewing of the LOG and RAW modes available from numerous popular cameras, with programmable LUTs coming in the future. For precision focusing use our pixel zoom with two levels of magnification and a…

The ARRI LMB-4A is a 6.6"x6.6" lightweight matte box. The ARRI LMB-4A is designed for extreme wide angle lenses and can only be used by clipping on the lens directly. It will fit lens diameters of a range from 80mm – 130mm these include Zeiss and Cooke lenses. The ARRI LMB-4A has a wide shade that also fits the ARRI/Zeiss Ultra Prime 8R.

The Samurai Blade offers a 1280 x 720 SuperAtom IPS touchscreen, at 325ppi 179-degree viewing, 400nit brightness and multi-frequency (48/50/60Hz) operation, depending on video input, giving super smooth monitoring and playback. The capacitive touch panel gives lightning-quick response times and gesture capability.

Packed into the light and mobile camera-mountable Samurai Blade are all the essential tools you need to set up on-site accurate colors and exposure including full waveform…

The Lambda is a Nodal Swing Head ideally suited for 35mm digital cinema cameras fully equipped with long lenses, mattebox, etc.

Providing a high level of operational flexibility, this Fluid Head can be easily fitted to a wide range of supports including tripods, dollies, cranes and camera cars. The mounting can be inverted in under-slung position for low line positioning and allow the camera to be moved all the way to the ground and provide for accurate images which…

Canon CN-E 30-105mm T2.8 L Cinema Zoom Lens

This lens has the Duclos Lenses Multi-Mount modification installed and can be rented in either PL or EF mount.

The compact and lightweight CN-E 30-105mm T2.8 L Cinema Zoom Lens rivals best-in-class zoom magnification and mid-range focal lengths for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and…