Zeiss Supreme Prime

18mm, 21mm, 25mm, 29mm, 35mm, 50mm, 65mm, 85mm, 100mm

Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.

Tokina 11-16mm F2.8 AT-X 116 PRO DXII EF Lens

This compact ultra wide-angle zoom has a bright constant f/2.8 aperture make viewing and auto focus possible in lower light situations but still maintaining a reasonable size and weight.

Two Super-Low Dispersion glass elements and two aspheric glass allow the proprietary optical design to achieve excellent contrast and sharpness as well as controlling chromatic aberration.

Tokina’s exclusive One-touch Focus Clutch Mechanism…

Tokina 11-16mm T3 Cinema Lens PL Mount

The compact, lightweight Tokina Cinema 11-16mm T3.0 is not just a simple rehousing of the critically-acclaimed still lens version, rather the lens designers re-engineered it to provide cinematographers the control and performance they have come to expect in lenses that cost 10 times as much. Engineered to offer superb optical 4K performance the 11-16mm T3.0 delivers sharp, consistent images throughout its zoom range by reducing breathing and…

Kessler CineDrive is a revolutionary multi-axis camera motion control system that puts the emphasis on filmmaker creativity. Never before has any one system provided the power and versatility required to give users multi-axis control that is configurable enough to meet the needs of filmmakers in the studio and in the field as elegantly as CineDrive does.

LOMO Square Front Anamorphic – 3 Lens Set / S35

Lomo Square Front Anamorphic Lens Kit includes 35mm, 50mm, and 80mm.
The famous LOMO Anamorphic lenses are legendary for their personality. These lenses are praised for their quirky, horizontal lens flare and fantastic shallow depth of field. Anamorphics work by “squeezing” the standard image into a skinnier image frame on an applicable 4:3 capable camera. (I.e. the Arri Alexa Mini). Then, “expanding” the image in post to give you…

This handheld stabilization system includes a Gimbal Rig Vest and STABIL Arm with an 11-38 lb payload capacity for your camera gimbal, and a standard lockable camera hook. The Easyrig STABIL Arm is incorporated into the Easyrig system to make the weight distribution as even and ergonomic as possible. It features a standalone payload capacity of 11-55 lb. With the Gimbal rig vest and the Vario 5 system, STABIL weighs 17.6 lb, with a maximum camera payload of 11-38 lb.

Sony Rialto Extension System For Venice

The VENICE Extension System (CBK-3610XS) enables cabled separation of the VENICE camera body and image sensor block by up to 5.5m with no degradation in image quality.
The kit consists of a front panel cover, image sensor block case and a 2.7m (9 ft) cable with an additional 2.7m (9 ft) extension cable.

Canon Tilt Shift Primes

A professional-grade ultra-wide L-series f/4, for specialists capturing architecture landscapes and interiors. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.

A third axis for Lambda 25

Allows nodal setting in 3 axis of rotation as if included in a sphere, can be mounted on existing Lambda 25 by simply disassembling the 2 L shaped frames and inserting the Dutch axis in between.

Ideal for underslung use on dollies or cranes.

Two counterweights of 1 kg each complete the package.

The innovative lightweight LAMBDA 25 represents the ideal solution for Cameras up the 25 kg (55 lbs). 

LAMBDA 25 inherits all the classic LAMBDA features with the addi on of pan and lt pierced rotation
axis to allow the cable passage and a no limit multiple 360 rotation. 

The patented CARTONI Fluid drag system is continuous on both axis. 

The LAMBDA 25 Head can be mounted on any classic support as Tripods or Dollies or used in underslung position from…

The SLi Series Blocks are the most versatile Block Battery designed for cinematic production applications. Utilizing innovative design concepts, the SLi Series provides an advanced feature set including QuickCell modularity and AutoBalance technology, at the same time. The SLi-D600 comes standard with multiple simultaneous voltage outputs, a nominal 16vdc output and a regulated 28vdc output.

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The Bolt XT satisfies the needs of the most discerning professionals, from powerful software tools and rock-solid performance to smart power options and backward compatibility.

A key feature of the Bolt XT is its backward compatibility with any Bolt of the same range, Sidekick II / LT / XT, and 703 Bolt, giving users more flexibility building onto their existing systems or linking with others already on set. Unlike alternative wireless video systems, Bolt XT includes a unique AES 128…

The DM240 is a durable, lightweight, efficient, and color critical professional broadcast monitor. Industry leading fast mode processing, a durable all metal chassis, and Flanders Scientifics most advanced feature set make the DM240 ideal for applications ranging from production to post.

FS-HDR, a 1RU, rackmount, universal converter/frame synchronizer.

FS-HDR, a 1RU, rack-mount, universal converter/frame synchronizer, is designed specifically to meet the HDR (High Dynamic Range) and WCG (Wide Color Gamut) needs of broadcast, OTT, post and live event AV environments, where real time, low-latency processing and color fidelity is required for 4K/UltraHD/2K/HD/SD and 2K/HD/SD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered…

Panasonic AG-CX350 4k Camera

High-End 1.0-type Handheld Camcorder 4K/HDR/10-bit Capabilities. 
Supports IP Control, NDI | HX and RTMP Streaming.

A new CX Series camcorder offering 4K/HDR/10-bit image quality and live recording/IP connection usability to deliver next-generation creativity and connectivity. Panasonic developed the new CX Series of handheld camcorders, spearheaded by the AG-CX350, to fuse video, on-air broadcasting, and communication for the…

Dual video and audio processors offering huge flexibility and the power to adapt to meet the needs of rapidly changing environments, FS2 offers unprecedented conversion and frame synchronization power in a 1RU space.

IB/E Optics PLx2 2x Extender

Extending the Focal Length of PL Mount Lenses

Cover big sensors including 4:3 frame of ALEXA

While most extenders can only physically fit on a limited range of lenses, the design of the PLx2 accommodates more spherical and anamorphic PL mount lenses than any other doubler on the market. This is achieved by designing the extender with a deep-set optical assembly, thus, making it possible to use lenses with long protruding…

Atlas Lens Co. Full Frame Extender (PL) for Atlas Anamorphic A Set

Full Frame Extender (PL) for Atlas Anamorphic A Set will allow the company’s 2x anamorphic lenses (32mm to 100mm) to cover new LF-sized sensors like the ARRI LF, Sony VENICE, RED Monstro, and Kinefinity LF without vignetting.  Including Sony a7 series and other full frame mirrorless cameras.

P+S Technik Evolution 2X matching Kowa Anamorphic

P+S Technik Evolution 2X  matching Kowa Anamorphic Lens Set includes 40mm, 50mm, 75mm and 100mm lens set.  Available in PL mount only.

Genuine Anamorphic Look
The look and bokeh of the Evolution lenses matches the genuine anamorphic look of the original lenses. The optical design of the Evolution lenses is based on original optical design and the front anamorphic principles. They are low…

Tokina Cinema ATX 11-20mm Wide T2.9 PL Mount

The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine…